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Languages : fr
Pages : 5
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Languages : fr
Pages : 5
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Author: Edith Wharton
Publisher: Theclassics.Us
ISBN: 9781230362700
Category :
Languages : en
Pages : 64
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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1897 edition. Excerpt: ... BRIC-A-BRAC IT is perhaps not uninstructiv-e to note that we have no English word to describe the class of household ornaments which French speech has provided with at least three designations, each indicating a delicate and almost imperceptible gradation of quality. In place of bric-a-brac, bibelots, objets d'art, we have only knickknacks--defined by Stormonth as "articles of small value." This definition of the knick-knack fairly indicates the general level of our artistic competence. It has already been said that cheapness is not necessarily synonymous with trashiness; but hitherto this assertion has been made with regard to furniture and to the other necessary appointments of the house. With knickknacks the case is different. An artistic age will of course produce any number of inexpensive trifles fit to become, like the Tanagra figurines, the museum treasures of later centuries; but it is hardly necessary to point out that modern shop-windows are not overflowing with such immortal toys. The few objects of art produced in the present day are the work of distinguished artists. Even allowing for what Symonds calls the " vicissitudes of taste," it seems improbable that our commercial knick-knack will ever be classed as a work of art. It is clear that the weary man must have a chair to sit on, the hungry man a table to dine at; nor would the most sensitive judgment condemn him for buying ugly ones, were no others to be had; but objects of art are a counsel of perfection. It is quite possible to go without them; and the proof is that many do go without them who honestly think to possess them in abundance. This is said, not with any intention of turning to ridicule the natural desire to " make a room look pretty," but merely with the...
Author: Parke-Bernet Galleries
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Languages : en
Pages :
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Author: Parke-Bernet Galleries
Publisher:
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Category : Art objects
Languages : en
Pages : 86
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Author: Edith Wharton
Publisher: Charles Scribner
ISBN:
Category : Interior decoration
Languages : en
Pages : 350
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Author: Ogden Codman
Publisher: Prabhat Prakashan
ISBN:
Category : Political Science
Languages : en
Pages : 223
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First published in the year 1897, 'The Decoration of Houses' is a joint effort of renowned writer Edith Wharton and his friend Ogden Codman. This book guides the readers about ways in which one can design the aesthetics of their dream house.
Author: Edith Wharton
Publisher: Read Books Ltd
ISBN: 1446545814
Category : Design
Languages : en
Pages : 201
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This classic works on The Decoration of Houses was originally published in 1897, With chapters including; The Historical Tradition - Rooms in general - Entrance and Vestibule and The school room & nurseries much of the information is still useful and practical today. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Ogden Codman Wharton
Publisher: anboco
ISBN: 3736407548
Category : Fiction
Languages : en
Pages : 277
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The Historical Tradition Rooms in General Walls Doors Windows Fireplaces Ceilings and Floors Entrance and Vestibule Hall and Stairs The Drawing-room, Boudoir, and Morning-room Gala Rooms: Ball-room, Saloon, Music-room, Gallery The Library, Smoking-room, and "Den" The Dining-room Bedrooms The School-room and Nurseries Bric-à-Bracooms may be decorated in two ways: by a superficial application of ornament totally independent of structure, or by means of those architectural features which are part of the organism of every house, inside as well as out. In the middle ages, when warfare and brigandage shaped the conditions of life, and men camped in their castles much as they did in their tents, it was natural that decorations should be portable, and that the naked walls of the mediæval chamber should be hung with arras, while a ciel, or ceiling, of cloth stretched across the open timbers of its roof. When life became more secure, and when the Italian conquests of the Valois had acquainted men north of the Alps with the spirit of classic tradition, proportion and the relation of voids to masses gradually came to be regarded as the chief decorative values of the interior. Portable hangings were in consequence replaced by architectural ornament: in other words, the architecture of the room became its decoration. This architectural treatment held its own through every change of taste until the second quarter of the present century; but since then various influences have combined to sever the natural connection between the outside of the modern house and its interior. In the average house the architect's task seems virtually confined xx to the elevations and floor-plan. The designing of what are to-day regarded as insignificant details, such as mouldings, architraves, and cornices, has become a perfunctory work, hurried over and unregarded; and when this work is done, the upholsterer is called in to "decorate" and furnish the rooms.
![Verrerie, bibelots, argenterie et objets de décoration, tapisserie et tapis, mobilier, tableaux, livres et vins, sculptures, tableaux ancienes, art graphique .......[Palais des Beaux-arts, 1991]. PDF](https://books.google.com/books/content/images/frontcover/HwLvjgEACAAJ?fife=w80-h100)
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Languages : fr
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Pages : 0
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