Author: Fiona Sampson
Publisher: Random House
ISBN: 1448138663
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
British poetry is enjoying a period of exceptional richness and variety. This is exciting but it's also confusing, and throws up the need for an enthusiastic guide that can explain and celebrate the many parallel poetry projects now underway. Beyond the Lyric does just that. This is a book of enthusiasms: an intelligent and witty map of contemporary British poetry and a radical, accessible guide to living British poets, grouped for the first time according to the kind of poetry they write. In a series of groundbreaking new classifications, beginning with the bread-and-butter diction of the Plain Dealers and ending on the capacious generosity of the Exploded Lyric, it examines the broad range of contemporary tendencies – from the baroque swagger of the Dandies to the restrained elegance of the Oxford Elegists; from the layered, haunting verse of Mythopoesis to the inventive explorations of the New Formalists. By probing the cultural context from which these groups emerge and shifting the critical focus back to the work itself, Sampson’s astute analysis illuminates and demystifies each of these terms and asks the big questions about what makes a poem. The result is a celebration of poetry as a connected, responsive and above all communitarian form. Lively, engaging and inviting, this is the indispensible and authoritative guide for anyone who's ever wondered what's going on in British poetry today.
Beyond the Lyric
Author: Fiona Sampson
Publisher: Random House
ISBN: 1448138663
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
British poetry is enjoying a period of exceptional richness and variety. This is exciting but it's also confusing, and throws up the need for an enthusiastic guide that can explain and celebrate the many parallel poetry projects now underway. Beyond the Lyric does just that. This is a book of enthusiasms: an intelligent and witty map of contemporary British poetry and a radical, accessible guide to living British poets, grouped for the first time according to the kind of poetry they write. In a series of groundbreaking new classifications, beginning with the bread-and-butter diction of the Plain Dealers and ending on the capacious generosity of the Exploded Lyric, it examines the broad range of contemporary tendencies – from the baroque swagger of the Dandies to the restrained elegance of the Oxford Elegists; from the layered, haunting verse of Mythopoesis to the inventive explorations of the New Formalists. By probing the cultural context from which these groups emerge and shifting the critical focus back to the work itself, Sampson’s astute analysis illuminates and demystifies each of these terms and asks the big questions about what makes a poem. The result is a celebration of poetry as a connected, responsive and above all communitarian form. Lively, engaging and inviting, this is the indispensible and authoritative guide for anyone who's ever wondered what's going on in British poetry today.
Publisher: Random House
ISBN: 1448138663
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
British poetry is enjoying a period of exceptional richness and variety. This is exciting but it's also confusing, and throws up the need for an enthusiastic guide that can explain and celebrate the many parallel poetry projects now underway. Beyond the Lyric does just that. This is a book of enthusiasms: an intelligent and witty map of contemporary British poetry and a radical, accessible guide to living British poets, grouped for the first time according to the kind of poetry they write. In a series of groundbreaking new classifications, beginning with the bread-and-butter diction of the Plain Dealers and ending on the capacious generosity of the Exploded Lyric, it examines the broad range of contemporary tendencies – from the baroque swagger of the Dandies to the restrained elegance of the Oxford Elegists; from the layered, haunting verse of Mythopoesis to the inventive explorations of the New Formalists. By probing the cultural context from which these groups emerge and shifting the critical focus back to the work itself, Sampson’s astute analysis illuminates and demystifies each of these terms and asks the big questions about what makes a poem. The result is a celebration of poetry as a connected, responsive and above all communitarian form. Lively, engaging and inviting, this is the indispensible and authoritative guide for anyone who's ever wondered what's going on in British poetry today.
Lyric Poetry
Author: Chaviva Hošek
Publisher: Ithaca : Cornell University Press
ISBN:
Category : Lyric poetry
Languages : en
Pages : 392
Book Description
Publisher: Ithaca : Cornell University Press
ISBN:
Category : Lyric poetry
Languages : en
Pages : 392
Book Description
John Prine - Guitar Songbook
Author: John Prine
Publisher: Hal Leonard Corporation
ISBN: 1540045552
Category : Music
Languages : en
Pages : 158
Book Description
(Guitar Collection). John Prine has been a pillar of American folk music for close to 50 years. His storytelling song style is loved by millions for its honest charm, insight and wit. This collection of 15 transcriptions features some of the best songs of his career, transcribed note-for-note in standard notation and tab. Now you can learn the licks, chords and lyrics just the way Prine plays and sings them! Songs include: Angels from Montgomery * Illegal Smile * In Spite of Ourselves * Paradise * Sam Stone * and more.
Publisher: Hal Leonard Corporation
ISBN: 1540045552
Category : Music
Languages : en
Pages : 158
Book Description
(Guitar Collection). John Prine has been a pillar of American folk music for close to 50 years. His storytelling song style is loved by millions for its honest charm, insight and wit. This collection of 15 transcriptions features some of the best songs of his career, transcribed note-for-note in standard notation and tab. Now you can learn the licks, chords and lyrics just the way Prine plays and sings them! Songs include: Angels from Montgomery * Illegal Smile * In Spite of Ourselves * Paradise * Sam Stone * and more.
Lyrics & Prose
Author: Ric Ocasek
Publisher: Penguin
ISBN: 1101614900
Category : Music
Languages : en
Pages : 319
Book Description
Emerging from the New Wave music scene of the late ‘70s, The Cars catapulted to success with the very first single—“Just What I Needed”—off of their debut album. Led by Ric Ocasek, the lead vocalist (along with Benjamin Orr), rhythm guitarist, and songwriter, The Cars became one of the most successful bands of the ‘80s—and their songs are just as beloved by fans today. Ocasek himself has had an illustrious career beyond The Cars, from writing and performing solo work, publishing poetry in Granta and elsewhere, and producing albums by musical artists like Weezer, Hole, Guided By Voices, and Jonathan Richman. In Lyrics & Prose, Ocasek collects his lyrics together for the first time—and included throughout are Ocasek’s early handwritten notes and set lists, doodles and all. His work spans from The Cars’ self titled debut album in 1978 to Move Like This, released in 2011, as well as Ocasek’s six solo albums. This is not merely a songbook for fans of The Cars, however: Ocasek is a versatile and affecting poet as well as songwriter, and his original verses—interspersed with album artwork and more than twenty-five beautiful black and white photographs—round out this beguiling book.
Publisher: Penguin
ISBN: 1101614900
Category : Music
Languages : en
Pages : 319
Book Description
Emerging from the New Wave music scene of the late ‘70s, The Cars catapulted to success with the very first single—“Just What I Needed”—off of their debut album. Led by Ric Ocasek, the lead vocalist (along with Benjamin Orr), rhythm guitarist, and songwriter, The Cars became one of the most successful bands of the ‘80s—and their songs are just as beloved by fans today. Ocasek himself has had an illustrious career beyond The Cars, from writing and performing solo work, publishing poetry in Granta and elsewhere, and producing albums by musical artists like Weezer, Hole, Guided By Voices, and Jonathan Richman. In Lyrics & Prose, Ocasek collects his lyrics together for the first time—and included throughout are Ocasek’s early handwritten notes and set lists, doodles and all. His work spans from The Cars’ self titled debut album in 1978 to Move Like This, released in 2011, as well as Ocasek’s six solo albums. This is not merely a songbook for fans of The Cars, however: Ocasek is a versatile and affecting poet as well as songwriter, and his original verses—interspersed with album artwork and more than twenty-five beautiful black and white photographs—round out this beguiling book.
Life Beyond the Lyric
Author: Donald James Loewen
Publisher: Ann Arbor, Mich. : University Microfilms International
ISBN:
Category :
Languages : en
Pages : 380
Book Description
Publisher: Ann Arbor, Mich. : University Microfilms International
ISBN:
Category :
Languages : en
Pages : 380
Book Description
The Lyric Theory Reader
Author: Virginia Walker Jackson
Publisher: JHU Press
ISBN: 1421412004
Category : Literary Criticism
Languages : en
Pages : 678
Book Description
Reading lyric poetry over the past century. The Lyric Theory Reader collects major essays on the modern idea of lyric, made available here for the first time in one place. Representing a wide range of perspectives in Anglo-American literary criticism from the twentieth and twenty-first centuries, the collection as a whole documents the diversity and energy of ongoing critical conversations about lyric poetry. Virginia Jackson and Yopie Prins frame these conversations with a general introduction, bibliographies for further reading, and introductions to each of the anthology’s ten sections: genre theory, historical models of lyric, New Criticism, structuralist and post-structuralist reading, Frankfurt School approaches, phenomenologies of lyric reading, avant-garde anti-lyricism, lyric and sexual difference, and comparative lyric. Designed for students, teachers, scholars, poets, and readers with a general interest in poetics, this book presents an intellectual history of the theory of lyric reading that has circulated both within and beyond the classroom, wherever poetry is taught, read, discussed, and debated today.
Publisher: JHU Press
ISBN: 1421412004
Category : Literary Criticism
Languages : en
Pages : 678
Book Description
Reading lyric poetry over the past century. The Lyric Theory Reader collects major essays on the modern idea of lyric, made available here for the first time in one place. Representing a wide range of perspectives in Anglo-American literary criticism from the twentieth and twenty-first centuries, the collection as a whole documents the diversity and energy of ongoing critical conversations about lyric poetry. Virginia Jackson and Yopie Prins frame these conversations with a general introduction, bibliographies for further reading, and introductions to each of the anthology’s ten sections: genre theory, historical models of lyric, New Criticism, structuralist and post-structuralist reading, Frankfurt School approaches, phenomenologies of lyric reading, avant-garde anti-lyricism, lyric and sexual difference, and comparative lyric. Designed for students, teachers, scholars, poets, and readers with a general interest in poetics, this book presents an intellectual history of the theory of lyric reading that has circulated both within and beyond the classroom, wherever poetry is taught, read, discussed, and debated today.
Lyric Shame
Author: Gillian White
Publisher: Harvard University Press
ISBN: 0674734394
Category : Literary Criticism
Languages : en
Pages : 361
Book Description
Gillian White argues that the poetry wars among critics and practitioners are shaped by “lyric shame”—an unspoken but pervasive embarrassment over what poetry is, should be, and fails to be. “Lyric” is less a specific genre than a way to project subjectivity onto poems—an idealized poem that is nowhere and yet everywhere.
Publisher: Harvard University Press
ISBN: 0674734394
Category : Literary Criticism
Languages : en
Pages : 361
Book Description
Gillian White argues that the poetry wars among critics and practitioners are shaped by “lyric shame”—an unspoken but pervasive embarrassment over what poetry is, should be, and fails to be. “Lyric” is less a specific genre than a way to project subjectivity onto poems—an idealized poem that is nowhere and yet everywhere.
Theory of the Lyric
Author: Jonathan Culler
Publisher: Harvard University Press
ISBN: 0674425804
Category : Literary Criticism
Languages : en
Pages : 406
Book Description
What sort of thing is a lyric poem? An intense expression of subjective experience? The fictive speech of a specifiable persona? Theory of the Lyric reveals the limitations of these two conceptions of the lyric—the older Romantic model and the modern conception that has come to dominate the study of poetry—both of which neglect what is most striking and compelling in the lyric and falsify the long and rich tradition of the lyric in the West. Jonathan Culler explores alternative conceptions offered by this tradition, such as public discourse made authoritative by its rhythmical structures, and he constructs a more capacious model of the lyric that will help readers appreciate its range of possibilities. “Theory of the Lyric brings Culler’s own earlier, more scattered interventions together with an eclectic selection from others’ work in service to what he identifies as a dominant need of the critical and pedagogical present: turning readers’ attention to lyric poems as verbal events, not fictions of impersonated speech. His fine, nuanced readings of particular poems and kinds of poems are crucial to his arguments. His observations on the workings of aspects of lyric across multiple different structures are the real strength of the book. It is a work of practical criticism that opens speculative vistas for poetics but always returns to poems.” —Elizabeth Helsinger, Critical Theory
Publisher: Harvard University Press
ISBN: 0674425804
Category : Literary Criticism
Languages : en
Pages : 406
Book Description
What sort of thing is a lyric poem? An intense expression of subjective experience? The fictive speech of a specifiable persona? Theory of the Lyric reveals the limitations of these two conceptions of the lyric—the older Romantic model and the modern conception that has come to dominate the study of poetry—both of which neglect what is most striking and compelling in the lyric and falsify the long and rich tradition of the lyric in the West. Jonathan Culler explores alternative conceptions offered by this tradition, such as public discourse made authoritative by its rhythmical structures, and he constructs a more capacious model of the lyric that will help readers appreciate its range of possibilities. “Theory of the Lyric brings Culler’s own earlier, more scattered interventions together with an eclectic selection from others’ work in service to what he identifies as a dominant need of the critical and pedagogical present: turning readers’ attention to lyric poems as verbal events, not fictions of impersonated speech. His fine, nuanced readings of particular poems and kinds of poems are crucial to his arguments. His observations on the workings of aspects of lyric across multiple different structures are the real strength of the book. It is a work of practical criticism that opens speculative vistas for poetics but always returns to poems.” —Elizabeth Helsinger, Critical Theory
Lyric
Author: Scott Brewster
Publisher: Routledge
ISBN: 1134363907
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
Lyric traces the history of the term from its classical origins through the early modern, Romantic and Victorian periods and up to the twentieth century and demonstrates the influence of various definitions of lyric on poetic practice, literature, music and other popular cultural forms.
Publisher: Routledge
ISBN: 1134363907
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
Lyric traces the history of the term from its classical origins through the early modern, Romantic and Victorian periods and up to the twentieth century and demonstrates the influence of various definitions of lyric on poetic practice, literature, music and other popular cultural forms.
Lyric Powers
Author: Robert von Hallberg
Publisher: University of Chicago Press
ISBN: 0226865029
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
The authority of poetry varies from one period to another, from one culture to another. For Robert von Hallberg, the authority of lyric poetry has three sources: religious affirmation, the social institutions of those who speak the idioms from which particular poems are made, and the extraordinary cognition generated by the formal and musical resources of poems. Lyric Powers helps students, poets, and general readers to recognize the pleasures and understand the ambitions of lyric poetry. To explain why a reader might prefer one kind of poem to another, von Hallberg analyzes—beyond the political and intellectual significance of poems—the musicality of both lyric poetry and popular song, including that of Tin Pan Alley and doo-wop. He shows that poets have distinctive intellectual resources—not just rhetorical resources—for examining their subjects, and that the power of poetic language to generalize, not particularize, is what justly deserves a critic’s attention. The first book in more than a decade from this respected critic, Lyric Powers will be celebrated as a genuine event by readers of poetry and literary criticism.
Publisher: University of Chicago Press
ISBN: 0226865029
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
The authority of poetry varies from one period to another, from one culture to another. For Robert von Hallberg, the authority of lyric poetry has three sources: religious affirmation, the social institutions of those who speak the idioms from which particular poems are made, and the extraordinary cognition generated by the formal and musical resources of poems. Lyric Powers helps students, poets, and general readers to recognize the pleasures and understand the ambitions of lyric poetry. To explain why a reader might prefer one kind of poem to another, von Hallberg analyzes—beyond the political and intellectual significance of poems—the musicality of both lyric poetry and popular song, including that of Tin Pan Alley and doo-wop. He shows that poets have distinctive intellectual resources—not just rhetorical resources—for examining their subjects, and that the power of poetic language to generalize, not particularize, is what justly deserves a critic’s attention. The first book in more than a decade from this respected critic, Lyric Powers will be celebrated as a genuine event by readers of poetry and literary criticism.