Author: Kevin Moore
Publisher: Createspace Independent Publishing Platform
ISBN: 9781450545631
Category : Dance music
Languages : en
Pages : 0
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Book Description
Written by the editor of the world's largest Cuban music website, www.timba.com, and the author of the popular "Tomás Cruz Conga Method", "Beyond Salsa Piano" is a series of method books and historical/discographical guides chronicling the role of the piano in Cuban music. After the 5 introductory volumes, Volume 7 is the second of a series of books on specific Cuban pianists, using note-for-note transcriptions from MIDI files. Iván "Melón" Lewis is one of the greatest timba pianists, having recorded and played with The Issac Delgado Group and Manolín, el Médico de la Salsa.
Author: Kevin Moore
Publisher: Createspace Independent Publishing Platform
ISBN: 9781468174861
Category :
Languages : en
Pages : 0
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Book Description
At 368 pages, Beyond Salsa for Ensemble, Vol. 1 is the most ambitious of the 15 volume series. The course is designed for college and high school Latin music ensembles and working salsa bands seeking to add modern Cuban "timba" and "songo" material and techniques to their repertoires.The course begins with the basic salsa groove and then presents two modern Cuban grooves (one in 2-3 clave and one in 3-2 clave), with note-for-note transcriptions for piano, bass, bongó, timbales, congas, and drums - all explained in careful detail in a conversational style.The next part of the book teaches 36 rhythm breaks, or "efectos", that can be added to any Latin arrangement. Again, every stroke of every part is meticulously transcribed, with lead sheets also provided for more experienced players.Finally, the book contains a complete chart for performance of a popular Cuban hit by the popular group Los Que Son Son, led by Pupy Pedroso, the subject of several of the Beyond Salsa Piano books.
Author: Kevin Moore
Publisher: Createspace Independent Publishing Platform
ISBN: 9781456343965
Category : Drum
Languages : en
Pages : 0
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Book Description
This book presents an encyclopedic selection of all the basic rhythm parts used on timbales and drums in Latin music (salsa, timba, Afro-Cuban folkloric rhythms, rumba, danzón, chachachá et al). The central premise is for the student to master each rhythm by singing and tapping before attempting to play it on an instrument, so as to avoid bad habits of technique during the critical period when the rhythm is being memorized and internalized.To accommodate as many learning styles as possible, each rhythm is presented in eight ways: two types of standard notation, two types of graphic or "box" notation, full speed audio, slow motion audio, and two speeds using a special "task-by-task" learning method where the rhythm is learned one stroke at a time against a steady rhythmic accompaniment.Each rhythm is first presented as a single part in its historical context and then in the combinations of two and three parts at once that a percussionist would be expected to play in various group situations.One group of audio files (107 tracks) is available as a free online download, with the link provided in the book. The remainder (the more advanced files) are available as a separate downloadable product.The book will also be useful for those who can already play drums and timbales but need to quickly learn the necessary rhythms for salsa and timba, but for true beginners, our strategy is to learn to sing and tap all of the basic rhythms before taking your first lesson and there's a very important reason for doing it this way: As with golf or tennis lessons, learning to play a musical instrument is about physical movements, dexterity, timing, coordination and body language - the types of things that are easier to demonstrate than to explain and are easier to master when your brain stays calmly out of the way as your body goes through the learning process. If your brain is struggling to learn what to play, it interferes with your body's natural ability to learn how to play. To put it another way, if you're concentrating on mastering the pattern of a new rhythm, you won't be able to give 100% of your effort to tone production, posture, hand position, and feeling the groove, and you're likely to develop "bad habits" that are hard to unlearn later. But if you've already learned to sing, clap and tap the rhythms before you take your first lesson on drums or timbales, you'll be much more likely to succeed, and - just as important - you'll be much more likely to enjoy the process.
Author: Kevin Moore
Publisher: Createspace Independent Publishing Platform
ISBN: 9781482729368
Category : Bass guitar
Languages : en
Pages : 0
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Book Description
(this page sells the book only - audio files are a separate downloadable purchase - the book also contains a link to a smaller free download of audio files)Beyond Salsa Bass is the companion series to Beyond Salsa Piano, launched in 2009 and now spanning 12 volumes. As of 2013, three bass volumes have been released: Volumes 6 and 7 on Alain Pérez, and this book, Volume 1: For Beginners. Included are bass tumbaos for each of the piano tumbaos (aka, montunos) in Beyond Salsa Piano, Vol. 1, but the bass volume is more than twice as long and contains many additional bass tumbaos and other exercises. The book begins by categorizing the 16 most common Latin bass tumbaos by their rhythms and then proceeds to tell the history of Latin music from a bassist's perspective, with notation for bass tumbaos from each era covered: changüí, rumba, son, danzón, big band and son montuno (a very detailed study of Arsenio Rodríguez). Audio files are not included with the book. Available online are both a smaller free audio download and an extensive paid audio download.
Author: Chuck Sher
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101386
Category : Music
Languages : en
Pages : 466
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Book Description
The only comprehensive book ever published on how to play bass in authentic Afro-Cuban, Brazilian, Caribbean and various South American styles. Over 250 pages of exact transcriptions of every note Oscar plays on the 3 accompanying CDs. Endorsed by Down Beat magazine, Latin Beat magazine, Benny Rietveld, etc.
Author: Kevin Moore
Publisher: CreateSpace
ISBN: 9781492375692
Category : Music
Languages : en
Pages : 440
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Book Description
Doubling as a history and music appreciation course, each volume of the Beyond Salsa Bass series is significantly longer than the corresponding volume of Beyond Salsa Piano. At 440 pages, Beyond Salsa Bass Vol. 3 is by far the longest of the 26 Beyond Salsa books and the first to extensively cover New York and Puerto Rican salsa and pre-salsa as well as Latin jazz. Its audio product (separate purchase) has 616 tracks (a generous selection of 60 free audio tracks is also available by download). The book includes a bass tumbao for every piano tumbao in each of Volumes 3 and 4 of the Beyond Salsa Piano series, but it also includes hundreds of bass tumbaos from and historical analyses of areas of Latin music not covered in the piano series: Puerto Rico, New York, Latin Jazz, the Cuban descargas and additional aspects of the Cuban music of 1959-1989, i.e., from the Cuban Revolution to the Fall of the Berlin Wall. In addition to exercises in music notation, the bass series delves far more deeply into history and the biographies and discographies of individual artists than either the piano or percussion series. The bass series could be thought of as a thorough general history of Latin popular music, told from the perspective of the bass student.
Author: Thomas O'Flaherty
Publisher: Thomas OFlaherty
ISBN: 0953242927
Category : Salsa (Dance)
Languages : en
Pages : 108
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Book Description
A teacher's guide covering everything from the origins of Salsa; different styles of salsa dancing, a 20 week learning syllabus of moves from Cuba, New York, LA and Colombia, teaching methods, learning styles and how to start your own salsa dance practice. This book starts with my personal experience of salsa dance and explains the history of salsa from a worldwide historical view point. It traces England's influence on the roots of salsa dancing and the development of the UK salsa scene. This book is divided into practical guidance and theoretical exercises. The book will tell you about the different ways to teach salsa, the rules and regulations you must follow and how to set-up a salsa dance school. It shows you everything you need to set yourself up as a salsa dance teacher.
Author: Rebeca Mauleon
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101416
Category : Music
Languages : en
Pages : 353
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Book Description
The only complete method book on Salsa ever published. Numerous musical examples of how different Afro-Cuban styles are created, what each instrument does, text explaining the history and structure of the music, etc. "This will be the Salsa Bible for years to come." Sonny Bravo, Tito-Puente's pianist.
Author: Richie Gajate-Garcia
Publisher: Alfred Music Publishing
ISBN: 9780769296579
Category : Music
Languages : es
Pages : 92
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Book Description
Play Congas Now is a step-by-step method that teaches all the fundamentals of conga playing. You will learn hand positions and techniques, basic reading skills, different styles of rhythms and patterns, tuning and maintenance, drum set and school jazz band applications, and a brief history of the conga drums. The accompanying CD includes all exercises and has play-along tracks to practice with. The styles covered in the book are Afro-Cuban, Puerto Rican, Dominican, pop, rock, funk, and R & B rhythms. Play Congas Now is a must for the beginner who wants to get started on congas or an intermediate player who wants an excellent practice tool to refine his or her skills. Book jacket.
Author: Andrés Espinoza Agurto
Publisher: MSU Press
ISBN: 1628954434
Category : Music
Languages : en
Pages : 305
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Book Description
This volume explores the significations and developments of the Salsa consciente movement, a Latino musico-poetic and political discourse that exploded in the 1970s but then dwindled in momentum into the early 1990s. This movement is largely linked to the development of Nuyolatino popular music brought about in part by the mass Latino migration to New York City beginning in the 1950s and the subsequent social movements that were tied to the shifting political landscapes. Defined by its lyrical content alongside specific sonic markers and political and social issues facing U.S. Latinos and Latin Americans, Salsa consciente evokes the overarching cultural-nationalist idea of Latinidad (Latin-ness). Through the analysis of over 120 different Salsa songs from lyrical and musical perspectives that span a period of over sixty years, the author makes the argument that the urban Latino identity expressed in Salsa consciente was constructed largely from diasporic, deterritorialized, and at times imagined cultural memory, and furthermore proposes that the Latino/Latin American identity is in part based on African and Indigenous experience, especially as it relates to Spanish colonialism. A unique study on the intersection of Salsa and Latino and Latin American identity, this volume will be especially interesting to scholars of ethnic studies and musicology alike.
