Author: Michael Prior
Publisher: Lulu.com
ISBN: 1409257630
Category : Business & Economics
Languages : en
Pages : 58
Book Description
A survey of the origins of the present economic recession and proposals for a progressive way out
Beyond Feelbad Britain
Author: Michael Prior
Publisher: Lulu.com
ISBN: 1409257630
Category : Business & Economics
Languages : en
Pages : 58
Book Description
A survey of the origins of the present economic recession and proposals for a progressive way out
Publisher: Lulu.com
ISBN: 1409257630
Category : Business & Economics
Languages : en
Pages : 58
Book Description
A survey of the origins of the present economic recession and proposals for a progressive way out
Feelbad Britain
Author: P. J. Devine
Publisher:
ISBN:
Category : Political Science
Languages : en
Pages : 260
Book Description
Presents a theoretical framework for understanding contemporary politics. This book considers what is to be done to revitalise the British left, challenge neoliberal hegemony, and develop a political project aimed at creating a greener, fairer, happier, more democratic and less divided Britain.
Publisher:
ISBN:
Category : Political Science
Languages : en
Pages : 260
Book Description
Presents a theoretical framework for understanding contemporary politics. This book considers what is to be done to revitalise the British left, challenge neoliberal hegemony, and develop a political project aimed at creating a greener, fairer, happier, more democratic and less divided Britain.
Searching for the Left
Author: Michael Prior
Publisher: Lulu.com
ISBN: 1409298906
Category : Fiction
Languages : en
Pages : 60
Book Description
An analysis of left politics in Great Britain in the run-up to the 2010 general election
Publisher: Lulu.com
ISBN: 1409298906
Category : Fiction
Languages : en
Pages : 60
Book Description
An analysis of left politics in Great Britain in the run-up to the 2010 general election
Critical Theory in the Twenty-First Century
Author: Darrow Schecter
Publisher: A&C Black
ISBN: 144116636X
Category : Political Science
Languages : en
Pages : 233
Book Description
Critical Theory in the Twenty-First Century provides a thorough overview of critical theory, looking at its history and shortfalls. First, the book explains the developments from the Frankfurt School and from more recent schools of thought, including Derrida, Deleuze, deconstruction, and post-structuralism. Then it looks at how critical theory has not kept pace with the changes and conflicts brought on by the post-Cold War world and globalization and how its deficits can be addressed. For the author, more than ever critical theory needs to synthesize theoretical perspective and empirical research. It also needs to be reconfigured in the light of the demands of new social movements, post-colonialism, and globalization. This volume is part of Critical Theory and Contemporary Society, a series that uses critical theory to explore contemporary society as a complex phenomenon and includes works on democracy, social movements, and terrorism. A unique resource, Critical Theory in the Twenty First Century will interest anyone researching issues in political theory, international relations theory, social theory, and critical theory.
Publisher: A&C Black
ISBN: 144116636X
Category : Political Science
Languages : en
Pages : 233
Book Description
Critical Theory in the Twenty-First Century provides a thorough overview of critical theory, looking at its history and shortfalls. First, the book explains the developments from the Frankfurt School and from more recent schools of thought, including Derrida, Deleuze, deconstruction, and post-structuralism. Then it looks at how critical theory has not kept pace with the changes and conflicts brought on by the post-Cold War world and globalization and how its deficits can be addressed. For the author, more than ever critical theory needs to synthesize theoretical perspective and empirical research. It also needs to be reconfigured in the light of the demands of new social movements, post-colonialism, and globalization. This volume is part of Critical Theory and Contemporary Society, a series that uses critical theory to explore contemporary society as a complex phenomenon and includes works on democracy, social movements, and terrorism. A unique resource, Critical Theory in the Twenty First Century will interest anyone researching issues in political theory, international relations theory, social theory, and critical theory.
Neoliberalisms in British Politics
Author: Christopher Byrne
Publisher: Routledge
ISBN: 1351010719
Category : Political Science
Languages : en
Pages : 310
Book Description
Taking a chronological approach, this book challenges established economistic and ideologistic narratives of neoliberalism in Britain by charting the gradual diffusion of an increasingly interventionist neoliberal governmental rationality in British politics since the late 1970s, and the various means by which the project has furnished itself with a hegemonic basis for its popular support. Spanning five decades of British political history and drawing on rich empirical evidence to bring conceptual clarity to, and chart the effects of, a style of government bound up with a host of epochal changes, it concludes by considering Brexit and the rise of Corbynism as the final act in the neoliberal saga. It then poses the question, Is British politics on the verge of a major reconstruction representing a decisive rejection of neoliberalism? This book will be of key interest to scholars and students of British politics and neoliberalism, liberalism and, more broadly to political theory, political economy and public policy.
Publisher: Routledge
ISBN: 1351010719
Category : Political Science
Languages : en
Pages : 310
Book Description
Taking a chronological approach, this book challenges established economistic and ideologistic narratives of neoliberalism in Britain by charting the gradual diffusion of an increasingly interventionist neoliberal governmental rationality in British politics since the late 1970s, and the various means by which the project has furnished itself with a hegemonic basis for its popular support. Spanning five decades of British political history and drawing on rich empirical evidence to bring conceptual clarity to, and chart the effects of, a style of government bound up with a host of epochal changes, it concludes by considering Brexit and the rise of Corbynism as the final act in the neoliberal saga. It then poses the question, Is British politics on the verge of a major reconstruction representing a decisive rejection of neoliberalism? This book will be of key interest to scholars and students of British politics and neoliberalism, liberalism and, more broadly to political theory, political economy and public policy.
Cultural Studies and Beyond
Author: Ioan Davies
Publisher: Routledge
ISBN: 1134956452
Category : History
Languages : en
Pages : 212
Book Description
Introducing the central theoretical issues, as well as key personalities, this book traces the origins, growth and diffusion of the subject. Essential to all those attempting to understand the state of Cultural Studies today.
Publisher: Routledge
ISBN: 1134956452
Category : History
Languages : en
Pages : 212
Book Description
Introducing the central theoretical issues, as well as key personalities, this book traces the origins, growth and diffusion of the subject. Essential to all those attempting to understand the state of Cultural Studies today.
Going Beyond
Author: Helga Schier
Publisher: Walter de Gruyter
ISBN: 3110910772
Category : Literary Criticism
Languages : en
Pages : 229
Book Description
Publisher: Walter de Gruyter
ISBN: 3110910772
Category : Literary Criticism
Languages : en
Pages : 229
Book Description
The British Cinema Book
Author: Robert Murphy
Publisher: Bloomsbury Publishing
ISBN: 1838718656
Category : Performing Arts
Languages : en
Pages : 466
Book Description
The new edition of The British Cinema Book has been thoroughly revised and updated to provide a comprehensive introduction to the major periods, genres, studios, film-makers and debates in British cinema from the 1890s to the present. The book has five sections, addressing debates and controversies; industry, genre and representation; British cinema 1895-1939; British cinema from World War II to the 1970s, and contemporary British cinema. Within these sections, leading scholars and critics address a wide range of issues and topics, including British cinema as a 'national' cinema; its complex relationship with Hollywood; film censorship; key British genres such as horror, comedy and costume film; the work of directors including Alfred Hitchcock, Anthony Asquith, Alexander Mackendrick, Michael Powell, Lindsay Anderson, Ken Russell and Mike Leigh; studios such as Gainsborough, Ealing, Rank and Gaumont, and recent signs of hope for the British film industry, such as the rebirth of the low-budget British horror picture, and the emergence of a British Asian cinema. Discussions are illustrated with case studies of key films, many of which are new to this edition, including Piccadilly (1929) It Always Rains on Sunday (1947), The Ladykillers (1955), This Sporting Life (1963), The Devils (1971), Withnail and I (1986), Bend it Like Beckham (2002) and Control (2007), and with over 100 images from the BFI's collection. The Editor: Robert Murphy is Professor in Film Studies at De Montfort University and has written and edited a number of books on British cinema, including British Cinema and the Second World War (2000) and Directors in British and Irish Cinema (2006). The contributors: Ian Aitken, Charles Barr, Geoff Brown, William Brown, Stella Bruzzi, Jon Burrows, James Chapman, Steve Chibnall, Pamela Church Gibson, Ian Conrich, Richard Dacre, Raymond Durgnat, Allen Eyles, Christine Geraghty, Christine Gledhill, Kevin Gough-Yates, Sheldon Hall, Benjamin Halligan, Sue Harper, Erik Hedling, Andrew Hill, John Hill, Peter Hutchings, Nick James, Marcia Landy, Barbara Korte, Alan Lovell, Brian McFarlane, Martin McLoone, Andrew Moor, Robert Murphy, Lawrence Napper, Michael O'Pray, Jim Pines, Vincent Porter, Tim Pulleine, Jeffrey Richards, James C. Robertson, Tom Ryall, Justin Smith, Andrew Spicer, Claudia Sternberg, Sarah Street, Melanie Williams and Linda Wood.
Publisher: Bloomsbury Publishing
ISBN: 1838718656
Category : Performing Arts
Languages : en
Pages : 466
Book Description
The new edition of The British Cinema Book has been thoroughly revised and updated to provide a comprehensive introduction to the major periods, genres, studios, film-makers and debates in British cinema from the 1890s to the present. The book has five sections, addressing debates and controversies; industry, genre and representation; British cinema 1895-1939; British cinema from World War II to the 1970s, and contemporary British cinema. Within these sections, leading scholars and critics address a wide range of issues and topics, including British cinema as a 'national' cinema; its complex relationship with Hollywood; film censorship; key British genres such as horror, comedy and costume film; the work of directors including Alfred Hitchcock, Anthony Asquith, Alexander Mackendrick, Michael Powell, Lindsay Anderson, Ken Russell and Mike Leigh; studios such as Gainsborough, Ealing, Rank and Gaumont, and recent signs of hope for the British film industry, such as the rebirth of the low-budget British horror picture, and the emergence of a British Asian cinema. Discussions are illustrated with case studies of key films, many of which are new to this edition, including Piccadilly (1929) It Always Rains on Sunday (1947), The Ladykillers (1955), This Sporting Life (1963), The Devils (1971), Withnail and I (1986), Bend it Like Beckham (2002) and Control (2007), and with over 100 images from the BFI's collection. The Editor: Robert Murphy is Professor in Film Studies at De Montfort University and has written and edited a number of books on British cinema, including British Cinema and the Second World War (2000) and Directors in British and Irish Cinema (2006). The contributors: Ian Aitken, Charles Barr, Geoff Brown, William Brown, Stella Bruzzi, Jon Burrows, James Chapman, Steve Chibnall, Pamela Church Gibson, Ian Conrich, Richard Dacre, Raymond Durgnat, Allen Eyles, Christine Geraghty, Christine Gledhill, Kevin Gough-Yates, Sheldon Hall, Benjamin Halligan, Sue Harper, Erik Hedling, Andrew Hill, John Hill, Peter Hutchings, Nick James, Marcia Landy, Barbara Korte, Alan Lovell, Brian McFarlane, Martin McLoone, Andrew Moor, Robert Murphy, Lawrence Napper, Michael O'Pray, Jim Pines, Vincent Porter, Tim Pulleine, Jeffrey Richards, James C. Robertson, Tom Ryall, Justin Smith, Andrew Spicer, Claudia Sternberg, Sarah Street, Melanie Williams and Linda Wood.
Birthing Normally After a Caesarean Or Two (2nd British Edition)
Author: H. L. Ne Vadeboncoeur
Publisher: Fresh Heart Publishing
ISBN: 1906619247
Category : Health & Fitness
Languages : en
Pages : 337
Book Description
Book discusses VBAC (vaginal birth after caesarean).
Publisher: Fresh Heart Publishing
ISBN: 1906619247
Category : Health & Fitness
Languages : en
Pages : 337
Book Description
Book discusses VBAC (vaginal birth after caesarean).
Feel-Bad Postfeminism
Author: Catherine McDermott
Publisher: Bloomsbury Publishing
ISBN: 1350224995
Category : Performing Arts
Languages : en
Pages : 281
Book Description
In Feel-Bad Postfeminism, Catherine McDermott provides crucial insight into what growing up during empowerment postfeminism feels like, and outlines the continuing postfeminist legacy of resilience in girlhood coming-of-age narratives. McDermott's analysis of Gone Girl (2012), Girls (2012–2017) and Appropriate Behaviour (2012) illuminates a major cultural turn in which the pleasures of postfeminist empowerment curdle into a profound sense of rage and resentment. By contrast, close examination of The Hunger Games (2008–2010), Girlhood (2014) and Catch Me Daddy (2014) reveals that contemporary genres are increasingly constructing girls as uniquely capable of resiliently overcoming and adapting to unforgiving social conditions. She develops an affective vocabulary to better understand contemporary modes of defiant, transformative and relational resilience, as well as a framework through which to expand on further modes that are specific to the genres they emerge within. Overall, the book suggests that exploration of the affective dimensions of girls' and women's culture can offer new insights into how coming-of-age, girlhood and femininity are culturally produced in the aftermath of postfeminism.
Publisher: Bloomsbury Publishing
ISBN: 1350224995
Category : Performing Arts
Languages : en
Pages : 281
Book Description
In Feel-Bad Postfeminism, Catherine McDermott provides crucial insight into what growing up during empowerment postfeminism feels like, and outlines the continuing postfeminist legacy of resilience in girlhood coming-of-age narratives. McDermott's analysis of Gone Girl (2012), Girls (2012–2017) and Appropriate Behaviour (2012) illuminates a major cultural turn in which the pleasures of postfeminist empowerment curdle into a profound sense of rage and resentment. By contrast, close examination of The Hunger Games (2008–2010), Girlhood (2014) and Catch Me Daddy (2014) reveals that contemporary genres are increasingly constructing girls as uniquely capable of resiliently overcoming and adapting to unforgiving social conditions. She develops an affective vocabulary to better understand contemporary modes of defiant, transformative and relational resilience, as well as a framework through which to expand on further modes that are specific to the genres they emerge within. Overall, the book suggests that exploration of the affective dimensions of girls' and women's culture can offer new insights into how coming-of-age, girlhood and femininity are culturally produced in the aftermath of postfeminism.