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Author: Erika D. Gault
Publisher: Routledge
ISBN: 0429589654
Category : Religion
Languages : en
Pages : 280
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Book Description
Christians and Christianity have been central to Hip Hop since its inception. This book explores the intersection of Christians and Hip Hop and the multiple outcomes of this intersection. It lays out the ways in which Christians and Hip Hop overlap and diverge. The intersection of Christians and Hip Hop brings together African diasporic cultures, lives, memories and worldviews. Moving beyond the focus on rappers and so-called "Christian Hip Hop," each chapter explores three major themes of the book: identifying Hip Hop, irreconcilable Christianity, and boundaries.There is a self-identified Christian Hip Hop (CHH) community that has received some scholarly attention. At the same time, scholars have analyzed Christianity and Hip Hop without focusing on the self-identified community. This book brings these various conversations together and show, through these three themes, the complexities of the intersection of Christians and Hip Hop. Hip Hop is more than rap music, it is an African diasporic phenomenon. These three themes elucidate the many characteristics of the intersection between Christians and Hip Hop and our reasoning for going beyond "Christian Hip Hop." This collection is a multi-faceted view of how religious belief plays a role in Hip Hoppas' lives and community. It will, therefore, be of great interest to scholars of Religion and Hip Hop, Hip Hop, African Diasporas, Religion and the Arts, Religion and Race and Black Theology as well as Religious Studies more generally.
Author: Erika D. Gault
Publisher: Routledge
ISBN: 0429589654
Category : Religion
Languages : en
Pages : 280
Get Book Here
Book Description
Christians and Christianity have been central to Hip Hop since its inception. This book explores the intersection of Christians and Hip Hop and the multiple outcomes of this intersection. It lays out the ways in which Christians and Hip Hop overlap and diverge. The intersection of Christians and Hip Hop brings together African diasporic cultures, lives, memories and worldviews. Moving beyond the focus on rappers and so-called "Christian Hip Hop," each chapter explores three major themes of the book: identifying Hip Hop, irreconcilable Christianity, and boundaries.There is a self-identified Christian Hip Hop (CHH) community that has received some scholarly attention. At the same time, scholars have analyzed Christianity and Hip Hop without focusing on the self-identified community. This book brings these various conversations together and show, through these three themes, the complexities of the intersection of Christians and Hip Hop. Hip Hop is more than rap music, it is an African diasporic phenomenon. These three themes elucidate the many characteristics of the intersection between Christians and Hip Hop and our reasoning for going beyond "Christian Hip Hop." This collection is a multi-faceted view of how religious belief plays a role in Hip Hoppas' lives and community. It will, therefore, be of great interest to scholars of Religion and Hip Hop, Hip Hop, African Diasporas, Religion and the Arts, Religion and Race and Black Theology as well as Religious Studies more generally.
Author: Erika D. Gault
Publisher: NYU Press
ISBN: 1479805866
Category : Religion
Languages : en
Pages : 191
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Book Description
Provides a timely portrait of young Black Christians and how digital technology is transforming the Black Church They stand at the forefront of the Black Lives Matter movement, push the boundaries of the Black Church through online expression of Christian hip hop, and redefine what it means to be young, Black, and Christian in America. Young Black adults represent the future of African American religiosity, yet little is known regarding their religious lives beyond the Black Church. Networking the Black Church explores how deeply embedded digital technology is in the lives of young Black Christians, offering a first-of-its-kind digital-hip hop ethnography. Erika D. Gault argues that a new religious ethos has emerged among young adult Blacks in America. To understand Black Christianity today it is not enough to look at the traditional Black Church. The Black Church is itself being changed by what she calls digital Black Christians. The volume examines the ways in which Christian hip hop artists who have adopted Black-preaching-inspired spoken word performances create alternate kinds of Christian communities both inside and outside the walls of traditional Black churches. Framed around interviews with prominent Black Christian hip hop artists, it explores the multiple ways that digital Black Christians construct religious identity and meaning through video-sharing and social media. In the process, these digital Black Christians are changing Black churches as institutions, transforming modes of religious activism, inventing new communication practices around evangelism and Christian identity, and streamlining the accessibility of Black Church cultural practices in popular culture. Erika D. Gault provides a fascinating portrait of young Black faith, illuminating how the relationship between religion and digital media is changing the lived experiences of a new generation of Black Christians.
Author: Walter Lizando Hidalgo-Olivares
Publisher: AuthorHouse
ISBN: 1463419643
Category : Religion
Languages : en
Pages : 134
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Book Description
Hip-hop is creating an expanding ministerial and spiritual movement that is changing the socio-historical landscape on a national and global level. From the streets of its birthplace in the South Bronx to the barrios of Colombia in South America; Hip-hop is helping to create sacred spaces that are providing purpose to our marginalized youth and young adult street populations. Beyond the Four Walls: The Rising Ministry and Spirituality of Hip-hop serves as both an autobiographical and ethnographical journey of my love and experiences with Hip-hop as a professor, youth minister and artist. I invite the reader to explore my outlook on Hip-hop, which reaches far beyond the scope of its music, commercialization, and hood life. Instead, it takes another look at the unprecedented impact that Hip-hop continues to have in both our secular and spiritual communities. Because of its ongoing commitment to community organizing, activism, social justice and education, Hip-hop is worthy to be called a 21st Century socio-political, theological and spiritual movement, akin to that of Rev. Dr. Martin Luther King Jr., Ghandi, Mohammed, Abraham, Archbishop Oscar Romero, and most notably in this book, Jesus Christ and Paul the Apostle.
Author: Christina Zanfagna
Publisher: Univ of California Press
ISBN: 0520296206
Category : Music
Languages : en
Pages : 218
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Book Description
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. In the 1990s, Los Angeles was home to numerous radical social and environmental eruptions. In the face of several major earthquakes and floods, riots and economic insecurity, police brutality and mass incarceration, some young black Angelenos turned to holy hip hop—a movement merging Christianity and hip hop culture—to “save” themselves and the city. Converting street corners to open-air churches and gangsta rap beats into anthems of praise, holy hip hoppers used gospel rap to navigate complicated social and spiritual realities and to transform the Southland’s fractured terrains into musical Zions. Armed with beats, rhymes, and bibles, they journeyed through black Lutheran congregations, prison ministries, African churches, reggae dancehalls, hip hop clubs, Nation of Islam meetings, and Black Lives Matter marches. Zanfagna’s fascinating ethnography provides a contemporary and unique view of black LA, offering a much-needed perspective on how music and religion intertwine in people's everyday experiences.
Author: Stacey Jones
Publisher:
ISBN: 9781723182259
Category :
Languages : en
Pages : 252
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Book Description
My dichotomy between Hip-Hop and the Church has appeared a conflict to many, but to me, it never has been. At the same time that I was falling in love with Hip-Hop, I was immersed and in love with the church. My introduction into Christianity is from the Black Pentecostal Tradition (Church of God in Christ). My life was quite busy as a young person; I played drums, sang lead in the junior choir, and attended Sunday school and Young People Willing Workers (YPWW). I had a strong love for both cultures, but I was told by the church that one could not mesh or intertwine Hip-Hop and the church, and so the lifelong conflict begins! Like many of our religious forefathers on western soil, we continue to shut out different forms of expression due to the fear of becoming "too worldly". Have we ever stopped to think that the issue is even deeper? Some of us want to control the move of God because it doesn't fit into our structure or programmed liturgy! However, during the early inception of Hip-Hop culture, people thought it was absurd and sacrilegious if Hip-Hop shared the stage and the microphone with the Church. Due to the church's rejection of Hip-Hop, the younger people from my generation started to develop a contempt towards people within the Christian Faith community. This contempt brought an even stronger divide, and it seemed as though this separation continued to perpetuate. Part of it has to do with the generational divide and the methodology.
Author: Monica R. Miller
Publisher: Routledge
ISBN: 0415628571
Category : Music
Languages : en
Pages : 222
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Book Description
This title brings together the category of religion, hip hop cultural modalities and the demographic of youth. Bringing postmodern theory and critical approaches in the study of religion to bear on hip hop cultural practices, the book examines how scholars in have deployed and approached religion when analyzing hip hop data.
Author: Curtis Allen
Publisher: Cruciform Press
ISBN: 1936760789
Category : Religion
Languages : en
Pages : 72
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Book Description
A lot of people think that if there is one style of music in the world that God hates, it has got to be rap. Some have even gone so far as to call rap, “An unclean thing before the Lord.” They don’t believe something originally associated with so much evil can ever be redeemed for God’s glory. Lots of other people love and accept rap as their preferred form of musical expression. Many of these who are Christians can’t imagine why God would have any issues with rap – at least, not with songs by believers that encourage and edify them in the faith. Who’s right? And maybe more importantly, who cares? You should. And here’s why. In the past 30 years, rap music has become a vital artistic and cultural force globally, and it’s showing no signs of slowing down. Like it or not, you are probably exposed to rap in one form or another on a fairly regular basis. If you’re interested in this book you may be a believer in Jesus who likes rap a lot, and as Christians, when we love something that is (if you hadn’t noticed) closely associated with sin and rebellion, our justification for being involved with it really does need to go beyond, “Dude, this is good stuff.” But maybe you’re in a different category. Maybe you’re a Christian parent, concerned that rap music may have a negative impact on your child. Maybe you’re a youth pastor worried about having a rap concert at his church because of the potential pushback. Or maybe you’re just a rap fan who is curious to see if there’s even any biblical evidence for or against rap. To put it simply, if you’ve made it this far, this book is probably for you. Does God Listen to Rap? covers two areas. First, it presents a sociological history of the emergence and development of rap. If you enjoy rap and hip hop culture, you’ll love this part of the book. Then the book explores the Scriptures to bring some biblical (not just personal or anecdotal) resolution to the question of God and rap. Ultimately, this involves a set of larger questions involving God and the arts. This is more than just an apologetic for rap music, this is a biblical way to think about how Christians can be in the world yet not of the world, and how they can express themselves to the glory of God. So, does God listen to rap? Come find out.
Author: Christopher M. Driscoll
Publisher: Routledge
ISBN: 1351010832
Category : Religion
Languages : en
Pages : 373
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Book Description
Kendrick Lamar has established himself at the forefront of contemporary hip-hop culture. Artistically adventurous and socially conscious, he has been unapologetic in using his art form, rap music, to address issues affecting black lives while also exploring subjects fundamental to the human experience, such as religious belief. This book is the first to provide an interdisciplinary academic analysis of the impact of Lamar’s corpus. In doing so, it highlights how Lamar’s music reflects current tensions that are keenly felt when dealing with the subjects of race, religion and politics. Starting with Section 80 and ending with DAMN., this book deals with each of Lamar’s four major projects in turn. A panel of academics, journalists and hip-hop practitioners show how religion, in particular black spiritualties, take a front-and-center role in his work. They also observe that his astute and biting thoughts on race and culture may come from an African American perspective, but many find something familiar in Lamar’s lyrical testimony across great chasms of social and geographical difference. This sophisticated exploration of one of popular culture’s emerging icons reveals a complex and multi faceted engagement with religion, faith, race, art and culture. As such, it will be vital reading for anyone working in religious, African American and hip-hop studies, as well as scholars of music, media and popular culture.
Author: Clarence Bernard Henry
Publisher: Taylor & Francis
ISBN: 1040151930
Category : Music
Languages : en
Pages : 543
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Book Description
Global Popular Music: A Research and Information Guide offers an essential annotated bibliography of scholarship on popular music around the world in a two-volume set. Featuring a broad range of subjects, people, cultures, and geographic areas, and spanning musical genres such as traditional, folk, jazz, rock, reggae, samba, rai, punk, hip-hop, and many more, this guide highlights different approaches and discussions within global popular music research. This research guide is comprehensive in scope, providing a vital resource for scholars and students approaching the vast amount of publications on popular music studies and popular music traditions around the world. Thorough cross-referencing and robust indexes of genres, places, names, and subjects make the guide easy to use. Volume 1, Global Perspectives in Popular Music Studies, situates popular music studies within global perspectives and geocultural settings at large. It offers over nine hundred in-depth annotated bibliographic entries of interdisciplinary research and several topical categories that include analytical, critical, and historical studies; theory, methodology, and musicianship studies; annotations of in-depth special issues published in scholarly journals on different topics, issues, trends, and music genres in popular music studies that relate to the contributions of numerous musicians, artists, bands, and music groups; and annotations of selected reference works.
Author: Rev. Marlon F. Hall
Publisher: Abingdon Press
ISBN: 1426731140
Category : Religion
Languages : en
Pages : 273
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Book Description
First an expression of black urban youth, Hip Hop music continues to expand as a cultural expression of youth and, now, young adults more generally. As a cultural phenomenon, it has even become integral to the worship experience of a growing number of churches who are reaching out to these groups. This includes not just African American churches but churches of all ethnic groups. Once seen as advocating violence, Hip Hop can be the Church’s agent of salvation and praise to transform society and reach youth and young adults in greater numbers. After looking at Hip Hop’s socio-historical context including its African roots, Wake Up shows how Hip Hop has come to embody the worldview of growing numbers of youth and young adults in today’s church. The authors make the case that Hip Hop represents the angst and hope of many youth and young adults and that by examining the inherent religious themes embedded in the music, the church can help shape the culture of hip-hop by changing its own forms of preaching and worship so that it can more effectively offer a message of repentance and liberation.
