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Author: Julie D. O’Reilly
Publisher: McFarland
ISBN: 0786447117
Category : Performing Arts
Languages : en
Pages : 247
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Book Description
Starting in 1996, U.S. television saw an influx of superhuman female characters who could materialize objects like Sabrina, the Teenage Witch, defeat evil like Buffy the Vampire Slayer and have premonitions like Charmed's Phoebe. The extraordinary abilities of these women showed resistance to traditional gender roles, although these characters experienced infringements on their abilities in ways superpowered men did not. Supernaturally powerful women and girls have remained on television, including the heavenly connected Grace (of Saving Grace), telepathic Sookie (of True Blood), and magical Cassie (of The Secret Circle). These more recent characters also face numerous constraints on their powers. As a result, superpowers become a narrative technique to diminish these characters, a technique that began with television's first superpowered woman, Samantha (of Bewitched). They all illustrate a paradox of women's power: are these characters ever truly powerful, much less superpowerful, if they cannot use their abilities fully? The superwoman has endured as a metaphor for women trying to "have it all"; therefore, the travails of these television examples parallel those of their off-screen counterparts.
Author: Julie D. O’Reilly
Publisher: McFarland
ISBN: 0786447117
Category : Performing Arts
Languages : en
Pages : 247
Get Book Here
Book Description
Starting in 1996, U.S. television saw an influx of superhuman female characters who could materialize objects like Sabrina, the Teenage Witch, defeat evil like Buffy the Vampire Slayer and have premonitions like Charmed's Phoebe. The extraordinary abilities of these women showed resistance to traditional gender roles, although these characters experienced infringements on their abilities in ways superpowered men did not. Supernaturally powerful women and girls have remained on television, including the heavenly connected Grace (of Saving Grace), telepathic Sookie (of True Blood), and magical Cassie (of The Secret Circle). These more recent characters also face numerous constraints on their powers. As a result, superpowers become a narrative technique to diminish these characters, a technique that began with television's first superpowered woman, Samantha (of Bewitched). They all illustrate a paradox of women's power: are these characters ever truly powerful, much less superpowerful, if they cannot use their abilities fully? The superwoman has endured as a metaphor for women trying to "have it all"; therefore, the travails of these television examples parallel those of their off-screen counterparts.
Author: David L. Pierce
Publisher: BearManor Media
ISBN: 9781593934415
Category : Performing Arts
Languages : en
Pages : 748
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Book Description
Revised & updated version of The Omni-Directional Three-Dimensional Vectoring Paper Printed Omnibus for Bewitched Analysis a.k.a. The Bewitched History Book. For fifty years the beloved 1960s sitcom Bewitched has been enchanting television audiences. Created at a turbulent time in American history, Bewitched offered a brief respite from the worries of the day. Before now, there has never been a book written that ties in the events of the times with each episode. But more important, there has never been a book about the show which breaks down each episode in depth. There is now. Within these pages you will learn everything about America's favorite witch, Samantha Stephens, her dreary mortal husband, Durwood, er, Darrin, and the grand host of witches, warlocks, and marvelous mortals who accompanied them on their journey from newlyweds to the parents of a little witch and warlock of their own. Each of the 254 episodes are described in humorous detail and reviewed by one of the biggest fans of the show, David Pierce (otherwise known as Dr. Bombay), from the premiere Bewitched website www.harpiesbizarre.com, based on his popular "40 Years Ago..." weekly posts. Rare trivia and photos accompany the episodes as you learn which witch went which way along with what mortal madness materialized in the swinging 60s of suburbia! About the Author David Pierce should have gotten a Master's Degree in Bewitched, but, instead, got an Associates in Science, majoring in Commercial Art. He currently works as a customer service operations agent in the health care profession and lives in Holladay, Utah.
Author: Jules Barbey d'Aurevilly
Publisher:
ISBN:
Category : Science fiction, French
Languages : en
Pages : 290
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Book Description
Author: Julie D. O’Reilly
Publisher: McFarland
ISBN: 1476601615
Category : Performing Arts
Languages : en
Pages : 247
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Book Description
Starting in 1996, U.S. television saw an influx of superhuman female characters who could materialize objects like Sabrina, the Teenage Witch, defeat evil like Buffy the Vampire Slayer and have premonitions like Charmed's Phoebe. The extraordinary abilities of these women showed resistance to traditional gender roles, although these characters experienced infringements on their abilities in ways superpowered men did not. Supernaturally powerful women and girls have remained on television, including the heavenly connected Grace (of Saving Grace), telepathic Sookie (of True Blood), and magical Cassie (of The Secret Circle). These more recent characters also face numerous constraints on their powers. As a result, superpowers become a narrative technique to diminish these characters, a technique that began with television's first superpowered woman, Samantha (of Bewitched). They all illustrate a paradox of women's power: are these characters ever truly powerful, much less superpowerful, if they cannot use their abilities fully? The superwoman has endured as a metaphor for women trying to "have it all"; therefore, the travails of these television examples parallel those of their off-screen counterparts.
Author:
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 536
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Book Description
Author: Catherine Rider
Publisher: Oxford University Press, USA
ISBN: 0199282226
Category : History
Languages : en
Pages : 269
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Book Description
Magic and Impotence in the Middle Ages investigates the widely held medieval belief that magic could cause sexual dysfunction. It focuses mainly on the period 1150-1450, and compares sources from four genres: confessors' manuals, medical compendia, canon law commentaries, and commentaries on the Sentences of Peter Lombard. This comparison shows that ideas about the definition and legitimacy of magic were surprisingly varied, and also reveals much new informationabout popular magical practices.
Author: William Henderson
Publisher:
ISBN:
Category : Fishing
Languages : en
Pages : 352
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Book Description
Author: William HENDERSON (Author of "Notes on the Folk Lore of the Northern Counties of England.")
Publisher:
ISBN:
Category :
Languages : en
Pages : 372
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Book Description
Author: William Thalbitzer
Publisher:
ISBN:
Category : Eskimos
Languages : en
Pages : 654
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Book Description
Author: Joseph Pearce
Publisher: Ignatius Press
ISBN: 1681494337
Category : Literary Criticism
Languages : en
Pages : 169
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Book Description
Having given the evidence for William Shakespeare's Catholicism in two previous books, literary biographer Joseph Pearce turns his attention in this work to the Bard's most famous play, Romeo and Juliet. "Star-crossed" Romeo and Juliet are Shakespeare's most famous lovers and perhaps the most well-known lovers in literary history. Though the young pair has been held up as a romantic ideal, the play is a tragedy, ending in death. What then, asks Pearce, is Shakespeare saying about his protagonists? Are they the hapless victims of fate, or are they partly to blame for their deaths? Is their love the "real thing", or is it self-indulgent passion? And what about the adults in their lives? Did they give the young people the example and guidance that they needed? The Catholic understanding of sexual desire, and its need to be ruled by reason, is on display in Romeo and Juliet, argues Pearce. The play is not a paean to romance but a cautionary tale about the naïveté and folly of youthful infatuation and the disastrous consequences of poor parenting. The well-known characters and their oft-quoted lines are rich in symbolic meaning that points us in the direction of the age-old wisdom of the Church. Although such a reading of Romeo and Juliet is countercultural in an age that glorifies the heedless and headless heart of young love, Pearce makes his case through a meticulous engagement with Shakespeare and his age and with the text of the play itself.
