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Author: Michelle Reichert
Publisher:
ISBN: 9780415976152
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
During the so-called "Age of Melancholy," many writers invoked both traditional and new conceptualizations of the disease in order to account for various types of social turbulence, ranging from discontent and factionalism to civil war. Writing about melancholy became a way to explore both the causes and preventions of political disorder, on both specific and abstract levels. Thus, at one and the same moment, a writer could write about melancholy to discuss specific and ongoing political crises and to explore more generally the principles which generate political conflicts in the first place. In the course of developing a traditional discourse of melancholy of its own, English writers appropriated representations of the disease - often ineffectively - in order to account for the political turbulence during the civil war and Interregnum periods.
Author: Michelle Reichert
Publisher:
ISBN: 9780415976152
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
During the so-called "Age of Melancholy," many writers invoked both traditional and new conceptualizations of the disease in order to account for various types of social turbulence, ranging from discontent and factionalism to civil war. Writing about melancholy became a way to explore both the causes and preventions of political disorder, on both specific and abstract levels. Thus, at one and the same moment, a writer could write about melancholy to discuss specific and ongoing political crises and to explore more generally the principles which generate political conflicts in the first place. In the course of developing a traditional discourse of melancholy of its own, English writers appropriated representations of the disease - often ineffectively - in order to account for the political turbulence during the civil war and Interregnum periods.
Author: Michelle Reichert
Publisher: Routledge
ISBN: 1135501602
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
Chrétien de Troyes uses repeated references to Spain throughout his romances; despite past suggestions that they contain Mozarabic and Islamic themes and motifs, these references have never been commented upon. The book will demonstrate that these allusions to Spain occur at key moments in the romances, and are often coupled with linguistic riddles which serve as roadmaps to the manner in which the romances are to be read. These references and riddles seem to support the idea that some of their themes and motifs in Chrétien's romances are of Andalusi origin. The book also analyzes Chrétien's notion of conjointure and shows it to be the intentional elaboration of a sort of Mischliteratur , which integrates Islamic and Jewish themes and motifs, as well as mystical alchemical symbolism, into the standard religious and literary canons of his time. The contrast afforded by Chrétien's use of irony, and his subtle integration of this matière d'Orient into the standard canon, constitutes a carefully veiled criticism of the social and moral conduct, as well as spiritual beliefs, of twelfth-century Christian society, the crusading mentality, chivalric mores, and even the notion of courtly love . The primary interest of the book lies in the fact that it will be the first to comment upon and analyze Chrétien's references to Spain and the rich matière d'Orient in his romances, while suggesting channels for its transmission, through scholars, merchants, and religious houses, from northern Spain to Champagne.
Author: Misha Brasher Reichert
Publisher:
ISBN:
Category :
Languages : en
Pages : 720
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Book Description
Author: Michelle Reichert
Publisher: Routledge
ISBN: 113550167X
Category : Literary Criticism
Languages : en
Pages : 333
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Book Description
Chrétien de Troyes uses repeated references to Spain throughout his romances; despite past suggestions that they contain Mozarabic and Islamic themes and motifs, these references have never been commented upon. The book will demonstrate that these allusions to Spain occur at key moments in the romances, and are often coupled with linguistic riddles which serve as roadmaps to the manner in which the romances are to be read. These references and riddles seem to support the idea that some of their themes and motifs in Chrétien's romances are of Andalusi origin. The book also analyzes Chrétien's notion of conjointure and shows it to be the intentional elaboration of a sort of Mischliteratur , which integrates Islamic and Jewish themes and motifs, as well as mystical alchemical symbolism, into the standard religious and literary canons of his time. The contrast afforded by Chrétien's use of irony, and his subtle integration of this matière d'Orient into the standard canon, constitutes a carefully veiled criticism of the social and moral conduct, as well as spiritual beliefs, of twelfth-century Christian society, the crusading mentality, chivalric mores, and even the notion of courtly love . The primary interest of the book lies in the fact that it will be the first to comment upon and analyze Chrétien's references to Spain and the rich matière d'Orient in his romances, while suggesting channels for its transmission, through scholars, merchants, and religious houses, from northern Spain to Champagne.
Author: James T. Monroe
Publisher:
ISBN:
Category : Arabic poetry
Languages : en
Pages : 20
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Book Description
Author: Cynthia Robinson
Publisher: BRILL
ISBN: 9004474560
Category : History
Languages : en
Pages : 494
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Book Description
This volume offers a reconstruction of the court culture of the taifa kings of al-Andalus (11th century A.D.), using both visual and textual evidence. A focus of particular attention is the court of the Banū Hūd at Zaragoza, and that dynasty's palace, the Aljafería. Principle written sources are not histories and chronicles, but the untranslated poetic anthologies of al-ḥimyarī and al-Fatḥ ibn Khāqān. The first part of the book addresses taifa visual and literary languages, with especial emphasis on connections between the literary and visual aspects of taifa aesthetics. The sections on the Aljafería's ornamental program will be of particular interest, not only to historians of Islamic art, but to students of all visual traditions with strong non-figural components. In addition, Part One also proposes that taifa court culture has been considered as a culture of "courtly love," and this argument also forms the point of departure for Part Two. The second part of the study uses luxury objects of Islamic and Limousine production as a point of departure for a detailed comparison of the thematics of taifa poetry in classical Arabic on the themes of courtly love and pleasures with those of the better-known Provençal tradition.
Author: María Rosa Menocal
Publisher: Cambridge University Press
ISBN: 9780521471596
Category : History
Languages : en
Pages : 8
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Book Description
The Literature of Al-Andalus explores the culture of Iberia adopting an interdisciplinary and comparative approach.
Author:
Publisher: Routledge
ISBN: 1134352980
Category :
Languages : en
Pages : 224
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Book Description
Author: Robin William Girard
Publisher:
ISBN:
Category : Electronic dissertations
Languages : en
Pages : 255
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Book Description
At least since Stendhal's De l'Amour, scholars have argued that the theories of courtly love expressed in the Old French literature of the High Middle Ages were inspired by or drew upon elements of Islamicate culture. In this dissertation, I explore the theories of love represented in works of literature, lover's manuals and medical treatises composed in and around the late twelfth-century court of Marie de Champagne, which I read in conjunction with contemporaneous works from the Islamicate world, ranging from Al-Andalus to Persia, in order to show how these works reflect the common cultural orientation of the medieval Mediterranean. By showing that the theories of amatory practice described in Andreas Capellanus's De amore cannot be accounted for exclusively from within the Ovidian tradition, I posit that by viewing the Old French theories of courtly love as a synthesis of the earlier Ovidian and Islamicate traditions, as represented by Ibn Ḥazm's Ṭawq al-Hamāma, we can better understand the place of courtly love within the constellation of medieval Mediterranean cultures. This conclusion serves as the point of departure for my subsequent analyses as I endeavor to show that the Tristan legend drew heavily upon the Persianate epic, Vīs u Rāmīn, a claim I substantiate through a comparision between those two works and Chrétien de Troyes's anti-Tristan, Cligès. Further, I maintain that the act of literary appropriation, whether through inspiration or translation, remained an active process that sought to recontextualize and adapt content to the needs of its new cultural milieu. I then focus on the routes of pilgrimage and trade that spanned and linked the fragmented spaces of Christian and Islamic Mediterraneans and that made such cultural and literary exchanges possible accross political, cultural, religion and linguistic borders. I do this through a study of the "Tale of Niʻma and Nuʻm" from the Alf Layla wa Layla and its old French adaptation, the Conte de Floire et Blancheflor by Robert d'Orbigny. There were, however, limits to the influence of Islamicate thought on the representation of love in Old French literature as is evinced in medical discourse: although theoretical medicine was revolutionized by the translation of medical treatises sich as Constantinus Africanus's eleventh-century Viaticum peregrinantis, literary love-discourse resisted change. Even as theories of love and lovesickness were redefined in light of this new medical knowledge, I demonstrate that the literary representation of love medicine continued to cleave to older, Ovidian tropes through the middle of the thirteenth century. By focusing on theories of love, which intersect with as disparate domains as theology and law, politics and science, I am able to show the ways in which Old French literature engages with and extends contemporaneous cultural and literary trends within the Islamicate world, thereby resituating it in its Mediterranean context.
Author: Cynthia Robinson
Publisher: Psychology Press
ISBN: 9780415322447
Category : History
Languages : en
Pages : 225
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Book Description
"Medieval Andalusian Courtly Culture discusses the thirteenth-century unicum manuscript of the Hadith Bayad wa Riyad, the only illustrated manuscript to have survived from more than eight centuries of Muslim and Arabic-speaking presence in present-day Spain. The manuscript is of paramount importance as it contains the only known illustrated version of the love story of Bayad wa Riyad." "The study will place this manuscript within the context of late medieval Mediterranean courtly culture. Texts and images will not, as is often the case, be analyzed in separate chapters; rather, the analysis will serve to point to the cohesion of what might be referred to as the currency of Mediterranean courtly culture, with this latter much changed from the earliest days of its existence as a cultural code in the eleventh and twelfth centuries." "Medieval Andalusian Courtly Culture in the Mediterranean is essential reading for scholars with interests in medieval Spain, Islamic art and Mediterranean courtly culture."--Jacket.
