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Author: Franco Mormando
Publisher: University of Chicago Press
ISBN: 022605523X
Category : Art
Languages : en
Pages : 452
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Book Description
Profiles the whirlwind life of the famed Italian sculptor who is known for his artistic and architectural contributions to the city of Rome.
Author: Franco Mormando
Publisher: University of Chicago Press
ISBN: 022605523X
Category : Art
Languages : en
Pages : 452
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Book Description
Profiles the whirlwind life of the famed Italian sculptor who is known for his artistic and architectural contributions to the city of Rome.
Author: PESTILLI
Publisher:
ISBN: 9781848225497
Category :
Languages : en
Pages : 288
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Book Description
Bernini and His World is a unique exploration of Gian Lorenzo Bernini the sculptor, offering new insights into the artist including discussions of his stylistic innovations and the ways he approached sculpture. Placing his life and work within a social, anthropological and historical context, Pestilli gives a fascinating and in-depth account of the artist, from the Rome in which he lived and its reception to foreign sculptors to the myth-making aspects of his biographies, and his critics. Beautifully illustrated throughout, this engagingly written book draws on a deep familiarity with both historic and modern Italian culture to give readers a vivid account of sculpture and sculptors in early modern Rome and Bernini's lasting legacy.
Author: Andrea Zanella
Publisher: Palombi Editori
ISBN: 9788876217807
Category : Architecture
Languages : en
Pages : 79
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Book Description
Author: Andrea Bacchi
Publisher: Getty Publications
ISBN: 0892369329
Category : Portrait sculpture, Baroque
Languages : en
Pages : 338
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Book Description
Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture in North America. Bernini and the Birth of Baroque Portrait Sculpture showcases portrait sculptures from all phases of the artist’s long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676, one of his last completed works. Bernini’s portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini’s ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi. Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 321
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Book Description
Author: Domenico Bernini
Publisher: Penn State Press
ISBN: 0271037490
Category : Biography & Autobiography
Languages : en
Pages : 500
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Book Description
"A critical translation of the unabridged Italian text of Domenico Bernini's biography of his father, seventeenth-century sculptor, architect, painter, and playwright Gian Lorenzo Bernini (1598-1680). Includes commentary on the author's data and interpretations, contrasting them with other contemporary primary sources and recent scholarship"--Provided by publisher.
Author: Rudolf Wittkower
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
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Book Description
Author: Carolina Mangone
Publisher: Yale University Press
ISBN: 0300247737
Category : Art
Languages : en
Pages : 289
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Book Description
A novel exploration of the threads of continuity, rivalry, and self-conscious borrowing that connect the Baroque innovator with his Renaissance paragon Gianlorenzo Bernini (1598–1680), like all ambitious artists, imitated eminent predecessors. What set him apart was his lifelong and multifaceted focus on Michelangelo Buonarroti—the master of the previous age. Bernini’s Michelangelo is the first comprehensive examination of Bernini’s persistent and wide-ranging imitation of Michelangelo’s canon (his art and its rules). Prevailing accounts submit that Michelangelo’s pervasive, yet controversial, example was overcome during Bernini’s time, when it was rejected as an advantageous model for enterprising artists. Carolina Mangone reconsiders this view, demonstrating how the Baroque innovator formulated his work by emulating his divisive Renaissance forebear’s oeuvre. Such imitation earned him the moniker “Michelangelo of his age.” Investigating Bernini’s “imitatio Buonarroti” in its extraordinary scope and variety, this book identifies principles that pervade his production over seven decades in papal Rome. Close analysis of religious sculptures, tomb monuments, architectural ornament, and the design of New Saint Peter’s reveals how Bernini approached Michelangelo’s art as a surprisingly flexible repertory of precepts and forms that he reconciled—here with daring license, there with creative restraint—to the aesthetic, sacred, and theoretical imperatives of his own era. Situating Bernini’s imitation in dialogue with that by other artists as well as with contemporaneous writings on Michelangelo’s art, Mangone repositions the Renaissance master in the artistic concerns of the Baroque from peripheral to pivotal. Without Michelangelo, there was no Bernini.
Author: Loyd Grossman
Publisher: Simon and Schuster
ISBN: 1643137417
Category : History
Languages : en
Pages : 256
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Book Description
This brilliant vignette of seventeenth-century Rome, its Baroque architecture, and its relationship to the Catholic Church brings to life the friendship between a genius and his patron with an ease of writing that is rare in art history. By 1650, the spiritual and political power of the Catholic Church was shattered. Thanks to the twin blows of the Protestant Reformation and the Thirty Years War, Rome—celebrated both as the Eternal City and Caput Mundi (the head of the world)—had lost its preeminent place in Europe. Then a new Pope, Alexander VII, fired with religious zeal, political guile, and a mania for creating new architecture, determined to restore the prestige of his church by making Rome the key destination for Europe's intellectual, political, and cultural elite. To help him do so, he enlisted the talents of Gianlorenzo Bernini, already celebrated as the most important living artist—no mean feat in the age of Rubens, Rembrandt, and Velazquez.
Author: Bruce Boucher
Publisher: Thames & Hudson
ISBN: 9780500203071
Category : Art
Languages : en
Pages : 224
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Book Description
Italian baroque sculpture often has been criticized for portraying a sham world, distracting the spectator from its spiritual poverty by dazzling technical displays. Bruce Boucher offers a fresh view of this rich and varied subject, published to coincide with the 400th anniversary of the births of 17th-century artists Bernini and Algardi. 200 illustrations. 35 in color.
