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Author: Franco Mormando
Publisher: University of Chicago Press
ISBN: 022605523X
Category : Art
Languages : en
Pages : 452
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Book Description
Profiles the whirlwind life of the famed Italian sculptor who is known for his artistic and architectural contributions to the city of Rome.
Author: Franco Mormando
Publisher: University of Chicago Press
ISBN: 022605523X
Category : Art
Languages : en
Pages : 452
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Book Description
Profiles the whirlwind life of the famed Italian sculptor who is known for his artistic and architectural contributions to the city of Rome.
Author: Andrea Zanella
Publisher: Palombi Editori
ISBN: 9788876217807
Category : Architecture
Languages : en
Pages : 79
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Book Description
Author: PESTILLI
Publisher:
ISBN: 9781848225497
Category :
Languages : en
Pages : 288
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Book Description
Bernini and His World is a unique exploration of Gian Lorenzo Bernini the sculptor, offering new insights into the artist including discussions of his stylistic innovations and the ways he approached sculpture. Placing his life and work within a social, anthropological and historical context, Pestilli gives a fascinating and in-depth account of the artist, from the Rome in which he lived and its reception to foreign sculptors to the myth-making aspects of his biographies, and his critics. Beautifully illustrated throughout, this engagingly written book draws on a deep familiarity with both historic and modern Italian culture to give readers a vivid account of sculpture and sculptors in early modern Rome and Bernini's lasting legacy.
Author: Andrea Bacchi
Publisher: Getty Publications
ISBN: 0892369329
Category : Portrait sculpture, Baroque
Languages : en
Pages : 338
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Book Description
Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture in North America. Bernini and the Birth of Baroque Portrait Sculpture showcases portrait sculptures from all phases of the artist’s long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676, one of his last completed works. Bernini’s portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini’s ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi. Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome.
Author: Domenico Bernini
Publisher: Penn State Press
ISBN: 0271037490
Category : Biography & Autobiography
Languages : en
Pages : 500
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Book Description
"A critical translation of the unabridged Italian text of Domenico Bernini's biography of his father, seventeenth-century sculptor, architect, painter, and playwright Gian Lorenzo Bernini (1598-1680). Includes commentary on the author's data and interpretations, contrasting them with other contemporary primary sources and recent scholarship"--Provided by publisher.
Author: Carolina Mangone
Publisher: Yale University Press
ISBN: 0300247737
Category : Art
Languages : en
Pages : 289
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Book Description
A novel exploration of the threads of continuity, rivalry, and self-conscious borrowing that connect the Baroque innovator with his Renaissance paragon Gianlorenzo Bernini (1598–1680), like all ambitious artists, imitated eminent predecessors. What set him apart was his lifelong and multifaceted focus on Michelangelo Buonarroti—the master of the previous age. Bernini’s Michelangelo is the first comprehensive examination of Bernini’s persistent and wide-ranging imitation of Michelangelo’s canon (his art and its rules). Prevailing accounts submit that Michelangelo’s pervasive, yet controversial, example was overcome during Bernini’s time, when it was rejected as an advantageous model for enterprising artists. Carolina Mangone reconsiders this view, demonstrating how the Baroque innovator formulated his work by emulating his divisive Renaissance forebear’s oeuvre. Such imitation earned him the moniker “Michelangelo of his age.” Investigating Bernini’s “imitatio Buonarroti” in its extraordinary scope and variety, this book identifies principles that pervade his production over seven decades in papal Rome. Close analysis of religious sculptures, tomb monuments, architectural ornament, and the design of New Saint Peter’s reveals how Bernini approached Michelangelo’s art as a surprisingly flexible repertory of precepts and forms that he reconciled—here with daring license, there with creative restraint—to the aesthetic, sacred, and theoretical imperatives of his own era. Situating Bernini’s imitation in dialogue with that by other artists as well as with contemporaneous writings on Michelangelo’s art, Mangone repositions the Renaissance master in the artistic concerns of the Baroque from peripheral to pivotal. Without Michelangelo, there was no Bernini.
Author: Robert Torsten Petersson
Publisher: Fordham Univ Press
ISBN: 9788887700831
Category : Art
Languages : en
Pages : 160
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Book Description
"The vitality of Petersson's book is drawn directly from the sculpture of Bernini, an artist now regarded as the true successor of Michelangelo. It differs from others by bringing the reader inside the sculptural process, from genesis to completed form. Frequently Bernini had to solve uniquely interesting problems and his innovative talents never faltered." "As well as presenting the brilliant, flamboyant Bernini, the book simultaneously displays Rome in the throes of its Counter-Reformation renewal, the second birth of the city with the full panoply of its arts, culture, and aberrant activities during Bernini's years in the service of eight popes. In later life he expanded his fame by spending an eventful half year in Paris at the invitation of Louis XIV. The proud and touchy Bernini, then the most celebrated artist in Europe, was in a pitched battle with the arrogant and aggressive French. Yet in Paris as in Rome it is the artistic works that have lasted and are widely known as having redirected the course of European sculpture."--BOOK JACKET. Book jacket.
Author: Howard Hibbard
Publisher: Penguin UK
ISBN: 0141935421
Category : Architecture
Languages : en
Pages : 328
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Book Description
Sculptor and architect Bernini was the virtual creator and greatest exponent of Baroque in 17th century Italy. He has left his greatest mark on Rome where Papal patronage provided him with enormous architectural commissions.
Author: Gian Lorenzo Bernini
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 132
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Book Description
This collection contains 106 of Bernini's finest drawings, from a third to a half of his surviving graphic output, drawings characterized by bold assurance and confidence, exquisite precision, brilliance, and subtlety. Included are not only preparatory sketches and designs for the above projects, but splendid figure studies, probing portraits and self-portraits, ingenious caricatures, designs for medals, and drawings for frontispieces. We see the whole range of this artist's draughtsmanship, form his first thoughts on numerous projects to finished works of art. The volume, arranged chronologically, begins with one of Bernini's earliest surviving drawings, the "Portrait of a Young Man" (c. 1615), a possible self-portrait, and ends with a caricature of Pope Innocent XI from the last years of the artist's life (1676-80). As Bernini grew more and more successful, he became in fact a designer rather than a maker of sculpture. The drawings take on a special importance as a key indication of Bernini's original intentions, the way he saw and created projects, which his assistants than executed with varying degrees of competence. -- From publisher's description.
Author: Jake Morrissey
Publisher: Harper Collins
ISBN: 0061873136
Category : Biography & Autobiography
Languages : en
Pages : 338
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Book Description
“The remarkable story of the two seventeenth-century geniuses. . . . A highly successful double biography.” —Booklist The rivalry between the brilliant seventeenth-century Italian architects Gianlorenzo Bernini and Francesco Borromini is the stuff of legend. Enormously talented and ambitious artists, they met as contemporaries in the building yards of St. Peter’s in Rome, became the greatest architects of their era by designing some of the most beautiful buildings in the world, and ended their lives as bitter enemies. Engrossing and impeccably researched, full of dramatic tension and breathtaking insight, The Genius in the Design is the remarkable tale of how two extraordinary visionaries schemed and maneuvered to get the better of each other and, in the process, created the spectacular Roman cityscape of today. “Entertaining. . . . Morrissey finely renders the intense rivalry between these two artists.” —Publishers Weekly “With clear prose and splendid touches of drama, history and architecture are both brought wonderfully to life.” —Ross King, New York Times bestselling author of Brunelleschi’s Dome and Michelangelo and the Pope’s Ceiling “Engrossing.” —Matthew Pearl, of The Dante Club “Genius in the Design reveals the dark side of 17th Century Italy with sparkling anecdotes and you-are-there immediacy” —Laurence Bergreen, author of Over the Edge of the World “Fascinating . . . a scintillating introduction to the Baroque.” —Iain Pears, New York Times bestselling author An Instance of the Fingerpost “Page-turning reading.” —Seattle Times Book Review “Morrissey illuminates the contrast between the celebrated Bernini and the anguished Borromini.” —Boston Globe
