Bernini and the Excesses of Art PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Bernini and the Excesses of Art PDF full book. Access full book title Bernini and the Excesses of Art by Robert Torsten Petersson. Download full books in PDF and EPUB format.
Author: Robert Torsten Petersson
Publisher: Fordham Univ Press
ISBN: 9788887700831
Category : Art
Languages : en
Pages : 160
Get Book Here
Book Description
"The vitality of Petersson's book is drawn directly from the sculpture of Bernini, an artist now regarded as the true successor of Michelangelo. It differs from others by bringing the reader inside the sculptural process, from genesis to completed form. Frequently Bernini had to solve uniquely interesting problems and his innovative talents never faltered." "As well as presenting the brilliant, flamboyant Bernini, the book simultaneously displays Rome in the throes of its Counter-Reformation renewal, the second birth of the city with the full panoply of its arts, culture, and aberrant activities during Bernini's years in the service of eight popes. In later life he expanded his fame by spending an eventful half year in Paris at the invitation of Louis XIV. The proud and touchy Bernini, then the most celebrated artist in Europe, was in a pitched battle with the arrogant and aggressive French. Yet in Paris as in Rome it is the artistic works that have lasted and are widely known as having redirected the course of European sculpture."--BOOK JACKET. Book jacket.
Author: Robert Torsten Petersson
Publisher: Fordham Univ Press
ISBN: 9788887700831
Category : Art
Languages : en
Pages : 160
Get Book Here
Book Description
"The vitality of Petersson's book is drawn directly from the sculpture of Bernini, an artist now regarded as the true successor of Michelangelo. It differs from others by bringing the reader inside the sculptural process, from genesis to completed form. Frequently Bernini had to solve uniquely interesting problems and his innovative talents never faltered." "As well as presenting the brilliant, flamboyant Bernini, the book simultaneously displays Rome in the throes of its Counter-Reformation renewal, the second birth of the city with the full panoply of its arts, culture, and aberrant activities during Bernini's years in the service of eight popes. In later life he expanded his fame by spending an eventful half year in Paris at the invitation of Louis XIV. The proud and touchy Bernini, then the most celebrated artist in Europe, was in a pitched battle with the arrogant and aggressive French. Yet in Paris as in Rome it is the artistic works that have lasted and are widely known as having redirected the course of European sculpture."--BOOK JACKET. Book jacket.
Author: Lilian H. Zirpolo
Publisher: Rowman & Littlefield
ISBN: 1538111292
Category : Art
Languages : en
Pages : 692
Get Book Here
Book Description
This second edition of Historical Dictionary of Baroque Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on famous artists, sculptors, architects, patrons, and other historical figures, and events.
Author: Lilian H. Zirpolo
Publisher: Rowman & Littlefield
ISBN: 1442264675
Category : Art
Languages : en
Pages : 633
Get Book Here
Book Description
The art of the Renaissance is usually the most familiar to non-specialists, and for good reason. This was the era that produced some of the icons of civilization, including Leonardo da Vinci’s Mona Lisa and Last Supper and Michelangelo’s Sistine Ceiling, Pietà, and David. Marked as one of the greatest moments in history, the outburst of creativity of the era resulted in the most influential artistic revolution ever to have taken place. The period produced a substantial number of notable masters, among them Donatello, Filippo Brunelleschi, Masaccio, Sandro Botticelli, Raphael, Titian, and Tintoretto. This second edition of Historical Dictionary of Renaissance Art contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on artists from Italy, Flanders, the Netherlands, Germany, Spain, and Portugal, historical figures and events that impacted the production of Renaissance art. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Renaissance art.
Author: Emma Barker
Publisher: Tate Enterprises Ltd
ISBN: 1849761094
Category : Art
Languages : en
Pages : 684
Get Book Here
Book Description
An innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1600-1850 Academy to Avant-Garde" interrogates labels used in standard histories of the art of this period (Baroque, Rococo, Neo-Classicism and Romanticism) and examines both established and recent art-historical methodologies, including formalism, iconology, spectatorship and reception, identity and difference. Key topics include Baroque Rome, Dutch Painting of the Golden Age, Georgian London, the Paris Salon, and the impact of the discovery of the South Pacific.The second of three text books, published by Tate in association with the Open University, which insight for students of Art History, Art Theory and Humanities. Introduction Part 1: City and country 1600-1760 1: Bernini and Baroque Rome 2: Meaning and interpretation: Dutch painting of the golden age 3: The metropolitan urban renaissance: London 1660-1760 4: The English landscape garden 1680-1760 Part 2: New worlds of art 1760-1850 5: Painting for the public 6: Canova, Neo-classicism and the sculpted body 7: The other side of the world 8: Inventing the Romantic artist
Author: Tamara Thiessen
Publisher: Museyon
ISBN: 1938450108
Category : History
Languages : en
Pages : 273
Get Book Here
Book Description
Discover la dolce vita on this grand tour of !--?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" /--Italy's historic capital told through 30 dramatic true stories spanning nearly 3,000 years, plus detailed walking tours complete with easy-to-read maps. From the Curia Pompei, site of Julius Caesar's assassination in 44 BC, to the Borgia Apartments in the Vatican, see the real-life places where history happened in this richly illustrated guide. Along with infamous power games between heroes and villains, you will find Rome's smart and powerful women, such as Agrippina, St. Agnes, Margherita, Artemisia, and more. Then relax like Goethe and Keats at the Café Greco, Rome's chicest coffee bar since 1760, or visit the Palazzo Colonna, the site of Audrey Hepburn's Roman Holiday.
Author: Lilian H. Zirpolo
Publisher: Scarecrow Press
ISBN: 0810870436
Category : Art
Languages : en
Pages : 630
Get Book Here
Book Description
The Renaissance era was launched in Italy and gradually spread to the Netherlands, Germany, Spain, France, and other parts of Europe and the New World, with figures like Robert Campin, Jan van Eyck, Rogier van der Weyden, Albrecht DYrer, and Albrecht Altdorfer. It was the era that produced some of the icons of civilization, including Leonardo da Vinci's Mona Lisa and Last Supper and Michelangelo's Sistine Ceiling, Piet^, and David. Marked as one of the greatest moments in history, the outburst of creativity of the era resulted in the most influential artistic revolution ever to have taken place. The period produced a substantial number of notable masters, among them Caravaggio, Donato Bramante, Donatello, El Greco, Filippo Brunelleschi, Masaccio, Sandro Botticelli, Raphael, Titian, and Tintoretto. The result was an outstanding number of exceptional works of art and architecture that pushed human potential to new heights. The A to Z of Renaissance Art covers the years 1250 to 1648, the period most disciplines place as the Renaissance Era. A complete portrait of this remarkable period is depicted in this book through a chronology, an introductory essay, a bibliography, and over 500 hundred cross-referenced dictionary entries on major Renaissance painters, sculptors, architects, and patrons, as well as relevant historical figures and events, the foremost artistic centers, schools and periods, major themes and subjects, noteworthy commissions, technical processes, theoretical material, literary and philosophic sources for art, and art historical terminology.
Author: Dany Nobus
Publisher: Routledge
ISBN: 100055242X
Category : Psychology
Languages : en
Pages : 229
Get Book Here
Book Description
The highly arcane "wisdom" produced by the French psychoanalyst Jacques Lacan is either endlessly regurgitated and recited as holy writ by his numerous acolytes, or radically dismissed as unpalatable nonsense by his equally countless detractors. Contrary to these common, strictly antagonistic yet uniformly uncritical practices, this book offers a meticulous critique of some key theoretical and clinical aspects of Lacan’s expansive oeuvre, testing their consistency, examining their implications, and investigating their significance. In nine interrelated chapters, the book highlights both the flaws and the strengths of Lacan’s ideas, in areas of investigation that are as crucial as they are contentious, within as well as outside psychoanalysis. Drawing on a vast range of source materials, including many unpublished archival documents, it teases out controversial issues such as money, organisational failure, and lighthearted, "gay" thinking, and it relies on the highest standards of scholarly excellence to develop its arguments. At the same time, the book does not presuppose any prior knowledge of Lacanian psychoanalysis on the part of the reader, but allows its readership to indulge in the joys of in-depth critical analysis, trans-disciplinary creative thinking, and persistent questioning. This book will appeal to researchers and students alike in psychoanalytic studies and philosophy, as well as all those interested in French theory and the history of ideas.
Author: Joseph Cermatori
Publisher: JHU Press
ISBN: 1421441543
Category : Literary Criticism
Languages : en
Pages : 323
Get Book Here
Book Description
A groundbreaking study on the vital role of baroque theater in shaping modernist philosophy, literature, and performance. Finalist for the Outstanding Book Award by the Association for Theatre in Higher Education, Honorable Mention for the Balakian Prize by the International Comparative Literature Association, Winner of the Helen Tartar Book Subvention Award by the American Comparative Literature Association, Finalist of the MSA First Book Prize by the Modernist Studies Association Baroque style—with its emphasis on ostentation, adornment, and spectacle—might seem incompatible with the dominant forms of art since the Industrial Revolution, but between 1875 and 1935, European and American modernists connected to the theater became fascinated with it. In Baroque Modernity, Joseph Cermatori argues that the memory of seventeenth-century baroque stages helped produce new forms of theater, space, and experience around the turn of the twentieth century. In response, modern theater helped give rise to the development of the baroque as a modern philosophical idea. The book focuses on avant-gardists whose writing takes place between theory and performance: philosophical theater-makers and theatrical philosophers including Friedrich Nietzsche, Stéphane Mallarmé, Walter Benjamin, and Gertrude Stein. Moving between page and stage, this study tracks the remnants of seventeenth-century theater through modernist aesthetics across an array of otherwise disparate materials, including modern opera, Bertolt Brecht's Epic Theater, poetic tragedies, and miracle plays. By reexamining the twentieth century's engagements with Gianlorenzo Bernini, William Shakespeare, Claudio Monteverdi, Calderón de la Barca, and other seventeenth-century predecessors, the book delineates an enduring tradition of baroque performance. Along the way, Cermatori expands our familiar narratives of "the modern" and traces a history of theatricality that reverberates into the twenty-first century. Baroque Modernity will appeal to readers in a wide array of disciplines, including comparative literature, theater and performance, art and music history, intellectual history, and aesthetic theory.
Author: Sarah Ward Clavier
Publisher: Boydell & Brewer
ISBN: 1783276401
Category : History
Languages : en
Pages : 284
Get Book Here
Book Description
Analyses the role of long-term continuities in the political and religious culture of Wales from the eve of the Civil War in 1640 to the Glorious Revolution of 1688 In Royalism, Religion and Revolution: Wales, 1640-1688, Sarah Ward Clavier provides a ground-breaking analysis of the role of long-term continuities in the political and religious culture of Wales from the eve of the Civil War in 1640 to the Glorious Revolution. A final chapter also extends the narrative to the Hanoverian succession. The book discusses three main themes: the importance of continuities (including concepts of Welsh history, identity and language); religious attitudes and identities; and political culture. As Ward Clavier shows, the culture of Wales in this period was not frozen but rather dynamic, one that was constantly deploying traditional cultural symbols and practices to sustain a distinctive religious and political identity against a tide of change. The book uses a wide range of primary research material: from correspondence, diaries and financial accounts, to architectural, literary and material sources, drawing on both English and Welsh language texts. As part of the 'New Regional History' this book discusses the distinctively Welsh alongside aspects common to English and, indeed, European culture, and argues that the creative construction of continuity allowed the gentry of North-East Wales to maintain and adapt their identity even in the face of rupture and crisis.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Get Book Here
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
