Author: Marguerite Henry
Publisher: Simon and Schuster
ISBN: 1481403966
Category : Juvenile Fiction
Languages : en
Pages : 143
Book Description
Newbery Award–winning author Marguerite Henry’s beloved novel about a boy who would do anything to paint is now available in a collectible hardcover gift edition. Benjamin West was born with an extraordinary gift—the gift of creating paintings of people, animals, and landscapes so true to life they “took one’s breath away.” But Benjamin is part of a deeply religious Quaker family, and Quaker beliefs forbid the creation of images. Because Benjamin’s family didn’t approve of his art, he had to make his own painting supplies. The local Native Americans taught him how to mix paints from earth, clay, and plants. And his cat, Grimalkin, sacrificed hair from his tail for Ben’s brushes. This classic story from Newbery Award–winning author Marguerite Henry features the original text and illustrations in a gorgeous collectible hardcover edition.
Benjamin West and His Cat Grimalkin
Author: Marguerite Henry
Publisher: Simon and Schuster
ISBN: 1481403966
Category : Juvenile Fiction
Languages : en
Pages : 143
Book Description
Newbery Award–winning author Marguerite Henry’s beloved novel about a boy who would do anything to paint is now available in a collectible hardcover gift edition. Benjamin West was born with an extraordinary gift—the gift of creating paintings of people, animals, and landscapes so true to life they “took one’s breath away.” But Benjamin is part of a deeply religious Quaker family, and Quaker beliefs forbid the creation of images. Because Benjamin’s family didn’t approve of his art, he had to make his own painting supplies. The local Native Americans taught him how to mix paints from earth, clay, and plants. And his cat, Grimalkin, sacrificed hair from his tail for Ben’s brushes. This classic story from Newbery Award–winning author Marguerite Henry features the original text and illustrations in a gorgeous collectible hardcover edition.
Publisher: Simon and Schuster
ISBN: 1481403966
Category : Juvenile Fiction
Languages : en
Pages : 143
Book Description
Newbery Award–winning author Marguerite Henry’s beloved novel about a boy who would do anything to paint is now available in a collectible hardcover gift edition. Benjamin West was born with an extraordinary gift—the gift of creating paintings of people, animals, and landscapes so true to life they “took one’s breath away.” But Benjamin is part of a deeply religious Quaker family, and Quaker beliefs forbid the creation of images. Because Benjamin’s family didn’t approve of his art, he had to make his own painting supplies. The local Native Americans taught him how to mix paints from earth, clay, and plants. And his cat, Grimalkin, sacrificed hair from his tail for Ben’s brushes. This classic story from Newbery Award–winning author Marguerite Henry features the original text and illustrations in a gorgeous collectible hardcover edition.
Sports and American Art from Benjamin West to Andy Warhol
Author: Allen Guttmann
Publisher:
ISBN: 9781558498747
Category : Art
Languages : en
Pages : 0
Book Description
A richly illustrated exploration of the depiction of sports in American art since the eighteenth century
Publisher:
ISBN: 9781558498747
Category : Art
Languages : en
Pages : 0
Book Description
A richly illustrated exploration of the depiction of sports in American art since the eighteenth century
Benjamin West and the Struggle to be Modern
Author: Loyd Grossman
Publisher:
ISBN: 9781858946412
Category : Art
Languages : en
Pages : 0
Book Description
At the time of his death in 1820, Benjamin West was the most famous artist in the English-speaking world, and much admired throughout Europe. From humble beginnings in Pennsylvania, he had become the first American artist to study in Italy, and within a few short years of his arrival in London, was instrumental in the foundation of the Royal Academy of Arts (he succeeded Sir Joshua Reynolds to become its second President) and became history painter to King George III. In his lifetime, West's meteoric rise to prominence and the great pleasure he took in his success attracted criticism, and his posthumous reputation took a savage mauling from Victorian critics, one of whom dubbed him 'The Monarch of Mediocrity'. But even at his critical nadir, West's most celebrated work, The Death of General Wolfe, commemorating the British victory at the Battle of Quebec in 1759 and first exhibited at the Royal Academy in 1771, continued to fascinate. Although it was not, as is sometimes claimed, the first history painting to feature contemporary costume, it was the first picture in such a vein to become a critical and popular success in Britain. West remains today the most neglected and misunderstood of Britain's great eighteenth-century artists, lacking the social bite of Hogarth, the bravura of Reynolds or the easy elegance of Gainsborough. Nor was he a forceful writer (unlike Hogarth and Reynolds), and he did not possess the intellectual credentials to which so many of his fellow artists aspired. And yet, as Loyd Grossman asserts in his new book, West was extraordinarily in tune with the artistic and intellectual currents that swirled through his turbulent times. He was in the vanguard of both Neoclassicism and Romanticism, and among the very first artists to give visual expression to the exciting and heroic qualities of contemporary events, as opposed to episodes dredged up from the biblical, classical or mythological past, which had long enjoyed the highest artistic status. West's Wolfe was painted at a time when Europeans were just beginning to abandon the tendency to look backwards. Men and women of letters, philosophers and historians were increasingly convinced that modernity could equal and even surpass the achievements of the ancient Greeks and Romans. This new-found ability to believe in the value of the present and to look forward to a progressive future is very much the foundation of the 'modern' attitude that has affected the way we live and think ever since. While acknowledging that West's reputation is still precarious, Grossman explains why Wolfe was such an instant success and why this thrilling work of art continues to exercise such a strong grip on our imaginations nearly 250 years after it was first shown to the public. He situates West in the midst of Enlightenment thinking about history and modernity, and seeks to demolish some of the prejudices about the talent and intentions of the young man from the Pennsylvania frontier who attained such eminence at the British court.
Publisher:
ISBN: 9781858946412
Category : Art
Languages : en
Pages : 0
Book Description
At the time of his death in 1820, Benjamin West was the most famous artist in the English-speaking world, and much admired throughout Europe. From humble beginnings in Pennsylvania, he had become the first American artist to study in Italy, and within a few short years of his arrival in London, was instrumental in the foundation of the Royal Academy of Arts (he succeeded Sir Joshua Reynolds to become its second President) and became history painter to King George III. In his lifetime, West's meteoric rise to prominence and the great pleasure he took in his success attracted criticism, and his posthumous reputation took a savage mauling from Victorian critics, one of whom dubbed him 'The Monarch of Mediocrity'. But even at his critical nadir, West's most celebrated work, The Death of General Wolfe, commemorating the British victory at the Battle of Quebec in 1759 and first exhibited at the Royal Academy in 1771, continued to fascinate. Although it was not, as is sometimes claimed, the first history painting to feature contemporary costume, it was the first picture in such a vein to become a critical and popular success in Britain. West remains today the most neglected and misunderstood of Britain's great eighteenth-century artists, lacking the social bite of Hogarth, the bravura of Reynolds or the easy elegance of Gainsborough. Nor was he a forceful writer (unlike Hogarth and Reynolds), and he did not possess the intellectual credentials to which so many of his fellow artists aspired. And yet, as Loyd Grossman asserts in his new book, West was extraordinarily in tune with the artistic and intellectual currents that swirled through his turbulent times. He was in the vanguard of both Neoclassicism and Romanticism, and among the very first artists to give visual expression to the exciting and heroic qualities of contemporary events, as opposed to episodes dredged up from the biblical, classical or mythological past, which had long enjoyed the highest artistic status. West's Wolfe was painted at a time when Europeans were just beginning to abandon the tendency to look backwards. Men and women of letters, philosophers and historians were increasingly convinced that modernity could equal and even surpass the achievements of the ancient Greeks and Romans. This new-found ability to believe in the value of the present and to look forward to a progressive future is very much the foundation of the 'modern' attitude that has affected the way we live and think ever since. While acknowledging that West's reputation is still precarious, Grossman explains why Wolfe was such an instant success and why this thrilling work of art continues to exercise such a strong grip on our imaginations nearly 250 years after it was first shown to the public. He situates West in the midst of Enlightenment thinking about history and modernity, and seeks to demolish some of the prejudices about the talent and intentions of the young man from the Pennsylvania frontier who attained such eminence at the British court.
The Boy Who Loved to Draw
Author: Barbara Brenner
Publisher: Houghton Mifflin Harcourt
ISBN: 0547562241
Category : Juvenile Nonfiction
Languages : en
Pages : 52
Book Description
When Benjamin was seven years old, the only thing in the world he wanted to do was draw pictures. Sometimes it got him into trouble—when he “borrowed” Papa’s best quill pen, when he drew the cows instead of milking them for Mama, when he used the cat’s fur for brushes—but it also led him to some surprising adventures. Here, in lively words and vivid pictures, is the engaging true story of Benjamin West, the farm boy from colonial Pennsylvania who grew up to become the first world-famous American artist.
Publisher: Houghton Mifflin Harcourt
ISBN: 0547562241
Category : Juvenile Nonfiction
Languages : en
Pages : 52
Book Description
When Benjamin was seven years old, the only thing in the world he wanted to do was draw pictures. Sometimes it got him into trouble—when he “borrowed” Papa’s best quill pen, when he drew the cows instead of milking them for Mama, when he used the cat’s fur for brushes—but it also led him to some surprising adventures. Here, in lively words and vivid pictures, is the engaging true story of Benjamin West, the farm boy from colonial Pennsylvania who grew up to become the first world-famous American artist.
Copley and West in England 1775-1815
Author: Allen Staley
Publisher: Burlington Press
ISBN: 9781916237803
Category :
Languages : en
Pages : 176
Book Description
This beautifully and thoroughly illustrated book, which constitutes the first serious investigation of the relationship between Benjamin West and John Singleton Copley, will be of considerable interest to both British and American art historians, and appeal to art lovers from both countries.00The book begins with a brief prologue discussing the earliest of West?s depictions of recent historical events and of subjects set in America, painted prior to Copley?s arrival in England. It then follows the year-by-year evolution of Copley?s painting from 1775 to his death in 1815, with an underlying focus upon his ongoing give-and-take with West, and it ends with examination of hitherto little-known and unstudied major late paintings, from after 1800, by both artists.
Publisher: Burlington Press
ISBN: 9781916237803
Category :
Languages : en
Pages : 176
Book Description
This beautifully and thoroughly illustrated book, which constitutes the first serious investigation of the relationship between Benjamin West and John Singleton Copley, will be of considerable interest to both British and American art historians, and appeal to art lovers from both countries.00The book begins with a brief prologue discussing the earliest of West?s depictions of recent historical events and of subjects set in America, painted prior to Copley?s arrival in England. It then follows the year-by-year evolution of Copley?s painting from 1775 to his death in 1815, with an underlying focus upon his ongoing give-and-take with West, and it ends with examination of hitherto little-known and unstudied major late paintings, from after 1800, by both artists.
Stories of Great Americans for Little Americans
Author: Edward Eggleston
Publisher:
ISBN:
Category : Readers
Languages : en
Pages : 172
Book Description
Publisher:
ISBN:
Category : Readers
Languages : en
Pages : 172
Book Description
Making of the American West
Author: Benjamin H. Johnson
Publisher: Bloomsbury Publishing USA
ISBN: 1851097686
Category : History
Languages : en
Pages : 401
Book Description
A richly researched, evocative account of the individuals and institutions involved in the settling of the non-Indian West—and of the impact of the development of the West on the nation as a whole. Making of the American West surveys the experiences of major social groups in the lands from the Mississippi to the Pacific, from the United States' penetration of the region in the early 19th century to its incorporation into national political, economic, and cultural fabric by the early 20th century. This revealing volume offers fascinating portraits of the people and institutions that drove the Western conquest (traders and trappers, ranchers and settlers, corporations, the federal government), as well as of those who resisted conquest or hoped for the emergence of a different society (Indian peoples, Latinos, Asians, wage laborers). Throughout, expert contributors continually return to the growing myth of the West and the impact of its promise of freedom and opportunity on those who sought to "Americanize" it.
Publisher: Bloomsbury Publishing USA
ISBN: 1851097686
Category : History
Languages : en
Pages : 401
Book Description
A richly researched, evocative account of the individuals and institutions involved in the settling of the non-Indian West—and of the impact of the development of the West on the nation as a whole. Making of the American West surveys the experiences of major social groups in the lands from the Mississippi to the Pacific, from the United States' penetration of the region in the early 19th century to its incorporation into national political, economic, and cultural fabric by the early 20th century. This revealing volume offers fascinating portraits of the people and institutions that drove the Western conquest (traders and trappers, ranchers and settlers, corporations, the federal government), as well as of those who resisted conquest or hoped for the emergence of a different society (Indian peoples, Latinos, Asians, wage laborers). Throughout, expert contributors continually return to the growing myth of the West and the impact of its promise of freedom and opportunity on those who sought to "Americanize" it.
Five Early American Painters
Author: Donald Braider
Publisher: Meredith Corporation
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 196
Book Description
Brief biographies of five early American painters including Benjamin West, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and John Trumbull.
Publisher: Meredith Corporation
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 196
Book Description
Brief biographies of five early American painters including Benjamin West, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and John Trumbull.
The American School
Author: Susan Rather
Publisher: Paul Mellon Centre
ISBN: 9780300214611
Category : ART
Languages : en
Pages : 0
Book Description
An in-depth look at the changing status of American artists in the 18th and early 19th century This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Susan Rather examines the status of artists from different geographical, professional, and material perspectives, and delves into topics such as portrait painting in Boston and London; the trade of art in Philadelphia and New York; the negotiability and usefulness of colonial American identity in Italy and London; and the shifting representation of artists in and from the former British colonies after the Revolutionary War, when London remained the most important cultural touchstone. The book interweaves nuanced analysis of well-known artists--John Singleton Copley, Benjamin West, and Gilbert Stuart, among others--with accounts of non-elite painters and ephemeral texts and images such as painted signs and advertisements. Throughout, Rather questions the validity of the term "American," which she sees as provisional--the product of an evolving, multifaceted cultural construction. Published for the Paul Mellon Centre for Studies in British Art
Publisher: Paul Mellon Centre
ISBN: 9780300214611
Category : ART
Languages : en
Pages : 0
Book Description
An in-depth look at the changing status of American artists in the 18th and early 19th century This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Susan Rather examines the status of artists from different geographical, professional, and material perspectives, and delves into topics such as portrait painting in Boston and London; the trade of art in Philadelphia and New York; the negotiability and usefulness of colonial American identity in Italy and London; and the shifting representation of artists in and from the former British colonies after the Revolutionary War, when London remained the most important cultural touchstone. The book interweaves nuanced analysis of well-known artists--John Singleton Copley, Benjamin West, and Gilbert Stuart, among others--with accounts of non-elite painters and ephemeral texts and images such as painted signs and advertisements. Throughout, Rather questions the validity of the term "American," which she sees as provisional--the product of an evolving, multifaceted cultural construction. Published for the Paul Mellon Centre for Studies in British Art
American Adversaries
Author: Emily Ballew Neff
Publisher: Museum of Fine Arts (Houston)
ISBN: 9780300196467
Category : Art and society
Languages : en
Pages : 0
Book Description
"Illuminating essays and more than two hundred images offer a compelling account of the 18th-century contemporary history painters John Singleton Copley and Benjamin West--America's first global art superstars"--Provided by publisher.
Publisher: Museum of Fine Arts (Houston)
ISBN: 9780300196467
Category : Art and society
Languages : en
Pages : 0
Book Description
"Illuminating essays and more than two hundred images offer a compelling account of the 18th-century contemporary history painters John Singleton Copley and Benjamin West--America's first global art superstars"--Provided by publisher.