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Author: Ben Monder
Publisher: Mel Bay Publications
ISBN: 1619115638
Category : Music
Languages : en
Pages : 149
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Book Description
This book serves as a follow-up to Ben Monder Compositions, with an emphasis on the compositions found on the 2013 recording, Hydra, as well as some older pieces that didn't make it into the first book. They are scored for solo guitar, guitar trio, guitar and voice duo, and quartet with one or multiple voices. The majority of the works are through-composed and reflect the exploration of various harmonic, technical, and textural elements of the guitar. These pieces will present an array of challenges to the performer, including unusual techniques and alternate tunings
Author: Ben Monder
Publisher: Mel Bay Publications
ISBN: 1619115638
Category : Music
Languages : en
Pages : 149
Get Book Here
Book Description
This book serves as a follow-up to Ben Monder Compositions, with an emphasis on the compositions found on the 2013 recording, Hydra, as well as some older pieces that didn't make it into the first book. They are scored for solo guitar, guitar trio, guitar and voice duo, and quartet with one or multiple voices. The majority of the works are through-composed and reflect the exploration of various harmonic, technical, and textural elements of the guitar. These pieces will present an array of challenges to the performer, including unusual techniques and alternate tunings
Author: Ben Monder
Publisher:
ISBN: 9780786678341
Category : Music
Languages : en
Pages : 0
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Book Description
This book of twenty compositions spans an approximately 20-year period of writing. They can all be found on one or another of Ben's four solo releases: Flux, Dust, Excavation, and Oceana. It reflects a broad sample of work involving the exploration of various harmonic, technical, and textural elements of the guitar. There are 6 solo pieces, as well as pieces for trio and quartet, with voice being the 4th instrument. The pieces were chosen for the particular technical challenges they present to the performer. Some unusual fingering techniques are employed, as well as alternate tunings. Standard notation only.
Author: Monder BEN
Publisher:
ISBN: 9780786694624
Category :
Languages : en
Pages :
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Book Description
This book of twenty compositions spans an approximately 20-year period of writing. They can all be found on one or another of Ben's four solo releases: Flux, Dust, Excavation, and Oceana. It reflects a broad sample of work involving the exploration of various harmonic, technical, and textural elements of the guitar.There are 6 solo pieces, as well as pieces for trio and quartet, with voice being the 4th instrument. The pieces were chosen for the particular technical challenges they present to the performer. Some unusual fingering techniques are employed, as well as alternate tunings. Standard notation only
Author: Ben Monder
Publisher: Mel Bay Publications
ISBN: 160974683X
Category : Music
Languages : en
Pages : 265
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Book Description
This book of twenty compositions spans an approximately 20-year period of writing. They can all be found on one or another of Ben's four solo releases: Flux, Dust, Excavation, and Oceana. It reflects a broad sample of work involving the exploration of various harmonic, technical, and textural elements of the guitar. There are 6 solo pieces, as well as pieces for trio and quartet, with voice being the 4th instrument. the pieces were chosen for the particular technical challenges they present to the performer. Some unusual fingering techniques are employed, as well as alternate tunings. Standard notation only.
Author: Kurt Rosenwinkel
Publisher: Mel Bay Publications
ISBN: 1609746066
Category : Music
Languages : en
Pages : 81
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Book Description
Jazz guitarist Kurt Rosenwinkel has been pushing the jazz envelope for more than a decade and is recognized as one of today's premier soloists and composers. This book showcases solo transcriptions of Kurt's critically acclaimed album Deep Song as well as lead sheets for many of Kurt's personal favorite tunes presented in standard notation and tablature. the book is personalized with photos of Kurt's tours and recording sessions and is a valuable collection of modern jazz guitar.
Author: Lionel Loueke
Publisher: Mel Bay Publications
ISBN: 1619113546
Category : Music
Languages : en
Pages : 73
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Book Description
Lionel Loueke's signature is one of limitless rhythmic invention. He has established a unique identity born of the synthesis between West African and Brazilian musicwithin the modern jazz idiom. In his compositions, these influences fuse together, creating evocative African textures spliced with a guitar sound that channels the phrasing of a kora. When combined with his voice, Loueke's unique sound transports the listener even further. This book contains 21 original compositions and 5 solo transcriptions which give the reader insight into the compositional language of guitarist-vocalist Lionel Loueke
Author: Kurt Rosenwinkel
Publisher: Mel Bay Publications
ISBN: 1619119625
Category : Music
Languages : en
Pages : 104
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Book Description
This book includes Denin Koch’s transcriptions of solo improvisations from Kurt Rosenwinkel’s 2012 album, Star of Jupiter. Koch provides insight into Rosenwinkel’s techniques and concepts, giving the player perspective on the artist’s signature improvisational approach. Each solo is presented in standard notation and guitar tablature with chord symbols matching Rosenwinkel’s original lead sheets and a one-page discussion of the solo’s notable features and techniques. The tablature represents the most logical fingering for each phrase based on articulation, tone, and what comes before and after it.
Author: Darren Sigesmund
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
This dissertation examines the use of counterpoint in the music of New York guitarist Ben Monder, arguing that specific contrapuntal elements inform his musical expression and contribute to his unique voice in contemporary jazz. Published pedagogical literature on jazz composition emphasizes big band arranging over small ensemble writing and has not adequately addressed the scope of jazz compositional practices since the 1960s. Consequently, innovative approaches such as Monder's have been neglected and suitable frameworks for analyzing his contributions have not been developed. Synthesizing Walter Piston's notion of opposition and Ernst Toch's interest in textural shifts as a form of contrast with attention to Monder's development of intervallic voicings and voice leading broadens my framework for analyzing contemporary jazz counterpoint. In particular, my analysis emphasizes non-imitative polyphony consisting of opposing elements within a texture (melody, harmony, rhythm, metre) and contrast between textures (shifts). Score analysis, transcription and a personal interview with Monder form the basis for examining select compositions and related improvisations in solo, duo, trio or quartet settings featured in his recordings Flux (1996), Dust (1997), Excavation (2000), Oceana (2005), and Hydra (2013). Analyses reveal a varied use of contrapuntal devices, including voice leading of intervallic voicing structures in chorales, a freer treatment of dissonance in pedal point, polytonality, polyrhythm, polymetre, and textural shifts. Guitar solos illustrate an often-overlooked contrapuntal link between composition and improvisation through motivic development. Most significantly, Monder's extensive treatment of contrapuntal techniques shapes the form and identity of his compositions. This comprehensive approach to counterpoint and his emphasis on notation over improvisation in multi-movement compositions set him apart from his peers and gain him recognition from musicians and critics alike. His unique position within contemporary jazz circles challenges the prevailing tendency among jazz scholars to overlook composers in favour of improvisers who are assumed to have been the driving forces of jazz history. This study, then, builds on a growing direction in jazz scholarship that challenges existing narratives of jazz history and practice. It also serves as a stepping-stone for establishing counterpoint as a rich analytical, pedagogical, compositional and improvisational resource in contemporary jazz practice.
Author: MITCH HOLDER
Publisher: Mel Bay Publications
ISBN: 1609745973
Category : Music
Languages : en
Pages : 112
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Book Description
The Jazz Stylings of Howard Roberts consists of transcriptions of melody, solo, comping examples and ensemble passages from Howard's extensive solo albums spanning from the '50's to the '70's in accurate detail. There is a bio of HR (as he was affectionately known to all of his acquaintances and fans) with personal comments from Pete Jolly, well known LA jazz and studio pianist who was best friends with Howard going back to their early days in Phoenix. an extensive section covers the history and development of the Epiphone© and Gibson© signature guitars that Howard created along with the Benson® amp story, which is told by Howard's original partner, Ron Benson, the first of the 'boutique' amplifier companies, so common today. Along the way, Howard's involvement with guitar education and publishing is described culminating in the opening of the Guitar Institute of Technology (now the Musicians Institute) in 1977. A discography of Howard's solo albums as well as the key hit records he played on and a list of the major motion picture soundtracks he participated in as a studio musician in Los Angeles are also included.
Author: Kurt Rosenwinkel
Publisher: Mel Bay Publications
ISBN: 1609744624
Category : Music
Languages : en
Pages : 49
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Book Description
Impressive recordings and mesmerizing live performances have sealed jazz guitarist Kurt Rosenwinkel's reputation as one of the most innovative players and composers on the current scene. the new Mel Bay publication is a transcription of the highly renowned live recording East Coast Love Affair. This book offers transcriptions of Kurt's solos from all eight tunes from the album. Each solo is analyzed and the information presented to help the player understand what Kurt is doing in each piece. the book is presented in standard notation and tablature. for the advanced guitar player.
