Author: Ben Jonson
Publisher: Manchester University Press
ISBN: 9780719051821
Category : Drama
Languages : en
Pages : 220
Book Description
This Revels Student Edition, with a carefully modernized text, presents new material about Volpone 's debt to the popular Reynard beast epic and Italian commedia dell 'art and discusses its mockery of greed in relation to two Renaissance perversions of the myth of a Golden Age. Referring to famous productions, it pays particular attention to decisions that must be made whenever the play is performed.
Volpone
Author: Ben Jonson
Publisher: Manchester University Press
ISBN: 9780719051821
Category : Drama
Languages : en
Pages : 220
Book Description
This Revels Student Edition, with a carefully modernized text, presents new material about Volpone 's debt to the popular Reynard beast epic and Italian commedia dell 'art and discusses its mockery of greed in relation to two Renaissance perversions of the myth of a Golden Age. Referring to famous productions, it pays particular attention to decisions that must be made whenever the play is performed.
Publisher: Manchester University Press
ISBN: 9780719051821
Category : Drama
Languages : en
Pages : 220
Book Description
This Revels Student Edition, with a carefully modernized text, presents new material about Volpone 's debt to the popular Reynard beast epic and Italian commedia dell 'art and discusses its mockery of greed in relation to two Renaissance perversions of the myth of a Golden Age. Referring to famous productions, it pays particular attention to decisions that must be made whenever the play is performed.
Ben Jonson, Public Poet and Private Man
Author: George A. E. Parfitt
Publisher: Barnes & Noble
ISBN:
Category : Drama
Languages : en
Pages : 196
Book Description
Publisher: Barnes & Noble
ISBN:
Category : Drama
Languages : en
Pages : 196
Book Description
Ben Jonson: Public Poet and Private Man
Author: George Parfitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 181
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 181
Book Description
Jonson and the Contexts of His Time
Author: Robert C. Evans
Publisher: Bucknell University Press
ISBN: 9780838752685
Category : Drama
Languages : en
Pages : 252
Book Description
"Ben Jonson was one of the most important writers of the English Renaissance, and this study both reflects and contributes to the growing focus on the concrete details of his art and career. By examining specific works, particular historical circumstances, and complex relations with various individuals, author Robert C. Evans tries to locate Jonson's writings in the contexts that helped shape their artistry." "This book presumes that the more one knows about Jonson's various contexts, the more richly one can appreciate the complicated significance of the texts he produced. In fact, a major purpose of the book is the presentation of new archival data. The individual chapters all assume that Jonson could not ignore his relations with other people and the effects that those relations might have had on his life and writings." "The first chapter raises explicitly many of the questions involved in the historical study of literature, contributing to recent dialogue about the meaning and value of the so-called New Historicism. This chapter also offers one of the few sustained examinations of one of Jonson's most typical and significant poems, the epistle to Edward Sackville." "Chapter 2 suggests why Jonson's relations with rivals and patrons were particularly significant. It discusses one of his most important rivalries - the "poetomachia" - and its significance for the early years of his life as a writer. The chapter then jumps to the end of Jonson's career and emphasizes works he addressed to the Earl of Newcastle, one of his most important later patrons. This initial emphasis on patronage and rivalry recurs in one way or another in all the subsequent chapters, which follow a roughly chronological scheme." "Chapter 3 looks at the earliest and perhaps still the best of Jonson's great plays, Volpone, and explores new evidence suggesting that Jonson may have used this comedy to mock a powerful and wellknown contemporary. Chapter 4 explores The Devil is an Ass (1616) and attempts to suggest the very complicated political and social circumstances in which it was enmeshed. Chapter 5 tries to show how the important masque entitled Pleasure Reconciled to Virtue offered a detailed response to another aristocratic entertainment written a few months earlier, and chapter 6 surveys the poet's apparently contentious relations with the highly talented Thomas Campion." "Chapters 7 and 8 focus on the closing years of Jonson's career. They explore his little-known friendship with Joseph Webbe, an important language theorist whose ideas were quite controversial at the time, and examine Jonson's relations with significant Caroline patrons in an attempt to show the complicated ways in which the patronage "system" - so often discussed in the abstract could operate in actuality. A brief afterword summarizes some of the general critical assumptions on which all the preceding chapters are based."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Bucknell University Press
ISBN: 9780838752685
Category : Drama
Languages : en
Pages : 252
Book Description
"Ben Jonson was one of the most important writers of the English Renaissance, and this study both reflects and contributes to the growing focus on the concrete details of his art and career. By examining specific works, particular historical circumstances, and complex relations with various individuals, author Robert C. Evans tries to locate Jonson's writings in the contexts that helped shape their artistry." "This book presumes that the more one knows about Jonson's various contexts, the more richly one can appreciate the complicated significance of the texts he produced. In fact, a major purpose of the book is the presentation of new archival data. The individual chapters all assume that Jonson could not ignore his relations with other people and the effects that those relations might have had on his life and writings." "The first chapter raises explicitly many of the questions involved in the historical study of literature, contributing to recent dialogue about the meaning and value of the so-called New Historicism. This chapter also offers one of the few sustained examinations of one of Jonson's most typical and significant poems, the epistle to Edward Sackville." "Chapter 2 suggests why Jonson's relations with rivals and patrons were particularly significant. It discusses one of his most important rivalries - the "poetomachia" - and its significance for the early years of his life as a writer. The chapter then jumps to the end of Jonson's career and emphasizes works he addressed to the Earl of Newcastle, one of his most important later patrons. This initial emphasis on patronage and rivalry recurs in one way or another in all the subsequent chapters, which follow a roughly chronological scheme." "Chapter 3 looks at the earliest and perhaps still the best of Jonson's great plays, Volpone, and explores new evidence suggesting that Jonson may have used this comedy to mock a powerful and wellknown contemporary. Chapter 4 explores The Devil is an Ass (1616) and attempts to suggest the very complicated political and social circumstances in which it was enmeshed. Chapter 5 tries to show how the important masque entitled Pleasure Reconciled to Virtue offered a detailed response to another aristocratic entertainment written a few months earlier, and chapter 6 surveys the poet's apparently contentious relations with the highly talented Thomas Campion." "Chapters 7 and 8 focus on the closing years of Jonson's career. They explore his little-known friendship with Joseph Webbe, an important language theorist whose ideas were quite controversial at the time, and examine Jonson's relations with significant Caroline patrons in an attempt to show the complicated ways in which the patronage "system" - so often discussed in the abstract could operate in actuality. A brief afterword summarizes some of the general critical assumptions on which all the preceding chapters are based."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Horace Made New
Author: Charles Martindale
Publisher: Cambridge University Press
ISBN: 0521380197
Category : Literary Criticism
Languages : en
Pages : 362
Book Description
Collection of essays exploring Horace's place in English literature and culture.
Publisher: Cambridge University Press
ISBN: 0521380197
Category : Literary Criticism
Languages : en
Pages : 362
Book Description
Collection of essays exploring Horace's place in English literature and culture.
The Facts on File Companion to British Poetry
Author: Virginia Brackett
Publisher: Infobase Publishing
ISBN: 1438108354
Category : Literary Criticism
Languages : en
Pages : 497
Book Description
Presents a comprehensive A-to-Z reference with approximately 400 entries providing facts about British poets and their poetry from the seventeenth and eighteenth centuries.
Publisher: Infobase Publishing
ISBN: 1438108354
Category : Literary Criticism
Languages : en
Pages : 497
Book Description
Presents a comprehensive A-to-Z reference with approximately 400 entries providing facts about British poets and their poetry from the seventeenth and eighteenth centuries.
The Women of Ben Jonson's Poetry
Author: Barbara Smith
Publisher: Routledge
ISBN: 135188039X
Category : Literary Criticism
Languages : en
Pages : 126
Book Description
Ben Jonson (1572-1637) is recognised as one of the major poets and dramatists of his time. It is surprising, therefore, that this should be the first study to look specifically at the role of women in his poetry. Barbara Smith challenges previously held conceptions of Jonson as a misogynist, upholding the patronage system that allowed him to work. Through detailed examination of his poetic structures, the influence of Juvenal, Martial and Horace, and Jonson's attitudes to his own female patrons, the Countess of Bedford and Lady Mary Wroth, The Women of Ben Jonson's Poetry demonstrates how seventeenth century cultural values and ideas of gender are both supported and subverted in the poems. ’If we "survey Jonson in his works and know him there", we will find the independence of spirit and originality that made him a rarity in his time and ours.'
Publisher: Routledge
ISBN: 135188039X
Category : Literary Criticism
Languages : en
Pages : 126
Book Description
Ben Jonson (1572-1637) is recognised as one of the major poets and dramatists of his time. It is surprising, therefore, that this should be the first study to look specifically at the role of women in his poetry. Barbara Smith challenges previously held conceptions of Jonson as a misogynist, upholding the patronage system that allowed him to work. Through detailed examination of his poetic structures, the influence of Juvenal, Martial and Horace, and Jonson's attitudes to his own female patrons, the Countess of Bedford and Lady Mary Wroth, The Women of Ben Jonson's Poetry demonstrates how seventeenth century cultural values and ideas of gender are both supported and subverted in the poems. ’If we "survey Jonson in his works and know him there", we will find the independence of spirit and originality that made him a rarity in his time and ours.'
The Culture of Obesity in Early and Late Modernity
Author: E. Levy-Navarro
Publisher: Springer
ISBN: 0230610439
Category : Social Science
Languages : en
Pages : 242
Book Description
This book offers the first sustained examination of fatness in the early modern period. Using readings of such major figures as Shakespeare, Jonson, Middleton, and Skelton, this book considers alternative ways that fat was constructed before the introduction of the modern pathologized category of 'obesity'.
Publisher: Springer
ISBN: 0230610439
Category : Social Science
Languages : en
Pages : 242
Book Description
This book offers the first sustained examination of fatness in the early modern period. Using readings of such major figures as Shakespeare, Jonson, Middleton, and Skelton, this book considers alternative ways that fat was constructed before the introduction of the modern pathologized category of 'obesity'.
The Self-Centred Art
Author: Jakub Boguszak
Publisher: Routledge
ISBN: 1000344193
Category : Performing Arts
Languages : en
Pages : 413
Book Description
The Self-Centred Art is a study of the plays of Ben Jonson and the actors who first performed in them. Jakub Boguszak shows how the idiosyncrasies of Jonson’s comic characters were thrown into relief in actors’ part-scripts—scrolls containing a single actor’s lines and cues—some five hundred of which are reconstructed here from Jonson’s seventeen extant plays. Reading Jonson’s spectating parts, humorous parts, apprentice parts, and plotting parts, Boguszak argues that the kind of self-absorption which defines so many of Jonson’s famous comic creations would have come easily to actors relying on these documents. Jonson’s actors would have moreover worked on their cues, studied their speeches, and thought about the information excluded from their parts differently, depending on the type they had to play. Boguszak thus shows that Jonson brilliantly adapted his comedies to the way the actors worked, making the actors’ self-centredness serve his art. This book addresses Jonson’s dealings with the actors as well as the printers of his plays and supplements the discussion of different types of parts with a colourful range of case studies. In doing so, it presents a new way of understanding not just Ben Jonson, but early modern theatre at large.
Publisher: Routledge
ISBN: 1000344193
Category : Performing Arts
Languages : en
Pages : 413
Book Description
The Self-Centred Art is a study of the plays of Ben Jonson and the actors who first performed in them. Jakub Boguszak shows how the idiosyncrasies of Jonson’s comic characters were thrown into relief in actors’ part-scripts—scrolls containing a single actor’s lines and cues—some five hundred of which are reconstructed here from Jonson’s seventeen extant plays. Reading Jonson’s spectating parts, humorous parts, apprentice parts, and plotting parts, Boguszak argues that the kind of self-absorption which defines so many of Jonson’s famous comic creations would have come easily to actors relying on these documents. Jonson’s actors would have moreover worked on their cues, studied their speeches, and thought about the information excluded from their parts differently, depending on the type they had to play. Boguszak thus shows that Jonson brilliantly adapted his comedies to the way the actors worked, making the actors’ self-centredness serve his art. This book addresses Jonson’s dealings with the actors as well as the printers of his plays and supplements the discussion of different types of parts with a colourful range of case studies. In doing so, it presents a new way of understanding not just Ben Jonson, but early modern theatre at large.
Jonson and the Psychology of Public Theater
Author: John Gordon Sweeney
Publisher: Princeton University Press
ISBN: 1400857139
Category : Drama
Languages : en
Pages : 257
Book Description
This book is a study of Ben Jonson's relationship with his audience in the public theater, as the relationship changed in the course of his career from the comical satires to Bartholomew Fair. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400857139
Category : Drama
Languages : en
Pages : 257
Book Description
This book is a study of Ben Jonson's relationship with his audience in the public theater, as the relationship changed in the course of his career from the comical satires to Bartholomew Fair. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.