Author: Ben Jonson
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
Book Description
Timber; Or, Discoveries Made Upon Men and Matter
Author: Ben Jonson
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
Book Description
What You Will
Author: John Marston
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
Book Description
Ben Jonson
Author: Richard Dutton
Publisher: Routledge
ISBN: 1317893751
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
Interest in Ben Jonson is higher today than at any time since his death. This new collection offers detailed readings of all the major plays - Volpone, Epicene, The Alchemist and Bartholomew Fair - and the poems. It also provides significant insights into the court masques and the later plays which have only recently been rediscovered as genuinely engaging stage pieces.
Publisher: Routledge
ISBN: 1317893751
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
Interest in Ben Jonson is higher today than at any time since his death. This new collection offers detailed readings of all the major plays - Volpone, Epicene, The Alchemist and Bartholomew Fair - and the poems. It also provides significant insights into the court masques and the later plays which have only recently been rediscovered as genuinely engaging stage pieces.
Imitating Authors
Author: Colin Burrow
Publisher: Oxford University Press
ISBN: 0192575147
Category : Literary Criticism
Languages : en
Pages : 483
Book Description
Imitating Authors is a major study of the theory and practice of imitatio (the imitation of one author by another) from antiquity to the present day. It extends from early Greek texts right up to recent fictions about clones and artificial humans, and illuminates both the theory and practice of imitation. At its centre lie the imitating authors of the English Renaissance, including Ben Jonson and the most imitated imitator of them all, John Milton. Imitating Authors argues that imitation was not simply a matter of borrowing words, or of alluding to an earlier author. Imitators learnt practices from earlier writers. They imitated the structures and forms of earlier writing in ways that enabled them to create a new style which itself could be imitated. That made imitation an engine of literary change. Imitating Authors also shows how the metaphors used by theorists to explain this complex practice fed into works which were themselves imitations, and how those metaphors have come to influence present-day anxieties about imitation human beings and artificial forms of intelligence. It explores relationships between imitation and authorial style, its fraught connections with plagiarism, and how emerging ideas of genius and intellectual property changed how imitation was practised. In refreshing and jargon-free prose Burrow explains not just what imitation was in the past, but how it influences the present, and what it could be in the future. Imitating Authors includes detailed discussion of Plato, Roman rhetorical theory, Virgil, Lucretius, Petrarch, Cervantes, Ben Jonson, Milton, Pope, Wordsworth, Mary Shelley, and Kazuo Ishiguro.
Publisher: Oxford University Press
ISBN: 0192575147
Category : Literary Criticism
Languages : en
Pages : 483
Book Description
Imitating Authors is a major study of the theory and practice of imitatio (the imitation of one author by another) from antiquity to the present day. It extends from early Greek texts right up to recent fictions about clones and artificial humans, and illuminates both the theory and practice of imitation. At its centre lie the imitating authors of the English Renaissance, including Ben Jonson and the most imitated imitator of them all, John Milton. Imitating Authors argues that imitation was not simply a matter of borrowing words, or of alluding to an earlier author. Imitators learnt practices from earlier writers. They imitated the structures and forms of earlier writing in ways that enabled them to create a new style which itself could be imitated. That made imitation an engine of literary change. Imitating Authors also shows how the metaphors used by theorists to explain this complex practice fed into works which were themselves imitations, and how those metaphors have come to influence present-day anxieties about imitation human beings and artificial forms of intelligence. It explores relationships between imitation and authorial style, its fraught connections with plagiarism, and how emerging ideas of genius and intellectual property changed how imitation was practised. In refreshing and jargon-free prose Burrow explains not just what imitation was in the past, but how it influences the present, and what it could be in the future. Imitating Authors includes detailed discussion of Plato, Roman rhetorical theory, Virgil, Lucretius, Petrarch, Cervantes, Ben Jonson, Milton, Pope, Wordsworth, Mary Shelley, and Kazuo Ishiguro.
The Cambridge Companion to Ben Jonson
Author: Richard Harp
Publisher: Cambridge University Press
ISBN: 9780521646789
Category : Drama
Languages : en
Pages : 238
Book Description
An accessible, up-to-date introduction to the life and works of poet and dramatist Ben Jonson.
Publisher: Cambridge University Press
ISBN: 9780521646789
Category : Drama
Languages : en
Pages : 238
Book Description
An accessible, up-to-date introduction to the life and works of poet and dramatist Ben Jonson.
Ben Jonson and Possessive Authorship
Author: Joseph Loewenstein
Publisher: Cambridge University Press
ISBN: 9780521812177
Category : History
Languages : en
Pages : 268
Book Description
What is the history of authorship, of invention, of intellectual property? Joseph Loewenstein describes the fragmentary and eruptive emergence of a key phase of the bibliographical ego, a specifically Early Modern form of authorial identification with printed writing. In the work of many playwrights and non-dramatic writers - and especially that of Ben Jonson - that identification is tinged, remarkably, with possessiveness. This 2002 book examines the emergence of possessive authorship within a complex industrial and cultural field. It traces the prehistory of modern copyright both within the monopolistic practices of London's acting troupes and its Stationers' Company and within a Renaissance cultural heritage. Under the pressures of modern competition, a tradition of literary, artistic and technological imitation began to fissure, unleashing jealous accusations of plagiarism and ingenious new fantasies of intellectual privacy. Perhaps no-one was more creatively attuned to this momentous transformation in Early Modern intellectual life than Ben Jonson.
Publisher: Cambridge University Press
ISBN: 9780521812177
Category : History
Languages : en
Pages : 268
Book Description
What is the history of authorship, of invention, of intellectual property? Joseph Loewenstein describes the fragmentary and eruptive emergence of a key phase of the bibliographical ego, a specifically Early Modern form of authorial identification with printed writing. In the work of many playwrights and non-dramatic writers - and especially that of Ben Jonson - that identification is tinged, remarkably, with possessiveness. This 2002 book examines the emergence of possessive authorship within a complex industrial and cultural field. It traces the prehistory of modern copyright both within the monopolistic practices of London's acting troupes and its Stationers' Company and within a Renaissance cultural heritage. Under the pressures of modern competition, a tradition of literary, artistic and technological imitation began to fissure, unleashing jealous accusations of plagiarism and ingenious new fantasies of intellectual privacy. Perhaps no-one was more creatively attuned to this momentous transformation in Early Modern intellectual life than Ben Jonson.
The Ben Jonson Journal
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 276
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 276
Book Description
English Authorship and the Early Modern Sublime
Author: Patrick Cheney
Publisher: Cambridge University Press
ISBN: 1108638880
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
Patrick Cheney's new book places the sublime at the heart of poems and plays in late sixteenth- and early seventeenth-century England. Specifically, Cheney argues for the importance of an 'early modern sublime' to the advent of modern authorship in Spenser, Marlowe, Shakespeare, and Jonson. Chapters feature a model of creative excellence and social liberty that helps explain the greatness of the English Renaissance. Cheney's argument revises the received wisdom, which locates the sublime in the eighteenth-century philosophical 'subject'. The book demonstrates that canonical works like The Faerie Queene and King Lear reinvent sublimity as a new standard of authorship. This standard emerges not only in rational, patriotic paradigms of classical and Christian goodness but also in the eternizing greatness of the author's work: free, heightened, ecstatic. Playing a centralizing role in the advent of modern authorship, the early modern sublime becomes a catalyst in the formation of an English canon.
Publisher: Cambridge University Press
ISBN: 1108638880
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
Patrick Cheney's new book places the sublime at the heart of poems and plays in late sixteenth- and early seventeenth-century England. Specifically, Cheney argues for the importance of an 'early modern sublime' to the advent of modern authorship in Spenser, Marlowe, Shakespeare, and Jonson. Chapters feature a model of creative excellence and social liberty that helps explain the greatness of the English Renaissance. Cheney's argument revises the received wisdom, which locates the sublime in the eighteenth-century philosophical 'subject'. The book demonstrates that canonical works like The Faerie Queene and King Lear reinvent sublimity as a new standard of authorship. This standard emerges not only in rational, patriotic paradigms of classical and Christian goodness but also in the eternizing greatness of the author's work: free, heightened, ecstatic. Playing a centralizing role in the advent of modern authorship, the early modern sublime becomes a catalyst in the formation of an English canon.
Ben Jonson’s Theatrical Republics
Author: J. Sanders
Publisher: Springer
ISBN: 0230389449
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
This timely book challenges conventional critical wisdom about the work of Ben Jonson. Looking in particular at his Jacobean and Caroline plays, it explores his engagement with concepts of republicanism. Julie Sanders investigates notions of community in Jonson's stage worlds - his 'theatrical republics' - and reveals a Jonson to contrast with the traditional image of the writer as conservative, absolutist, misogynist, and essentially 'anti-theatrical'. The Jonson presented here is a positive celebrant of the social and political possibilities of theatre.
Publisher: Springer
ISBN: 0230389449
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
This timely book challenges conventional critical wisdom about the work of Ben Jonson. Looking in particular at his Jacobean and Caroline plays, it explores his engagement with concepts of republicanism. Julie Sanders investigates notions of community in Jonson's stage worlds - his 'theatrical republics' - and reveals a Jonson to contrast with the traditional image of the writer as conservative, absolutist, misogynist, and essentially 'anti-theatrical'. The Jonson presented here is a positive celebrant of the social and political possibilities of theatre.
Imitation and Praise in the Poems of Ben Jonson
Author: Richard S. Peterson
Publisher: Routledge
ISBN: 1351928635
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
In the first edition of this now-classic text, Richard Peterson offered an important revaluation of the poetry of Ben Jonson and a new appreciation of the way in which the classical doctrine of imitation-the creative use of the thoughts and words of predecessors-permeates and shapes Jonson's critical ideas and his work as a whole. The publication of the original book in 1981 led to a reinterpretation of the poems and a coherent view of Jonson's philosophy; the resulting portrait of Jonson served as a corrective to earlier views based primarily on the satiric poems and plays. This second edition of Imitation and Praise in the Poems of Ben Jonson makes Peterson's important scholarship available to a new generation of scholars and students.
Publisher: Routledge
ISBN: 1351928635
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
In the first edition of this now-classic text, Richard Peterson offered an important revaluation of the poetry of Ben Jonson and a new appreciation of the way in which the classical doctrine of imitation-the creative use of the thoughts and words of predecessors-permeates and shapes Jonson's critical ideas and his work as a whole. The publication of the original book in 1981 led to a reinterpretation of the poems and a coherent view of Jonson's philosophy; the resulting portrait of Jonson served as a corrective to earlier views based primarily on the satiric poems and plays. This second edition of Imitation and Praise in the Poems of Ben Jonson makes Peterson's important scholarship available to a new generation of scholars and students.