Beltona

Beltona PDF Author: William Dean-Myatt
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 312

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Beltona

Beltona PDF Author: William Dean-Myatt
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 312

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Book Description


The Gramophone

The Gramophone PDF Author:
Publisher:
ISBN:
Category : Audio equipment industry
Languages : en
Pages : 922

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The Coal Catalog

The Coal Catalog PDF Author:
Publisher:
ISBN:
Category : Coal mines and mining
Languages : en
Pages : 102

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Southern Reporter

Southern Reporter PDF Author:
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 1030

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Book Description
Includes the decisions of the Supreme Courts of Alabama, Florida, Louisiana, and Mississippi, the Appellate Courts of Alabama and, Sept. 1928/Jan. 1929-Jan./Mar. 1941, the Courts of Appeal of Louisiana.

The Coal Field Directory

The Coal Field Directory PDF Author:
Publisher:
ISBN:
Category : Coal mines and mining
Languages : en
Pages : 1224

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Chemist and Druggist

Chemist and Druggist PDF Author:
Publisher:
ISBN:
Category : Pharmacy
Languages : en
Pages : 1238

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The Discophile

The Discophile PDF Author:
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 208

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Reports of Cases Argued and Determined in the Supreme Court of Alabama

Reports of Cases Argued and Determined in the Supreme Court of Alabama PDF Author: Alabama. Supreme Court
Publisher:
ISBN:
Category : Laws reports, digests, etc
Languages : en
Pages : 772

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The American Blues Guitar

The American Blues Guitar PDF Author: Rick Batey
Publisher: Hal Leonard Corporation
ISBN: 9780634027598
Category : Music
Languages : en
Pages : 200

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Book Description
If the story of the blues is the story of a people, then the voice behind the story belongs to the guitar. The American Blues Guitar: An Illustrated History looks at the instruments and the players, from the birth of the blues to the present day. A brief history of the blues is included. From Blind Lemon Jefferson's Martin to T-Bone Walker's Gibson archtop, and from B.B. King's ES 335 to cousin Albert's Flying-V, all the classic makes and models are documented here in detail, with superb photography, serial number data, and everything the diehard collector - and interested fan - needs to identify these great American heirlooms. You'll find Leo Fender's original patent, filed in April 1951, of the Telecaster guitar, and an analysis of what makes it one of the great instruments. Among the blues artists discussed is Texan Albert Collins and his Gibson humbucker. Expert commentary explains why the players chose the models they did, how their choice influenced their sound, and how those sounds can be recreated today. The American Blues Guitar: An Illustrated History is indispensable to the lover of the blues.

A Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880–1951

A Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880–1951 PDF Author: Karen E. McAulay
Publisher: Taylor & Francis
ISBN: 1040216501
Category : History
Languages : en
Pages : 221

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Book Description
Late Victorian Scotland had a flourishing music publishing trade, evidenced by the survival of a plethora of vocal scores and dance tune books; and whether informing us what people actually sang and played at home, danced to, or enjoyed in choirs, or reminding us of the impact of emigration from Britain for both emigrants and their families left behind, examining this neglected repertoire provides an insight into Scottish musical culture and is a valuable addition to the broader social history of Scotland. The decline of the music trade by the mid-twentieth century is attributable to various factors, some external, but others due to the conservative and perhaps somewhat parochial nature of the publishers’ output. What survives bears witness to the importance of domestic and amateur music-making in ordinary lives between 1880 and 1950. Much of the music is now little more than a historical artefact. Nonetheless, Karen E. McAulay shows that the nature of the music, the song and fiddle tune books’ contents, the paratext around the collections, its packaging, marketing and dissemination all document the social history of an era whose everyday music has often been dismissed as not significant or, indeed, properly ‘old’ enough to merit consideration. The book will be valuable for academics as well as folk musicians and those interested in the social and musical history of Scotland and the British Isles.