Bell Ringing; Chimes, Carillons, Handbells PDF Download
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Author: John Camp
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 168
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Book Description
Author: John Camp
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 168
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Book Description
Author: John Michael Francis Camp
Publisher:
ISBN:
Category : Bells
Languages : en
Pages : 168
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Book Description
Author: Larry Sue
Publisher:
ISBN: 9781891803246
Category : Handbell ringing
Languages : en
Pages : 96
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Book Description
Author: Edward V. Williams
Publisher: Princeton University Press
ISBN: 1400854636
Category : Music
Languages : en
Pages : 297
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Book Description
This generously illustrated book records the story of Russia's bells--the thousands of awe inspiring instruments that gave voice to the visual splendors of Russian Orthodoxy and to the political aspirations of the tsars. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
![Bell Ringing; Chimes, Carillons, Handbells: the World of the Bell and the Ringer [by] John Camp PDF](https://books.google.com/books/content/images/frontcover/irnCwgEACAAJ?fife=w80-h100)
Author: John Camp
Publisher:
ISBN:
Category : Bells
Languages : en
Pages : 160
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Book Description
Author: Thomas D. Rossing
Publisher: Van Nostrand Reinhold Company
ISBN:
Category : Music
Languages : en
Pages : 440
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Book Description
Author: Michael Milsom
Publisher: Createspace Independent Publishing Platform
ISBN: 9781547239153
Category :
Languages : en
Pages : 334
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Book Description
Bells & Bellfounding is far removed from being dry and heavy reading. After a very amusing introduction we are taken through the origins of bells, bellfounding, carillons, the intricacies of change-ringing, and details of the world's largest bells; with a constant thread of humour. Having been Bellmaster for ten years at the John Taylor and Co. Bellfoundry, Loughborough, England (he cast and tuned the AC/DC "Hell's Bell" in 1980), the author gives a fascinating account of their history, aspirations, achievements and 200 years of family involvement. A comprehensive book with a wealth of interesting information spread over 21 chapters, with 64 pages of photographs.
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1242
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Book Description
Author: Richard C. Von Ende
Publisher: Scarecrow Press
ISBN: 9780810812710
Category : Music
Languages : en
Pages : 482
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Book Description
No descriptive material is available for this title.
Author: Neville H. Fletcher
Publisher: Springer Science & Business Media
ISBN: 1461229804
Category : Science
Languages : en
Pages : 629
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Book Description
The history of musical instruments is nearly as old as the history of civilization itself, and the aesthetic principles upon which judgments of musical quality are based are intimately connected with the whole culture within which the instruments have evolved. An educated modem Western player or listener can make critical judgments about particular instruments or particular per formances but, to be valid, those judgments must be made within the appro priate cultural context. The compass of our book is much less sweeping than the first paragraph might imply, and indeed our discussion is primarily confined to Western musical instruments in current use, but even here we must take account of centuries of tradition. A musical instrument is designed and built for the playing of music of a particular type and, conversely, music is written to be performed on particular instruments. There is no such thing as an "ideal" instrument, even in concept, and indeed the unbounded possibilities of modem digital sound-synthesis really require the composer or performer to define a whole set of instruments if the result is to have any musical coherence. Thus, for example, the sound and response of a violin are judged against a mental image of a perfect violin built up from experience of violins playing music written for them over the centuries. A new instrument may be richer in sound quality and superior in responsiveness, but if it does not fit that image then it is not a better violin.
