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Author:
Publisher: HarperCollins
ISBN: 9354224431
Category : Biography & Autobiography
Languages : en
Pages : 255
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Book Description
Akhtaribai Faizabadi, or Begum Akhtar as she was better known, was a legend even during her own lifetime, and one of the last of the great singers from the tawaif community. Akhtari documents her eventful life and her music through essays and reminiscences by some of her closest friends and associates, and by people who knew her work deeply -- including the likes of Bismillah Khan, Lata Mangeshkar, Shubha Mudgal, etc. The volume also includes long interviews with Begum Akhtar herself as well as some of her disciples. A bestseller in the original Hindi -- and now available in English -- this is a volume to treasure for all of Begum Akhtar's fans and lovers of music.
Author:
Publisher: HarperCollins
ISBN: 9354224431
Category : Biography & Autobiography
Languages : en
Pages : 255
Get Book Here
Book Description
Akhtaribai Faizabadi, or Begum Akhtar as she was better known, was a legend even during her own lifetime, and one of the last of the great singers from the tawaif community. Akhtari documents her eventful life and her music through essays and reminiscences by some of her closest friends and associates, and by people who knew her work deeply -- including the likes of Bismillah Khan, Lata Mangeshkar, Shubha Mudgal, etc. The volume also includes long interviews with Begum Akhtar herself as well as some of her disciples. A bestseller in the original Hindi -- and now available in English -- this is a volume to treasure for all of Begum Akhtar's fans and lovers of music.
Author: Shanti Hiranand
Publisher:
ISBN: 9788130901725
Category : Ghazals, Urdu
Languages : en
Pages : 170
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Book Description
Indian Legends have a way of completely disappearing from public memory as living, breathing (sometimes fire-breathing!), three-dimensional characters who are both loved and loathed for what they are. They remain stuck somewhere on the firmament, like the stars, unreachable, unassailable, untouchable. It is considered blasphemous to even think of deconstructing their myth, equal in depravity to acknowledging one s parents sex lives! As a result of which the things that one would have liked to say to them remain unsaid. Resentments and imagined slights grow and fester. Social hypocrisy demands that we, the acolytes, remain quiet. The pain of our rejection mellows with the years and then suddenly a day comes when we forget the living person, the trappings that defined them, trivia that seemed so important then is completely forgotten. All that remains in our minds is an image of some demigod, performing superhuman feats.
Author: Amitav Ghosh
Publisher: HMH
ISBN: 0547527136
Category : Literary Collections
Languages : en
Pages : 317
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Book Description
A journalist who “illuminates the human drama behind the headlines” writes about today’s dramatic events, from terrorist attacks to tsunamis (Publishers Weekly). “An uncannily honest writer,” Amitav Ghosh has published firsthand accounts of pivotal world events in publications including the New York Times, Granta, and the New Yorker (The New York Times Book Review). This volume brings together the finest of these pieces, chronicling the turmoil of our times. Incendiary Circumstances begins with Ghosh’s arrival in the Andaman and Nicobar Islands just days after the devastation of the 2005 tsunami. We then travel back to September 11, 2001, as Ghosh retrieves his young daughter from school, sick with the knowledge that she must witness the kind of firestorm that has been in the background of his life since childhood. In his travels, Ghosh has stood on an icy mountaintop on the contested border between India and Pakistan; interviewed Pol Pot’s sister-in-law in Cambodia; shared the elation of Egyptians when Naguib Mahfouz won the Nobel Prize; and stood with his threatened Sikh neighbors through the riots following Indira Gandhi’s assassination. In these pieces, he offers an up-close look at an era defined by the ravages of politics and nature. “Ghosh is the perfect chronicler of an increasingly globalized world . . . Reading [him] is a mind-expanding experience. Once you’ve finished this book, you’re very likely to press it into your friends’ hands and beg them to read it as well.” —Sunday Oregonian
Author: Rita Ganguly
Publisher:
ISBN: 9788190455930
Category : Ghazals
Languages : en
Pages : 357
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Book Description
From the setting dusk of the fading royalties of Awadh, where Akhtari was born in 1914, to the glamour and clamour of theatre in Calcutta and films in Bombay! From the eloquent exuberance and die-hard faith underlying the tormented childhood of Akhtari Bai Faizabadi to the rhythms of silence required of the doting Begum of a Kakori Nawab! And her final transformation to an icon of music! Begum Akhtar remains an enigma! But no one could answer all those curious posers raised over several decades with as much authority as Akhtar's cherished disciple Prof Rita Ganguly, as she lends a unique perspective on the much-fabled and colourful life of this professional singing woman, who immortalised the verses of classic and contemporary Urdu poets. With a passion so varied, given the consistent evolution of Akhtar's technique, nothing short of lifetime research could have authenticated and done justice to unravel the mystique and myth of this singing sensation in the Indian subcontinent, feted by the cognoscenti and the commoner alike. The book delves into the subtle nuances of transition in time, educing the flavour, language and music of a period that witnessed the end of a predominantly feudal society; weaving the cultural tapestry of courts and twaifs and the turbulent times that led to Independence. How the enthusiasm, dreams, and frustration of the post-Independence phase coincide with emergence of the modern era, and how these historic changes connect with the sensibilities of a highly reflective artiste and mould her music! This interaction between an introvert mind of a scintillating singer and the world without, between the changing generations and an inquisitive yet introspective Mallika-e-Ghazal, spins the narrative. Begum Akhtar surfaces in her multiple roles as a performer, a lover, wife and mother, a teacher and friend, juxtaposing stupendous success and dismal failure. Music was the ultimate the eventual destination of her creative soul. But beneath the of fame and fortune was a deeply sensitive woman, facing loneliness, pain and anguish the poignant moments of existence that remained unresolved till her very end. Begum Akhtar's life perhaps mirrors an image where we too may briefly perceive ourselves and question the veracity of our own lives. Prof Rita Ganguly was under the aegis of eight renowned maestros before she came into the fold of Begum Akhtar in the early 1960s. Unreservedly propelled towards academic and artistic pursuits by her father Dr KL Ganguly, an eminent litterateur and editor of the daily, National Herald. Born in Lucknow, she was trained in dhrupad by Gopeshwar Bandyopadhyay, and graduated with honours in music & dance from Viswa Bharati University, Santiniketan. Thereafter, she secured two national scholarships, and trained in Kathakali with the legendary Ashan Kunju Kurup and Ashan Chandu Pannikar, coveting the unique honour of becoming the first woman to perform at Shastha Temple in Kerala. Subsequently, she trained in Bharatanatyam with Rukmini Devi at Kalakshetra. And new dimensions were added to her repertoire as she got closely associated with Martha Graham, the diva of modern dance, the Kathak maestro Shambhu Maharaj, and again became a recipient of national scholarship in music to train with Mallika-e-Thumri Siddheshwari Devi of Banaras. Soon after, she joined the faculty of National School of Drama, pioneered a course in Movement and Mime, and conducted Indian Classical Theatre Appreciation courses at National Institute of Dramatic Arts in Australia, Royal Academy of Dramatic Arts in England, and Tower Hall Theatre in Colombo. Her final stop was Begum Akhtar who initiated her in Patiala and Kirana Gharana and gazal-gayaki, and like her last ustad, Ganguly's music transcended mere sensuous experience to scale the heights of Sufism. As a torchbearer, she's among the few musicians in the country who have continued to cultivate and popularise the traditional modes. This engaging quest led her to undertake first-ever research on traditional singing women and twaifs as a Fellow of Ford Foundation. She has also penned the biography, Bismillah Khan and Banaras: the Seat of Shehnai, and received various honours Delhi State Award, Mallika-e-Mousiki (Bangladesh), Critics Circle of India Award, Rajiv Gandhi Shiromani Award, Priyadarshini Award, Sangeet Natak Akademi Award and Padma Shri.
Author: Sutapa Mukherjee
Publisher: books catalog
ISBN: 9788171679850
Category : Ghazals, Urdu
Languages : en
Pages : 59
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Book Description
Her voice had the seductiveness of mellow wine. When Begum Akhtar sang, she could make her audience sway to every emotion in the lyrics of a ghazal.
Author: Amitav Ghosh
Publisher: Penguin Books India
ISBN: 0143068733
Category : Egypt
Languages : en
Pages : 380
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Book Description
The Imam and the Indian is an extensive compilation of Amitav Ghosh s non-fiction writings. Sporadically published between his novels, in magazines, journals, academic books and periodicals, these essays and articles trace the evolution of the ideas that shape his fiction. He explores the connections between past and present, events and memories, people, cultures and countries that have a shared history. Ghosh combines his historical and anthropological bent of mind with his skills of a novelist, to present a collection like no other.
Author:
Publisher: Vani Prakashan
ISBN: 9388684826
Category :
Languages : en
Pages : 275
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Book Description
Author: Lisa Darms
Publisher: The Feminist Press at CUNY
ISBN: 1558619097
Category : Music
Languages : en
Pages : 554
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Book Description
Archival material from the 1990s underground movement “preserves a vital history of feminism” (Ann Cvetkovich, author of Depression: A Public Feeling). For the past two decades, young women (and men) have found their way to feminism through Riot Grrrl. Against the backdrop of the culture wars and before the rise of the Internet or desktop publishing, the zine and music culture of the Riot Grrrl movement empowered young women across the country to speak out against sexism and oppression, creating a powerful new force of liberation and unity within and outside of the women’s movement. While feminist bands like Bikini Kill and Bratmobile fought for their place in a male-dominated punk scene, their members and fans developed an extensive DIY network of activism and support. The Riot Grrrl Collection reproduces a sampling of the original zines, posters, and printed matter for the first time since their initial distribution in the 1980s and ’90s, and includes an original essay by Johanna Fateman and an introduction by Lisa Darms.
Author: Rakesh Anand Bakshi
Publisher: Penguin Random House India Private Limited
ISBN: 9390914884
Category : Biography & Autobiography
Languages : en
Pages : 247
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Book Description
An intimate peek into the life of the soldier-turned-lyricist Anand Bakshi, from his formative years in undivided Punjab to eventually moving to Bombay and landing his first film Bhala Aadmi in 1958. Along the way, he lost his mother, his place of birth, and his home and wealth, but his zeal to stand up and walk after every stumble and his desire to become a film artist never abated. He eventually rose to become one of the most revered and sought-after lyricists in Hindi cinema, writing nearly 3300 songs in about 630 films over the next five decades. Written by his son, this is an inspiring story of faith, dreams, success and, above all, human values.
Author: Publications Division (India),New Delhi
Publisher: Publications Division (India),New Delhi
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 49
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Book Description
"Akashvani" (English ) is a programme journal of ALL INDIA RADIO ,it was formerly known as The Indian Listener.It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them,take part in them and produce them along with photographs of performing artists.It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" (English ) in January 5, 1958. It was made a fortnightly again on July 1,1983. NAME OF THE JOURNAL: Akashvani LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 06-07-1958 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 49 VOLUME NUMBER: Vol. XXIII, No. 27. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 15-50 ARTICLE: 01. The Economics Of Legal Reform 02. Affinity Of Our languages 03. Benedetto Croce 04. The Woman Journalist In India AUTHOR: 01. V. Ramaswami 02. M. Satyanarayana 03. Dr. B.N. Ray 04. Ela Sen KEYWORDS: 01. English Practice, Help In India, Bihar Scheme, Tribunal Cases, 02. No Exaggeration, Richness Of Material, Two Distinct Parts, Integration Of India 03. Mind-Only Reality, Place Of Art, View Of History, Still An Exception 04. Their Own Journals, Documentary On Kandla Document ID: APE-1958(July-Dec)Vol-I-01
