Author: Kevin Kopelson
Publisher: Stanford University Press
ISBN: 9780804725972
Category : Music
Languages : en
Pages : 228
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Book Description
The first chapter, on the amateur pianist, scrutinizes the way Andre Gide and Roland Barthes discuss piano playing, their favorite composers - and their homosexuality. Situating these discussions within the histories of sexuality and amateur pianism, the author argues that connections between musical and sexual mastery are shaped by the "performance" of class and gender
Author: Jolanta T. Pekacz
Publisher: Routledge
ISBN: 1351556967
Category : Music
Languages : en
Pages : 245
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Book Description
Musical biography has rarely been an object of theoretical and methodological reflection. Our present-day perception of the lives of prominent composers and performers of the past has been largely formed by cultural and political assumptions of nineteenth-century biographers and their twentieth-century followers. While older biographies are being scrutinized for veracity and 'updated' with new evidence, their historiographical premisses and narrative techniques remain largely unchallenged. The epistemological upheavals in the humanities since the 1960s have generated a body of theoretical thought that has undermined many of the assumptions of traditional biography. Consequently, many of these assumptions have lost their hold as viable underpinnings for present-day scholarly biography. For example, the accumulation of facts is no longer believed to bring us closer to an understanding of the subject; nor are the traditional views of the unified self and the self as a foundational idea taken for granted. This volume brings together musicologists and historians who explore, through individual case studies, the rich potential of these new theories for writing musical lives. The authors of this volume examine how the insights provided by these theories illuminate our critical reassessment of older biographies - and the interpretations of musical works these biographies were used to construe - and help forge new approaches to musical biography. The authors also explore the functions musical biographies served in different historical contexts, the relevance of biography for musical criticism, the reliability of archival evidence, the ethics of biography, the demands placed on biography by feminist and gender history, and the new possibilities offered by cinema. The contributors to this volume challenge the view that biography has little importance for music history, analysis, and criticism. Collectively, they reassert biography's centrality and relevance, and dem
Author: Kristina Muxfeldt
Publisher: OUP USA
ISBN: 0199782423
Category : History
Languages : en
Pages : 264
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Book Description
Vanishing Sensibilities examines once passionate cultural concerns that shaped music of Schubert, Beethoven, Schumann, and works of their contemporaries in drama or poetry. Music, especially music with text, was a powerful force in lively ongoing conversations about the nature of liberty, which included such topics as the role of consent in marriage, same-sex relationships, freedom of the press, and the freedom to worship (or not). Among the most common vehicles for stimulating debate about pressing social concerns were the genres of historical drama, and legend or myth, whose stories became inflected in fascinating ways during the Age of Metternich. Interior and imagined worlds, memories and fantasies, were called up in purely instrumental music, and music was privately celebrated for its ability to circumvent the restrictions that were choking the verbal arts.Author Kristina Muxfeldt invites us to listen in on these cultural conversations, dating from a time when the climate of censorship made the tone of what was said every bit as important as its literal content. At this critical moment in European history such things as a performer's delivery, spontaneous improvisation, or the demeanor of the music could carry forbidden messages of hope and political resistance--flying under the censor's radar like a carrier pigeon. Rather than trying to decode or fix meanings, Muxfeldt concerns herself with the very mechanisms of their communication, and she confronts distortions to meaning that form over time as the cultural or political pressures shaping the original expression fade and are eventually forgotten. In these pages are accounts of works successful in their own time alongside others that failed to achieve more than a liminal presence, among them Schubert's Alfonso und Estrella and his last opera project Der Graf von Gleichen, whose libretto was banned even before Schubert set to work composing it. Enlivening the narrative are generous music examples, reproductions of artwork, and facsimiles of autograph material.
Author: Michael Saffle
Publisher: Routledge
ISBN: 0415998395
Category : Music
Languages : en
Pages : 538
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Book Description
First published in 2009. Routledge is an imprint of Taylor & Francis, an informa company.
Author: W.F. Gates
Publisher: Рипол Классик
ISBN: 1171731388
Category : History
Languages : en
Pages : 316
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Book Description
Author: W. Francis Gates
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 328
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Book Description
Author: Eric Ludwig von Knipe
Publisher: Dorrance Publishing
ISBN: 1480945684
Category : Fiction
Languages : en
Pages : 153
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Book Description
Beethoven’s Eternal Promise By: Eric Ludwig von Knipe Nick, an aspiring musician, runs away from Jackson Hole, Wyoming. Trying to escape the pain of his girlfriend’s death, he finds himself alone and homeless on the streets of London. He is haunted by a legendary, but very dead, musician from another century. Nick turns to drugs to drown everything out. He is rescued by Madeline, a beautiful Austrian doctor. After spending a couple hundred years in hell, Beethoven is given a chance at redemption. He must win over the love of his life so he can spend eternity with her. He finds in Nick the perfect conduit to make all his dreams come true. Inspired by Madeline’s faith in him and Beethoven’s persistence, Nick forms a band and soon reaches rock star status. But the strain and stress of Beethoven’s constant presence mixed with the demands of his new life cause Nick to spiral out of control. Will Beethoven, through Nick, create a final masterpiece to save his soul? Will Nick survive his encounters with this mad man or will it prove too much for his fragile mind?
Author: Kenneth Hamilton
Publisher: Cambridge University Press
ISBN: 1139825755
Category : Music
Languages : en
Pages : 367
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Book Description
This Companion provides an up-to-date view of the music of Franz Liszt, its contemporary context and performance practice, written by some of the leading specialists in the field of nineteenth-century music studies. Although a core of Liszt's piano music has always maintained a firm hold on the repertoire, his output was so vast, influential and multi-faceted that scholarship too has taken some time to assimilate his achievement. This book offers students and music lovers some of the latest views in an accessible form. Katharine Ellis, Alexander Rehding and James Deaville present the biographical and intellectual aspects of Liszt's legacy, Kenneth Hamilton, James Baker and Anna Celenza give a detailed account of Liszt's piano music - including approaches to performance - Monika Hennemann discusses Liszt's Lieder, and Reeves Shulstad and Dolores Pesce survey his orchestral and choral music.
Author: Nicholas Vazsonyi
Publisher: Cambridge University Press
ISBN: 1139486462
Category : Music
Languages : en
Pages : 235
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Book Description
All modern artists have had to market themselves in some way. Richard Wagner may just have done it better than anyone else. In a self-promotional effort that began around 1840 in Paris, and lasted for the remainder of his career, Wagner claimed convincingly that he was the most German composer ever and the true successor of Beethoven. More significantly, he was an opera composer who declared that he was not composing operas. Instead, during the 1850s, he mapped out a new direction, conceiving of works that would break with tradition and be literally 'brand new'. This is the first study to examine the innovative ways in which Wagner made himself a celebrity, promoting himself using every means available: autobiography, journal articles, short stories, newspaper announcements, letters, even his operas themselves. Vazsonyi reveals how Wagner created a niche for his works in the crowded opera market that continues to be unique.
Author: Alexander Rehding
Publisher: Oxford University Press
ISBN: 0199888892
Category : Music
Languages : en
Pages : 522
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Book Description
This critical study locates musical monumentality, a central property of the nineteenth-century German repertoire, at the intersections of aesthetics and memory. In examples including Beethoven, Liszt, Wagner and Bruckner, Rehding explores how monumentality contributes to an experiential music history and how it conveys the sublime to the listening public.
