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Author: Martin Cooper
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 0
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Book Description
Author: Martin Cooper
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Martin Cooper
Publisher: London ; New York : Oxford University Press
ISBN:
Category : Music
Languages : en
Pages : 510
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Book Description
A detailed study of the last phase in the great composer's life and works.
Author: Robert S. Hatten
Publisher: Indiana University Press
ISBN: 9780253217110
Category : Music
Languages : en
Pages : 374
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Book Description
Award-winning examination of Beethoven's music.
Author: Ludwig van Beethoven
Publisher: Boydell & Brewer
ISBN: 1783271515
Category : Biography & Autobiography
Languages : en
Pages : 443
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Book Description
A complete new edition of Beethoven's conversation books, now translated into English in their entirety for the first time, covering a period associated with the revolutionary style of what we call late Beethoven.
Author: Alessandra Comini
Publisher: Sunstone Press
ISBN: 0865346615
Category :
Languages : en
Pages : 498
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Book Description
In this unique study of the myth-making process across two centuries, Comini examines the contradictory imagery of Beethoven in contemporary verbal accounts, and in some 200 paintings, prints, sculptures, and monuments.
Author: Robert S. Kahn
Publisher: Rowman & Littlefield
ISBN: 0810874180
Category : Beethoven, Ludwig van, 1770-1827
Languages : en
Pages : 180
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Book Description
This book looks closely at both Beethoven and the Grosse Fuge, placing both in their historical and social contexts. It considers interesting questions about whether absolute music--music without words--can have meaning and speculates that some works of Western music can evoke synesthesia in listeners--a sense of motion through three-dimensional volumes of space. The author also speculates that Beethoven's long creative dry spell in his late 40s was caused by an extended bout with clinical depression.
Author: Conrad Wilson
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802829306
Category : Literary Criticism
Languages : en
Pages : 156
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Book Description
Wilson explains why the traditional practice of dividing Beethoven's life into three periods can be misleading, why he believes that the tearing of Napoleon's name from the title-page of the Eroica symphony was only a gesture, that Beethoven's real attitude to Napoleon was not as it seemed, and more.
Author: Christopher Dingle
Publisher: Routledge
ISBN: 1351558439
Category : Music
Languages : en
Pages : 392
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Book Description
When Olivier Messiaen (1908-1992) completed the vast opera Saint Frans dAssise in 1983, he was mentally and physically exhausted, and believed that this monumental work would be his final compositional statement. In fact, he completed seven further works, and these form the focus of the present study. Christopher Dingle suggests that, following the crisis provoked by the opera, Messiaen's music underwent a discernible change in style. He examines these seven works to identify characteristics of the composer's music, in particular an often overlooked aspect of his technique: harmony. Part I of the book begins with a brief historical survey before discussing Saint Frans dAssise as the work which defines everything that follows. Part II examines the series of miniatures that came after the opera and their links with lairs sur lAu-Del., his final masterpiece. lairs forms the subject of Part III of the book. Each movement is analysed in turn, before the work is considered as a whole and its hidden structure and motivic cohesion is revealed. Finally, Part IV considers the incomplete Concert and key stylistic features of the works of Messiaens final years.
Author: Joseph Kerman
Publisher: Univ of California Press
ISBN: 0520213777
Category : Music
Languages : en
Pages : 375
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Book Description
Joseph Kerman is one of the most eminent, wide ranging, and readable of today's writers on music. Admirers of his many books - on musicology, opera, Beethoven, and Elizabethan music - will find much to interest them in this collection of essays, taken from general journals, such as the Hudson Review and the New York Review of Books, as well as more specialized publications.
Author: Esteban Buch
Publisher: University of Chicago Press
ISBN: 0226078124
Category : Music
Languages : en
Pages : 334
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Book Description
Who hasn't been stirred by the strains of Beethoven's Ninth Symphony? That's a good question, claims Esteban Buch. German nationalists and French republicans, communists and Catholics have all, in the course of history, embraced the piece. It was performed under the direction of Leonard Bernstein at a concert to mark the fall of the Berlin Wall, yet it also serves as a ghastly and ironic leitmotif in Stanley Kubrick's A Clockwork Orange. Hitler celebrated his birthdays with it, and the government of Rhodesia made it their anthem. And played in German concentration camps by the imprisoned, it also figured prominently at Mitterand's 1981 investiture. In his remarkable history of one of the most popular symphonic works of the modern period, Buch traces such complex and contradictory uses—and abuses—of Beethoven's Ninth Symphony since its premier in 1824. Buch shows that Beethoven consciously drew on the tradition of European political music, with its mix of sacred and profane, military and religious themes, when he composed his symphony. But while Beethoven obviously had his own political aspirations for the piece—he wanted it to make a statement about ideal power—he could not have had any idea of the antithetical political uses, nationalist and universalist, to which the Ninth Symphony has been put since its creation. Buch shows us how the symphony has been "deployed" throughout nearly two centuries, and in the course of this exploration offers what was described by one French reviewer as "a fundamental examination of the moral value of art." Sensitive and fascinating, this account of the tangled political existence of a symphony is a rare book that shows the life of an artwork through time, shifted and realigned with the currents of history.
