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Author: J. W. N. Sullivan
Publisher: Read Books Ltd
ISBN: 1446545946
Category : Biography & Autobiography
Languages : en
Pages : 120
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Book Description
First published in 1927, J. W. N. Sullivan's “Beethoven - His Spiritual Development” explores the subject of Beethoven's spirituality, which the author believes he expressed through his greatest musical compositions. Contents include: “Art and Reality”, “Music as Isolated”, “Music as Expression”, “Beethoven’s Characteristics”, “The Morality of Power”, “The Mind of Beethoven”, “The Hero”, “The End of a Period”, “Love and Money”, “The Hammerclavier Sonata”, “God the Companion”, etc. A fascinating study of Beethoven's work not to be missed by fans of classical music. John William Navin Sullivan (1886–1937) was a popular literary journalist and science writer who wrote some of the first accounts of Albert Einstein’s General Theory of Relativity for the laymen. Sullivan was acquainted with a number of important writers in 1920s London including T. S. Eliot, Aldous Huxley, and Aleister Crowley. Read & Co. Books is republishing this classic work now in a new edition complete with a specially-commissioned new biography of the author.
Author: J. W. N. Sullivan
Publisher: Read Books Ltd
ISBN: 1446545946
Category : Biography & Autobiography
Languages : en
Pages : 120
Get Book Here
Book Description
First published in 1927, J. W. N. Sullivan's “Beethoven - His Spiritual Development” explores the subject of Beethoven's spirituality, which the author believes he expressed through his greatest musical compositions. Contents include: “Art and Reality”, “Music as Isolated”, “Music as Expression”, “Beethoven’s Characteristics”, “The Morality of Power”, “The Mind of Beethoven”, “The Hero”, “The End of a Period”, “Love and Money”, “The Hammerclavier Sonata”, “God the Companion”, etc. A fascinating study of Beethoven's work not to be missed by fans of classical music. John William Navin Sullivan (1886–1937) was a popular literary journalist and science writer who wrote some of the first accounts of Albert Einstein’s General Theory of Relativity for the laymen. Sullivan was acquainted with a number of important writers in 1920s London including T. S. Eliot, Aldous Huxley, and Aleister Crowley. Read & Co. Books is republishing this classic work now in a new edition complete with a specially-commissioned new biography of the author.
Author: John William Navin Sullivan
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 264
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Book Description
Author: Frederick W. Skinner
Publisher: Indiana University Press
ISBN: 025306306X
Category : History
Languages : en
Pages : 346
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Book Description
How did Ludwig van Beethoven help overthrow a tsarist regime? With the establishment of the Russian Musical Society and its affiliated branches throughout the empire, Beethoven's music reached substantially larger audiences at a time of increasing political instability. In addition, leading music critics of the regime began hearing Beethoven's dramatic works as nothing less than a call to revolution. Beethoven in Russia deftly explores the interface between music and politics in Russia by examining the reception of Beethoven's works from the late 18th century to the present. In part 1, Frederick W. Skinner's clear and sweeping review examines the role of Beethoven's more dramatic works in the revolutionary struggle that culminated in the Revolution of 1917. In part 2, Skinner reveals how this same power was again harnessed to promote Stalin's campaign of rapid industrialization. The appropriation of Beethoven and his music to serve the interests of the state remained the hallmark of Soviet Beethoven reception until the end of communist rule. With interdisciplinary appeal in the areas of history, music, literature, and political thought, Beethoven in Russia shows how Beethoven's music served as a call to action for citizens and weaponized state propaganda in the great political struggles that shaped modern Russian history.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1070
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Book Description
Author: Joseph Kerman
Publisher: W. W. Norton & Company
ISBN: 9780393009095
Category : Music
Languages : en
Pages : 412
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Book Description
A critical study of the structure, style, and significance of the sixteen string quartets.
Author: Stephen Rumph
Publisher: Univ of California Press
ISBN: 0520930126
Category : Music
Languages : en
Pages : 307
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Book Description
In this provocative analysis of Beethoven's late style, Stephen Rumph demonstrates how deeply political events shaped the composer's music, from his early enthusiasm for the French Revolution to his later entrenchment during the Napoleonic era. Impressive in its breadth of research as well as for its devotion to interdisciplinary work in music history, Beethoven after Napoleon challenges accepted views by illustrating the influence of German Romantic political thought in the formation of the artist's mature style. Beethoven's political views, Rumph argues, were not quite as liberal as many have assumed. While scholars agree that the works of the Napoleonic era such as the Eroica Symphony or Fidelio embody enlightened, revolutionary ideals of progress, freedom, and humanism, Beethoven's later works have attracted less political commentary. Rumph contends that the later works show clear affinities with a native German ideology that exalted history, religion, and the organic totality of state and society. He claims that as the Napoleonic Wars plunged Europe into political and economic turmoil, Beethoven's growing antipathy to the French mirrored the experience of his Romantic contemporaries. Rumph maintains that Beethoven's turn inward is no pessimistic retreat but a positive affirmation of new conservative ideals.
Author: Daniel K. L. Chua
Publisher: Princeton University Press
ISBN: 1400864208
Category : Music
Languages : en
Pages : 293
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Book Description
This study is an analysis of the first three of Beethoven's late quartets, Opp. 127, 132, and 130, commissioned by Prince Nikolai Galitzin. The five late quartets, usually considered as a group, were written in the same period as the Missa solemnis and the Ninth Symphony, and are among the composer's most profound musical statements. Daniel K. L. Chua believes that of the five quartets the three that he studies trace a process of disintegration, whereas the last two, Opp. 131 and 135, reintegrate the language that Beethoven himself had destabilized. Through analyses that unearth peculiar features characteristic of the surface and of the deeper structures of the music, Chua interprets the "Galitzin" quartets as radical critiques of both music and society, a view first proposed by Theodore Adorno. From this perspective, the quartets necessarily undo the act of analysis as well, forcing the analytical traditions associated with Schenker and Schoenberg to break up into an eclectic mixture of techniques. Analysis itself thus becomes problematic and has to move in a dialectical and paradoxical fashion in order to trace Beethoven's logic of disintegration. The result is a new way of reading these works that not only reflects the preoccupations of the German Romantics of that time and the poststructuralists of today, but also opens a discussion of cultural, political, and philosophical issues. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Lewis Lockwood
Publisher: W. W. Norton & Company
ISBN: 039324928X
Category : Music
Languages : en
Pages : 231
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Book Description
“[Beethoven’s] music never grows old— and, enjoyed alongside Mr. Lockwood’s expert commentary, it sparkles with fresh magic.”—Wall Street Journal More than any other composer, Beethoven left to posterity a vast body of material that documents the early stages of almost everything he wrote. From this trove of sketchbooks, Lewis Lockwood draws us into the composer’s mind, unveiling a creative process of astonishing scope and originality. For musicians and nonmusicians alike, Beethoven’s symphonies stand at the summit of artistic achievement, loved today as they were two hundred years ago for their emotional cogency, variety, and unprecedented individuality. Beethoven labored to complete nine of them over his lifetime—a quarter of Mozart’s output and a tenth of Haydn’s—yet no musical works are more iconic, more indelibly stamped on the memory of anyone who has heard them. They are the products of an imagination that drove the composer to build out of the highest musical traditions of the past something startlingly new. Lockwood brings to bear a long career of studying the surviving sources that yield insight into Beethoven’s creative work, including concept sketches for symphonies that were never finished. From these, Lockwood offers fascinating revelations into the historical and biographical circumstances in which the symphonies were composed. In this compelling story of Beethoven’s singular ambition, Lockwood introduces readers to the symphonies as individual artworks, broadly tracing their genesis against the backdrop of political upheavals, concert life, and their relationship to his major works in other genres. From the first symphonies, written during his emerging deafness, to the monumental Ninth, Lockwood brings to life Beethoven’s lifelong passion to compose works of unsurpassed beauty.
Author: John Suchet
Publisher: Open Road + Grove/Atlantic
ISBN: 0802192912
Category : Music
Languages : en
Pages : 321
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Book Description
“An ideal ‘first book’ on Beethoven” from one of the world’s most eminent classical music aficionados (Booklist). Beethoven scholar and classical radio host John Suchet has had a lifelong, ardent interest in the man and his music. Here, in his first full-length biography, Suchet illuminates the composer’s difficult childhood, his struggle to maintain friendships and romances, his ungovernable temper, his obsessive efforts to control his nephew’s life, and the excruciating decline of his hearing. This absorbing narrative provides a comprehensive account of a momentous life, as it takes the reader on a journey from the composer’s birth in Bonn to his death in Vienna. Chronicling the landmark events in Beethoven’s career—from his competitive encounters with Mozart to the circumstances surrounding the creation of the well-known “Für Elise” and Moonlight Sonata—this book enhances understanding of the composer’s character, inspiring a deeper appreciation for his work. Beethoven scholarship is constantly evolving, and Suchet draws on the latest research, using rare source material (some of which has never before been published in English) to paint a complete and vivid portrait of the legendary prodigy. “A gripping and thought-provoking read.” —Howard Shelley, pianist and conductor “By exercising a genuine authority in identifying how Beethoven, the man, manifests himself in our appreciation of the music, Suchet brings an incisive freshness to an extraordinary life.” —Jonathan Freeman-Attwood, Principal of the Royal Academy of Music
Author: William Kinderman
Publisher: Oxford University Press
ISBN: 0199886946
Category : Music
Languages : en
Pages : 445
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Book Description
Combining musical insight with the most recent research, William Kinderman's Beethoven is both a richly drawn portrait of the man and a guide to his music. Kinderman traces the composer's intellectual and musical development from the early works written in Bonn to the Ninth Symphony and the late quartets, looking at compositions from different and original perspectives that show Beethoven's art as a union of sensuous and rational, of expression and structure. In analyses of individual pieces, Kinderman shows that the deepening of Beethoven's musical thought was a continuous process over decades of his life. In this new updated edition, Kinderman gives more attention to the composer's early chamber music, his songs, his opera Fidelio, and to a number of often-neglected works of the composer's later years and fascinating projects left incomplete. A revised view emerges from this of Beethoven's aesthetics and the musical meaning of his works. Rather than the conventional image of a heroic and tormented figure, Kinderman provides a more complex, more fully rounded account of the composer. Although Beethoven's deafness and his other personal crises are addressed, together with this ever-increasing commitment to his art, so too are the lighter aspects of his personality: his humor, his love of puns, his great delight in juxtaposing the exalted and the commonplace.
