Author: Jean Picker Firstenberg
Publisher: Santa Monica Press
ISBN: 1595807942
Category : Performing Arts
Languages : en
Pages : 365
Book Description
For over fifty years, the American Film Institute has flourished as one of America’s great cultural entities. Its graduates, faculty, supporters, and trustees have included such acclaimed individuals as Steven Spielberg, Maya Angelou, Gregory Peck, Meryl Streep, Les Moonves, Patty Jenkins, David Lynch, Jane Fonda, Edward James Olmos, Shonda Rhimes, James L. Brooks, Michael Nesmith, Sir Howard Stringer, and many other respected leaders in the worlds of film, television, digital media, and philanthropy. Written in a unique memoir style, Becoming AFI: 50 Years Inside the American Film Institute offers a candid look at how this remarkable organization has brought together aspiring filmmakers, outstanding educators, and visionary artists. The book details AFI’s journey to becoming the foremost national champion for moving images as a vibrant art form and a critical component of America’s cultural history. AFI’s story is chronicled through in-depth essays written by those who have been involved in its adventures, growth, and successes: from its early years under George Stevens Jr.’s direction at the legendary Greystone mansion and the Kennedy Center in Washington, DC; through its period of incredible growth, under Jean Picker Firstenberg’s guidance, as an influential cultural institution at its landmark Hollywood campus; to its continued years of excellence under Bob Gazzale’s dynamic leadership. Becoming AFI provides an insightful, behind-the-scenes look at how AFI—with passionate determination—overcame the hurdles of advancing technology, political shifts, and new audience dynamics to turn its aspirations into a substantial and highly successful organization. A tireless advocate of moving images as one of America’s most popular art forms, AFI is maturing into one of the world’s most respected educational and cultural institutions.
Becoming AFI
Author: Jean Picker Firstenberg
Publisher: Santa Monica Press
ISBN: 1595807942
Category : Performing Arts
Languages : en
Pages : 365
Book Description
For over fifty years, the American Film Institute has flourished as one of America’s great cultural entities. Its graduates, faculty, supporters, and trustees have included such acclaimed individuals as Steven Spielberg, Maya Angelou, Gregory Peck, Meryl Streep, Les Moonves, Patty Jenkins, David Lynch, Jane Fonda, Edward James Olmos, Shonda Rhimes, James L. Brooks, Michael Nesmith, Sir Howard Stringer, and many other respected leaders in the worlds of film, television, digital media, and philanthropy. Written in a unique memoir style, Becoming AFI: 50 Years Inside the American Film Institute offers a candid look at how this remarkable organization has brought together aspiring filmmakers, outstanding educators, and visionary artists. The book details AFI’s journey to becoming the foremost national champion for moving images as a vibrant art form and a critical component of America’s cultural history. AFI’s story is chronicled through in-depth essays written by those who have been involved in its adventures, growth, and successes: from its early years under George Stevens Jr.’s direction at the legendary Greystone mansion and the Kennedy Center in Washington, DC; through its period of incredible growth, under Jean Picker Firstenberg’s guidance, as an influential cultural institution at its landmark Hollywood campus; to its continued years of excellence under Bob Gazzale’s dynamic leadership. Becoming AFI provides an insightful, behind-the-scenes look at how AFI—with passionate determination—overcame the hurdles of advancing technology, political shifts, and new audience dynamics to turn its aspirations into a substantial and highly successful organization. A tireless advocate of moving images as one of America’s most popular art forms, AFI is maturing into one of the world’s most respected educational and cultural institutions.
Publisher: Santa Monica Press
ISBN: 1595807942
Category : Performing Arts
Languages : en
Pages : 365
Book Description
For over fifty years, the American Film Institute has flourished as one of America’s great cultural entities. Its graduates, faculty, supporters, and trustees have included such acclaimed individuals as Steven Spielberg, Maya Angelou, Gregory Peck, Meryl Streep, Les Moonves, Patty Jenkins, David Lynch, Jane Fonda, Edward James Olmos, Shonda Rhimes, James L. Brooks, Michael Nesmith, Sir Howard Stringer, and many other respected leaders in the worlds of film, television, digital media, and philanthropy. Written in a unique memoir style, Becoming AFI: 50 Years Inside the American Film Institute offers a candid look at how this remarkable organization has brought together aspiring filmmakers, outstanding educators, and visionary artists. The book details AFI’s journey to becoming the foremost national champion for moving images as a vibrant art form and a critical component of America’s cultural history. AFI’s story is chronicled through in-depth essays written by those who have been involved in its adventures, growth, and successes: from its early years under George Stevens Jr.’s direction at the legendary Greystone mansion and the Kennedy Center in Washington, DC; through its period of incredible growth, under Jean Picker Firstenberg’s guidance, as an influential cultural institution at its landmark Hollywood campus; to its continued years of excellence under Bob Gazzale’s dynamic leadership. Becoming AFI provides an insightful, behind-the-scenes look at how AFI—with passionate determination—overcame the hurdles of advancing technology, political shifts, and new audience dynamics to turn its aspirations into a substantial and highly successful organization. A tireless advocate of moving images as one of America’s most popular art forms, AFI is maturing into one of the world’s most respected educational and cultural institutions.
Being La Dominicana
Author: Rachel Afi Quinn
Publisher: University of Illinois Press
ISBN: 0252052714
Category : Social Science
Languages : en
Pages : 180
Book Description
Rachel Afi Quinn investigates how visual media portray Dominican women and how women represent themselves in their own creative endeavors in response to existing stereotypes. Delving into the dynamic realities and uniquely racialized gendered experiences of women in Santo Domingo, Quinn reveals the way racial ambiguity and color hierarchy work to shape experiences of identity and subjectivity in the Dominican Republic. She merges analyses of context and interviews with young Dominican women to offer rare insights into a Caribbean society in which the tourist industry and popular media reward, and rely upon, the ability of Dominican women to transform themselves to perform gender, race, and class. Engaging and astute, Being La Dominicana reveals the little-studied world of today's young Dominican women and what their personal stories and transnational experiences can tell us about the larger neoliberal world.
Publisher: University of Illinois Press
ISBN: 0252052714
Category : Social Science
Languages : en
Pages : 180
Book Description
Rachel Afi Quinn investigates how visual media portray Dominican women and how women represent themselves in their own creative endeavors in response to existing stereotypes. Delving into the dynamic realities and uniquely racialized gendered experiences of women in Santo Domingo, Quinn reveals the way racial ambiguity and color hierarchy work to shape experiences of identity and subjectivity in the Dominican Republic. She merges analyses of context and interviews with young Dominican women to offer rare insights into a Caribbean society in which the tourist industry and popular media reward, and rely upon, the ability of Dominican women to transform themselves to perform gender, race, and class. Engaging and astute, Being La Dominicana reveals the little-studied world of today's young Dominican women and what their personal stories and transnational experiences can tell us about the larger neoliberal world.
To Create the American Film Institute as an Independent Agency
Author: United States. Congress. House. Committee on Education and Labor
Publisher:
ISBN:
Category :
Languages : en
Pages : 214
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 214
Book Description
To Create the American Film Institute as an Independent Agency
Author: United States. Congress. House. Committee on Education and Labor. Select Subcommittee on Education
Publisher:
ISBN:
Category :
Languages : en
Pages : 208
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 208
Book Description
Oracle Insights
Author: Cary Millsap
Publisher: Apress
ISBN: 1430207388
Category : Computers
Languages : en
Pages : 438
Book Description
* Encapsulates the knowledge and experience of some of the foremost experts in Oracle development, the vast majority of whom are also established and successful authors. * Covers landmark software and techniques (invented by the authors) that have changed the face of Oracle development. * A broad ranging, anecdotal and humorous title that will appeal to anyone (developers, DBAs, manager, architects etc) involved with and Oracle-based project. * Simplified code snippets, the book provides real solutions that people can then build upon themselves.
Publisher: Apress
ISBN: 1430207388
Category : Computers
Languages : en
Pages : 438
Book Description
* Encapsulates the knowledge and experience of some of the foremost experts in Oracle development, the vast majority of whom are also established and successful authors. * Covers landmark software and techniques (invented by the authors) that have changed the face of Oracle development. * A broad ranging, anecdotal and humorous title that will appeal to anyone (developers, DBAs, manager, architects etc) involved with and Oracle-based project. * Simplified code snippets, the book provides real solutions that people can then build upon themselves.
Saving Cinema
Author: Caroline Frick
Publisher: Oxford University Press
ISBN: 019979264X
Category : Performing Arts
Languages : en
Pages : 231
Book Description
The importance of media preservation has in recent years achieved much broader public recognition. From the vaults of Hollywood and the halls of Congress to the cash-strapped museums of developing nations, people are working to safeguard film from physical harm. But the forces at work aren't just physical. The endeavor is also inherently political. What gets saved and why? What remains ignored? Who makes these decisions, and what criteria do they use? Saving Cinema narrates the development of the preservation movement and lays bare the factors that have influenced its direction. Archivists do more than preserve movie history; they actively produce and codify cinematic heritage. At the same time, digital technologies have produced an entirely new reality, one that resists the material, artifact-driven approach that is the gold standard of preservation in the Western world. As it has become increasingly easy to capture and access moving images, increasing evidence of something many archivists have known for years has emerged: industrial and training films, amateur travel diaries, and even family videos are critical public resources. It has also raised question about the role of the profession. Is access equivalent to preservation, and, if it is, how should archivists alter their activities? The time is ripe for a reconsideration of the politics and practices of preservation. Saving Cinema is the book to guide that conversation.
Publisher: Oxford University Press
ISBN: 019979264X
Category : Performing Arts
Languages : en
Pages : 231
Book Description
The importance of media preservation has in recent years achieved much broader public recognition. From the vaults of Hollywood and the halls of Congress to the cash-strapped museums of developing nations, people are working to safeguard film from physical harm. But the forces at work aren't just physical. The endeavor is also inherently political. What gets saved and why? What remains ignored? Who makes these decisions, and what criteria do they use? Saving Cinema narrates the development of the preservation movement and lays bare the factors that have influenced its direction. Archivists do more than preserve movie history; they actively produce and codify cinematic heritage. At the same time, digital technologies have produced an entirely new reality, one that resists the material, artifact-driven approach that is the gold standard of preservation in the Western world. As it has become increasingly easy to capture and access moving images, increasing evidence of something many archivists have known for years has emerged: industrial and training films, amateur travel diaries, and even family videos are critical public resources. It has also raised question about the role of the profession. Is access equivalent to preservation, and, if it is, how should archivists alter their activities? The time is ripe for a reconsideration of the politics and practices of preservation. Saving Cinema is the book to guide that conversation.
Don't Shoot Darling!
Author: Annette Blonski
Publisher: Spinifex Press
ISBN: 9780864360588
Category : Performing Arts
Languages : en
Pages : 420
Book Description
Australia's film industry was amongst the earliest and most innovative in the world -- and women contributed substantially to this. Over forty contributors have made this book a fascinating and definitive record of independent women's filmmaking in Australia. The book contains essays and statements by film theorists and film makers.
Publisher: Spinifex Press
ISBN: 9780864360588
Category : Performing Arts
Languages : en
Pages : 420
Book Description
Australia's film industry was amongst the earliest and most innovative in the world -- and women contributed substantially to this. Over forty contributors have made this book a fascinating and definitive record of independent women's filmmaking in Australia. The book contains essays and statements by film theorists and film makers.
The American Film Institute and the Cultural Politics of Experimental and Independent Cinema
Author: Gracia Ramirez
Publisher: Lexington Books
ISBN: 1666928089
Category : History
Languages : en
Pages : 181
Book Description
This book examines the role that the American Film Institute (AFI) had in supporting experimental and independent cinema at a key moment of change in the history of American film. Weaving a rich historical narrative, Ramirez argues that the Cold War struggle for cultural supremacy motivated the creation of the federally-funded AFI. Exploring the intersection of business interests and political objectives, Ramirez demonstrates how the AFI’s approach to experimental and independent cinema was marked by an interest in promoting innovative aesthetics and protecting the creative freedom of filmmakers but lacked the attention to distribution and exhibition that would strengthen the viability of experimental and independent filmmaking as professional practices. Scholars of film, history, and American studies will find this work particularly useful.
Publisher: Lexington Books
ISBN: 1666928089
Category : History
Languages : en
Pages : 181
Book Description
This book examines the role that the American Film Institute (AFI) had in supporting experimental and independent cinema at a key moment of change in the history of American film. Weaving a rich historical narrative, Ramirez argues that the Cold War struggle for cultural supremacy motivated the creation of the federally-funded AFI. Exploring the intersection of business interests and political objectives, Ramirez demonstrates how the AFI’s approach to experimental and independent cinema was marked by an interest in promoting innovative aesthetics and protecting the creative freedom of filmmakers but lacked the attention to distribution and exhibition that would strengthen the viability of experimental and independent filmmaking as professional practices. Scholars of film, history, and American studies will find this work particularly useful.
The Syntax of Time
Author: Peter Manchester
Publisher: BRILL
ISBN: 904740839X
Category : Philosophy
Languages : en
Pages : 189
Book Description
The fourth century Neoplatonist Iamblichus, interpreting Plotinus on the topic of time, incorporates a ‘diagram of time’ that bears comparison to the figure of double continuity drawn by Husserl in his studies of time. Using that comparison as a bridge, this book seeks a phenomenological recovery of Greek thought about time. It argues that the feature of motion that the word ‘time’ designates in Greek differs from what most modern scholarship has assumed, that the very phenomenon of time has been misidentified for centuries. This leads to corrective readings of Plotinus, Aristotle, Parmenides, and Heraclitus, all looking back to the final phrase of the fragment of Anaximander, from which this volume takes its title: “according to the syntax of time.”
Publisher: BRILL
ISBN: 904740839X
Category : Philosophy
Languages : en
Pages : 189
Book Description
The fourth century Neoplatonist Iamblichus, interpreting Plotinus on the topic of time, incorporates a ‘diagram of time’ that bears comparison to the figure of double continuity drawn by Husserl in his studies of time. Using that comparison as a bridge, this book seeks a phenomenological recovery of Greek thought about time. It argues that the feature of motion that the word ‘time’ designates in Greek differs from what most modern scholarship has assumed, that the very phenomenon of time has been misidentified for centuries. This leads to corrective readings of Plotinus, Aristotle, Parmenides, and Heraclitus, all looking back to the final phrase of the fragment of Anaximander, from which this volume takes its title: “according to the syntax of time.”
Humanities
Author:
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 152
Book Description
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 152
Book Description