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Author: Linda K. Christian-Smith
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 236
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Book Description
Using approaches from feminism and cultural studies, this work explores the contradictory role that popular culture plays in the construction of gender, class, race, age, and sexual meanings. Christian-Smith dissects the conservative political themes underlying thirty-four teen romance novels, demonstrating how their flowery versions of romance and femininity actually inscribe white middle class gender ideology and class tensions.
Author: Linda K. Christian-Smith
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 236
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Book Description
Using approaches from feminism and cultural studies, this work explores the contradictory role that popular culture plays in the construction of gender, class, race, age, and sexual meanings. Christian-Smith dissects the conservative political themes underlying thirty-four teen romance novels, demonstrating how their flowery versions of romance and femininity actually inscribe white middle class gender ideology and class tensions.
Author: Linda K. Christian-Smith
Publisher: Routledge
ISBN: 1000639126
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
A woman is incomplete without a man, motherhood is a woman’s destiny, and a woman’s place is in the home. These conservative political themes are woven throughout teen romance fiction’s sagas of hearts and flowers. Using the theory and interpretive methods of feminism and cultural studies, Christian-Smith explores the contradictory role that popular culture plays in constructing gender, class, race, age and sexual meanings. Originally published in 1990, Becoming a Woman through Romance combines close textual analyses of thirty-four teen romance novels (written in the United States from 1942-1982) with a school study in three midwestern American schools. Christian-Smith situates teen romance fiction within the rapidly changing publishing industry and the important political and economic changes in the United States surrounding the rise of the New Right. By analysing the structure of the novels in terms of the themes of romance, sexuality and beautification, and the Good/Bad and Strong/Weak dichotomies, she demonstrates how each has shaped the novels’ versions of femininity over forty years. She also shows that although romance fiction is presented as a universal model, it is actually an expression of white middle class gender ideology and tension within this class. This high readable, comprehensive and coherent work was the first to combine in one volume three vital areas of cultural studies research: the political economy of publishing, textual analysis, and a study of readers. The first full-scale study of teen romance fiction, Becoming a Woman through Romance establishes the importance of the study of popular culture forms found in school for understanding the process of school materials in identity formation.
Author: Janice A. Radway
Publisher: Univ of North Carolina Press
ISBN: 0807898856
Category : Social Science
Languages : en
Pages : 289
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Book Description
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.
Author: Catherine Liu
Publisher: Kaya/Muae
ISBN:
Category : Fiction
Languages : en
Pages : 364
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Book Description
By Catherine Liu.
Author: Ramsey Hootman
Publisher: Simon and Schuster
ISBN: 1476711305
Category : Fiction
Languages : en
Pages : 384
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Book Description
Samuel Cooke knows most women wouldn’t give him a second glance even if he were the last man on earth. He’s the cripple with crutches, the nerdy computer genius every female past puberty feels compelled to mother. So when he leaves his lucrative career to teach programming to high schoolers, romance definitely isn’t on his radar. Perhaps that’s why Greta Cassamajor catches him off guard. The sarcastic gym coach with zero sense of humor is no beauty—not even on the inside. But an inexplicably kind act toward Samuel makes him realize she is interesting. Samuel is certain she won’t accept his invitation to dinner—so when she does, he’s out of his depth. All he knows is that he’ll do whatever it takes to keep her as long as he can. Pretending he’s got his class under control? Easy. Being vulnerable enough to admit why he ditched his programming career for teaching? Um, no. That would require honesty. And if there’s one thing Samuel can’t exist without, it’s the lies he tells himself. In this poignant, witty debut, Ramsey Hootman upends traditional romance tropes to weave a charming tale of perseverance, trust, and slightly conditional love.
Author: Laurie Langbauer
Publisher: Cornell University Press
ISBN: 1501723065
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
No detailed description available for "Women and Romance".
Author: Meredith Russo
Publisher: Flatiron Books
ISBN: 1250078423
Category : Young Adult Fiction
Languages : en
Pages : 288
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Book Description
Meredith Russo's award-winning, big-hearted novel If I Was Your Girl is about being seen for who you really are, with a love story you can't help but root for! Amanda Hardy is the new girl in school. Like anyone else, all she wants is to make friends and fit in. But Amanda is keeping a secret, and she’s determined not to get too close to anyone. But when she meets sweet, easygoing Grant, Amanda can’t help but start to let him into her life. As they spend more time together, she realizes just how much she is losing by guarding her heart. She finds herself yearning to share with Grant everything about herself, including her past. But Amanda’s terrified that once she tells him the truth, he won't be able to see past it. Because the secret that Amanda’s been keeping? It's that at her old school, she used to be Andrew. Will the truth cost Amanda her new life, and her new love? Stonewall Book Award Winner Walter Dean Myers Honor Book for Outstanding Children's Literature A Publishers Weekly Best Book of the Year A Kirkus Reviews Best Book of the Year A Goodreads Choice Award Finalist A Zoella Book Club Selection A Bustle Best YA Book of the Year IndieNext Top 10 One of Flavorwire’s 50 Books Every Modern Teenager Should Read
Author: Bernardine Evaristo
Publisher: Grove Press
ISBN: 0802156991
Category : Fiction
Languages : en
Pages : 414
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Book Description
NATIONAL BESTSELLER WINNER OF THE BOOKER PRIZE “A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum.” —Booker Prize Judges Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain’s colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.
Author: Mary Wood-Allen
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 173
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Book Description
Originally published in 1898, this work contains some valuable advice for young women. The author brilliantly explains the truths of life to a girl entering puberty. Moreover, there are tips for behavior, education, and friendships. Some suggestions in the book might seem outdated, but most of them are timeless and helpful.
Author: Jennifer Probst
Publisher: Penguin
ISBN: 0593098463
Category : Fiction
Languages : en
Pages : 386
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Book Description
Three generations of women in the Ferrari family must heal the broken pieces of their lives on a trip of a lifetime through picturesque Italy from New York Times bestselling author Jennifer Probst Workaholic, career-obsessed Francesca is fiercely independent and successful in all areas of her life except one: family. She struggles to make time for her relationship with her teenage daughter, Allegra, and the two have become practically strangers to each other. When Allegra hangs out with a new crowd and is arrested for drug possession, Francesca gives in to her mother's wish that they take one epic summer vacation to trace their family roots in Italy. She just never expected to face a choice that might change the course of her life. . . Allegra wants to make her grandmother happy, but she hates the idea of forced time with her mother and vows to fight every step of the ridiculous tour, until a young man on the verge of priesthood begins to show her the power of acceptance, healing, and the heartbreaking complications of love. Sophia knows her girls are in trouble. A summer filled with the possibility for change is what they all desperately need. Among the ruins of ancient Rome, the small churches of Assisi, and the rolling hills of Tuscany, Sophia hopes to show her girls that the bonds of family are everything, and to remind them that they can always lean on one another, before it's too late.
