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Author: Olga Beloborodova
Publisher: Springer
ISBN: 3319703749
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
This book of collected essays approaches Beckett’s work through the context of modernism, while situating it in the literary tradition at large. It builds on current debates aiming to redefine ‘modernism’ in connection to concepts such as ‘late modernism’ or ‘postmodernism’. Instead of definitively re-categorizing Beckett under any of these labels, the essays use his diverse oeuvre – encompassing poetry, criticism, prose, theatre, radio and film – as a case study to investigate and reassess the concept of ‘modernism after postmodernism’ in all its complexity, covering a broad range of topics spanning Beckett’s entire career. In addition to more thematic essays about art, history, politics, psychology and philosophy, the collection places his work in relation to that of other modernists such as T. S. Eliot, James Joyce, Wyndham Lewis, Gertrude Stein and Virginia Woolf, as well as to the literary canon in general. It represents an important contribution to both Beckett studies and modernism studies.
Author: Olga Beloborodova
Publisher: Springer
ISBN: 3319703749
Category : Literary Criticism
Languages : en
Pages : 299
Get Book Here
Book Description
This book of collected essays approaches Beckett’s work through the context of modernism, while situating it in the literary tradition at large. It builds on current debates aiming to redefine ‘modernism’ in connection to concepts such as ‘late modernism’ or ‘postmodernism’. Instead of definitively re-categorizing Beckett under any of these labels, the essays use his diverse oeuvre – encompassing poetry, criticism, prose, theatre, radio and film – as a case study to investigate and reassess the concept of ‘modernism after postmodernism’ in all its complexity, covering a broad range of topics spanning Beckett’s entire career. In addition to more thematic essays about art, history, politics, psychology and philosophy, the collection places his work in relation to that of other modernists such as T. S. Eliot, James Joyce, Wyndham Lewis, Gertrude Stein and Virginia Woolf, as well as to the literary canon in general. It represents an important contribution to both Beckett studies and modernism studies.
Author: Steven Connor
Publisher: Cambridge University Press
ISBN: 1107059224
Category : Drama
Languages : en
Pages : 225
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Book Description
This is a collection of authoritative essays on Samuel Beckett's writing from a pre-eminent scholar of twentieth-century literature and culture.
Author: Peter Gay
Publisher: W. W. Norton & Company
ISBN: 9780393052053
Category : Architecture
Languages : en
Pages : 664
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Book Description
This is a brilliant, provocative long essay on the rise and fall and survival of modernism, by the English-languages' greatest living cultural historian.
Author: Frederick J. Marker
Publisher: University of Toronto Press
ISBN: 9780802082060
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
This collection of essays, originally published over the last forty years in the journal Modern Drama, explores the drama of four of the most influential European proponents of modernism in the European Drama: Ibsen, Strandberg, Pirandello and Beckett.
Author: Dirk Van Hulle
Publisher: Cambridge University Press
ISBN: 110707519X
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
The New Cambridge Companion to Samuel Beckett offers an accessible introduction to issues animating the field of Beckett studies today.
Author: Andrew Gaedtke
Publisher: Cambridge University Press
ISBN: 1108418007
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
This book shows that a distinct form of technological madness emerged within modernist culture, transforming much of the period's experimental fiction.
Author: Rick de Villiers
Publisher: Edinburgh University Press
ISBN: 1474479057
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
<h4>Explores the relation between humility and humiliation in the works of T. S. Eliot and Samuel Beckett</h4>
<ul><li>Offers the first book-length comparative study of T. S. Eliot and Samuel Beckett</li>
<li>Develops a literary theory of humility and humiliation – concepts whose definitions have largely been determined by philosophy and theology</li>
<li>Explores the relation between negative affect, ethics and aesthetics</li></ul>
<p>Humility and humiliation have an awkward, often unacknowledged intimacy. Humility may be a queenly, cardinal or monkish virtue, while humiliation points to an affective state at the extreme end of shame. Yet a shared etymology links the words to lowliness and, further down, to the earth. As this study suggests, like the terms in question, T. S. Eliot and Samuel Beckett share an imperfect likeness. Between them is a common interest in states of abjection, shame and suffering – and possible responses to such states. Tracing the relation between negative affect, ethics, and aesthetics, <i>Eliot and Beckett’s Low Modernism</i> demonstrates how these two major modernists recuperate the affinity between humility and humiliation – concepts whose definitions have largely been determined by philosophy and theology.</p>
Author: Wimbush Andy
Publisher: BoD – Books on Demand
ISBN: 3838213696
Category : Philosophy
Languages : en
Pages : 292
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Book Description
In the 1930s, a young Samuel Beckett confessed to a friend that he had been living his life according to an ‘abject self-referring quietism’. Andy Wimbush argues that ‘quietism’—a philosophical and religious attitude of renunciation and will-lessness—is a key to understanding Beckett’s artistic vision and the development of his career as a fiction writer from his early novels Dream of Fair to Middling Women and Murphy to late short prose texts such as Stirrings Still and Company. Using Beckett’s published and archival material, Still: Samuel Beckett’s Quietism shows how Beckett distilled an understanding of quietism from the work of Arthur Schopenhauer, E.M. Cioran, Thomas à Kempis, Fyodor Dostoevsky, and André Gide, before turning it into an aesthetic that would liberate him from the powerful literary traditions of nineteenth-century realism and early twentieth-century high modernism. Quietism, argues Andy Wimbush, was for Beckett a lifelong preoccupation that shaped his perspectives on art, relationships, ethics, and even notions of salvation. But most of all it showed Beckett a way to renounce authorial power and write from a position of impotence, ignorance, and incoherence so as to produce a new kind of fiction that had, in Molloy’s words, the ‘tranquility of decomposition’.
Author: Emilie Morin
Publisher: Cambridge University Press
ISBN: 110841799X
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Beckett's Political Imagination uncovers Beckett's lifelong engagement with political thought and political history, showing how this concern informed his work as fiction author, dramatist, critic and translator. This radically new account will appeal to students, researchers and Beckett lovers alike.
Author: Iain Bailey
Publisher: Bloomsbury Academic
ISBN: 9781474250252
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
From Waiting for Godot to such later novels as Ill Seen, Ill Said, the work of Samuel Beckett is filled with Biblical references. Samuel Beckett and the Bible re-appraises the relationships between Beckett's work and the Bible, exploring both as objects of history, matter and memory. Iain Bailey ranges across the Beckett oeuvre to examine how the Bible has come to be regarded as a book of unique significance in his work, offering innovative readings of intertextuality and influence in both published and archival writings. Beckett's Bibles, the book demonstrates, are thoroughly material, as significant for their involvement in histories of education, the family, common knowledge and canon-formation as for what they have to say about God, hope and salvation. The book explores Beckett's uneasy forms of memory, materiality, language and history to assess how far and in what ways the Bible matters in his work, and why Beckett's voice 'harps, but no worse than Holy Writ.'
