Author: Francis Davis
Publisher: Schirmer Trade Books
ISBN: 0857127667
Category : Biography & Autobiography
Languages : en
Pages : 327
Book Description
An informative and insightful collection of essays from Francis Davis. Davis prefers artists who push at the avant-garde edges, who refuse to accept the status quo. This collection of influential writings again focuses on these hard-to-catergorize heroes, from Miles Davis, Dizzy Gillespie, Michael Jackson and Barbra Streisand,to Art Pepper, Tony Bennett, Les Paul Don Byron and many more.
BeBOP and NOTHINGNESS: Jazz and Pop at the End of the Century
Author: Francis Davis
Publisher: Schirmer Trade Books
ISBN: 0857127667
Category : Biography & Autobiography
Languages : en
Pages : 327
Book Description
An informative and insightful collection of essays from Francis Davis. Davis prefers artists who push at the avant-garde edges, who refuse to accept the status quo. This collection of influential writings again focuses on these hard-to-catergorize heroes, from Miles Davis, Dizzy Gillespie, Michael Jackson and Barbra Streisand,to Art Pepper, Tony Bennett, Les Paul Don Byron and many more.
Publisher: Schirmer Trade Books
ISBN: 0857127667
Category : Biography & Autobiography
Languages : en
Pages : 327
Book Description
An informative and insightful collection of essays from Francis Davis. Davis prefers artists who push at the avant-garde edges, who refuse to accept the status quo. This collection of influential writings again focuses on these hard-to-catergorize heroes, from Miles Davis, Dizzy Gillespie, Michael Jackson and Barbra Streisand,to Art Pepper, Tony Bennett, Les Paul Don Byron and many more.
Bebop and Nothingness
Author: Francis Davis
Publisher: Schirmer Trade Books
ISBN: 9780825671616
Category : Music
Languages : en
Pages : 288
Book Description
In this overview of the jazz and pop scenes, Davis explores the bebop legacy and celebrates the creativity of musicians who are moving into new territory. Styles covered in these essays range from old-style swing to avant-garde free jazz, from gospel to klezmer, and from rock to American pop standards and rap.
Publisher: Schirmer Trade Books
ISBN: 9780825671616
Category : Music
Languages : en
Pages : 288
Book Description
In this overview of the jazz and pop scenes, Davis explores the bebop legacy and celebrates the creativity of musicians who are moving into new territory. Styles covered in these essays range from old-style swing to avant-garde free jazz, from gospel to klezmer, and from rock to American pop standards and rap.
Continuum Encyclopedia of Popular Music of the World Volume 8
Author: John Shepherd
Publisher: A&C Black
ISBN: 1441160787
Category : Music
Languages : en
Pages : 586
Book Description
See:
Publisher: A&C Black
ISBN: 1441160787
Category : Music
Languages : en
Pages : 586
Book Description
See:
Blowin' Hot and Cool
Author: John Gennari
Publisher: University of Chicago Press
ISBN: 0226289249
Category : Music
Languages : en
Pages : 495
Book Description
In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. Jazz critics can be revered or reviled—often both—but they should not be ignored. And while the tradition of jazz has been covered from seemingly every angle, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. That is, of course, until now. In Blowin’ Hot and Cool, John Gennari provides a definitive history of jazz criticism from the 1920s to the present. The music itself is prominent in his account, as are the musicians—from Louis Armstrong and Duke Ellington to Charlie Parker, John Coltrane, Roscoe Mitchell, and beyond. But the work takes its shape from fascinating stories of the tradition’s key critics—Leonard Feather, Martin Williams, Whitney Balliett, Dan Morgenstern, Gary Giddins, and Stanley Crouch, among many others. Gennari is the first to show the many ways these critics have mediated the relationship between the musicians and the audience—not merely as writers, but in many cases as producers, broadcasters, concert organizers, and public intellectuals as well. For Gennari, the jazz tradition is not so much a collection of recordings and performances as it is a rancorous debate—the dissonant noise clamoring in response to the sounds of jazz. Against the backdrop of racial strife, class and gender issues, war, and protest that has defined the past seventy-five years in America, Blowin’ Hot and Cool brings to the fore jazz’s most vital critics and the role they have played not only in defining the history of jazz but also in shaping jazz’s significance in American culture and life.
Publisher: University of Chicago Press
ISBN: 0226289249
Category : Music
Languages : en
Pages : 495
Book Description
In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. Jazz critics can be revered or reviled—often both—but they should not be ignored. And while the tradition of jazz has been covered from seemingly every angle, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. That is, of course, until now. In Blowin’ Hot and Cool, John Gennari provides a definitive history of jazz criticism from the 1920s to the present. The music itself is prominent in his account, as are the musicians—from Louis Armstrong and Duke Ellington to Charlie Parker, John Coltrane, Roscoe Mitchell, and beyond. But the work takes its shape from fascinating stories of the tradition’s key critics—Leonard Feather, Martin Williams, Whitney Balliett, Dan Morgenstern, Gary Giddins, and Stanley Crouch, among many others. Gennari is the first to show the many ways these critics have mediated the relationship between the musicians and the audience—not merely as writers, but in many cases as producers, broadcasters, concert organizers, and public intellectuals as well. For Gennari, the jazz tradition is not so much a collection of recordings and performances as it is a rancorous debate—the dissonant noise clamoring in response to the sounds of jazz. Against the backdrop of racial strife, class and gender issues, war, and protest that has defined the past seventy-five years in America, Blowin’ Hot and Cool brings to the fore jazz’s most vital critics and the role they have played not only in defining the history of jazz but also in shaping jazz’s significance in American culture and life.
Louis Armstrong, Duke Ellington, and Miles Davis
Author: Aaron Lefkovitz
Publisher: Rowman & Littlefield
ISBN: 1498567525
Category : Music
Languages : en
Pages : 227
Book Description
This book examines Louis Armstrong, Duke Ellington, and Miles Davis as distinctively global symbols of threatening and nonthreatening black masculinity. It centers them in debates over U.S. cultural exceptionalism, noting how they have been part of the definition of jazz as a jingoistic and exclusively American form of popular culture.
Publisher: Rowman & Littlefield
ISBN: 1498567525
Category : Music
Languages : en
Pages : 227
Book Description
This book examines Louis Armstrong, Duke Ellington, and Miles Davis as distinctively global symbols of threatening and nonthreatening black masculinity. It centers them in debates over U.S. cultural exceptionalism, noting how they have been part of the definition of jazz as a jingoistic and exclusively American form of popular culture.
Jazz
Author: Eddie S. Meadows
Publisher: Routledge
ISBN: 1136776028
Category : Music
Languages : en
Pages : 782
Book Description
Jazz: Research and Pedagogy is the third edition of an annotated bibliography to books, recordings, videos, and websites in the field of jazz. Since the publication of the 2nd edition in 1995, the quantity and quality of books on jazz research, performance, and teaching materials have increased. Although the 1995 book was the most comprehensive annotated jazz bibliography published to that date, several books on research, performance, and teaching materials were omitted. In addition, given the proliferation of new books in all jazz areas since 1995, the need for a new, comprehensive, and annotated reference book on jazz is apparent. Multiply indexed, this book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the last decade.
Publisher: Routledge
ISBN: 1136776028
Category : Music
Languages : en
Pages : 782
Book Description
Jazz: Research and Pedagogy is the third edition of an annotated bibliography to books, recordings, videos, and websites in the field of jazz. Since the publication of the 2nd edition in 1995, the quantity and quality of books on jazz research, performance, and teaching materials have increased. Although the 1995 book was the most comprehensive annotated jazz bibliography published to that date, several books on research, performance, and teaching materials were omitted. In addition, given the proliferation of new books in all jazz areas since 1995, the need for a new, comprehensive, and annotated reference book on jazz is apparent. Multiply indexed, this book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the last decade.
It's Nothing, Seriously
Author: John McGreal
Publisher: Troubador Publishing Ltd
ISBN: 1785892215
Category : Psychology
Languages : en
Pages : 192
Book Description
It’s Silence, Soundly, It’s Nothing, Seriously and It’s Absence, Presently, continue The ‘It’ Series published by Matador since The Book of It (2010). They constitute another stage in an artistic journey exploring the visual and audial dialectic of mark, word and image that began over 25 years ago. In their aesthetic form the books are a decentred trilogy united together in a new concept of The Bibliograph. All three present this new aesthetic object, which transcends the narrow limits of the academic bibliography. The alphabetical works also share a tripartite structure and identical length. The Bibliograph itself is characterised by its strategic place within each book as a whole as well as by the complex variations in meaning of the dominant motifs – nothing/ness, absence and silence – which recur throughout the alphabetical entries that constitute the elements of each text. It’s Nothing, Seriously, for example, addresses the amusing paradox that so much continues to be written today about – nothing! The aleatory character of the entries in the texts encourage the modern reader to reflect on each theme and to read them in a new way. The reader is invited as well to examine their various inter-textual relations across given conventional boundaries in the arts and sciences at several levels of physical, psychical & social reproduction.
Publisher: Troubador Publishing Ltd
ISBN: 1785892215
Category : Psychology
Languages : en
Pages : 192
Book Description
It’s Silence, Soundly, It’s Nothing, Seriously and It’s Absence, Presently, continue The ‘It’ Series published by Matador since The Book of It (2010). They constitute another stage in an artistic journey exploring the visual and audial dialectic of mark, word and image that began over 25 years ago. In their aesthetic form the books are a decentred trilogy united together in a new concept of The Bibliograph. All three present this new aesthetic object, which transcends the narrow limits of the academic bibliography. The alphabetical works also share a tripartite structure and identical length. The Bibliograph itself is characterised by its strategic place within each book as a whole as well as by the complex variations in meaning of the dominant motifs – nothing/ness, absence and silence – which recur throughout the alphabetical entries that constitute the elements of each text. It’s Nothing, Seriously, for example, addresses the amusing paradox that so much continues to be written today about – nothing! The aleatory character of the entries in the texts encourage the modern reader to reflect on each theme and to read them in a new way. The reader is invited as well to examine their various inter-textual relations across given conventional boundaries in the arts and sciences at several levels of physical, psychical & social reproduction.
Jazz Books in the 1990s
Author: Janice Leslie Hochstat Greenberg
Publisher: Scarecrow Press
ISBN: 0810869861
Category : Music
Languages : en
Pages : 232
Book Description
This annotated bibliography contains over 700 entries covering adult non-fiction books on jazz published from 1990 through 1999. Entries are organized by category, including biographies, history, individual instruments, essays and criticism, musicology, regional studies, discographies, and reference works. Three indexes—by title, author, and subject—are included.
Publisher: Scarecrow Press
ISBN: 0810869861
Category : Music
Languages : en
Pages : 232
Book Description
This annotated bibliography contains over 700 entries covering adult non-fiction books on jazz published from 1990 through 1999. Entries are organized by category, including biographies, history, individual instruments, essays and criticism, musicology, regional studies, discographies, and reference works. Three indexes—by title, author, and subject—are included.
Spirits Rejoice!
Author: Jason C. Bivins
Publisher: Oxford University Press
ISBN: 0190230932
Category : Music
Languages : en
Pages : 388
Book Description
In Spirits Rejoice! Jason Bivins explores the relationship between American religion and American music, and the places where religion and jazz have overlapped. Much writing about jazz tends toward glorified discographies or impressionistic descriptions of the actual sounds. Rather than providing a history, or series of biographical entries, Spirits Rejoice! takes to heart a central characteristic of jazz itself and improvises, generating a collection of themes, pursuits, reoccurring foci, and interpretations. Bivins riffs on interviews, liner notes, journals, audience reception, and critical commentary, producing a work that argues for the centrality of religious experiences to any legitimate understanding of jazz, while also suggesting that jazz opens up new interpretations of American religious history. Bivins examines themes such as musical creativity as related to specific religious traditions, jazz as a form of ritual and healing, and jazz cosmologies and metaphysics. Spirits Rejoice! connects Religious Studies to Jazz Studies through thematic portraits, and a vast number of interviews to propose a new, improvisationally fluid archive for thinking about religion, race, and sound in the United States. Bivins's conclusions explore how the sound of spirits rejoicing challenges not only prevailing understandings of race and music, but also the way we think about religion. Spirits Rejoice! is an essential volume for any student of jazz, American religion, or American culture.
Publisher: Oxford University Press
ISBN: 0190230932
Category : Music
Languages : en
Pages : 388
Book Description
In Spirits Rejoice! Jason Bivins explores the relationship between American religion and American music, and the places where religion and jazz have overlapped. Much writing about jazz tends toward glorified discographies or impressionistic descriptions of the actual sounds. Rather than providing a history, or series of biographical entries, Spirits Rejoice! takes to heart a central characteristic of jazz itself and improvises, generating a collection of themes, pursuits, reoccurring foci, and interpretations. Bivins riffs on interviews, liner notes, journals, audience reception, and critical commentary, producing a work that argues for the centrality of religious experiences to any legitimate understanding of jazz, while also suggesting that jazz opens up new interpretations of American religious history. Bivins examines themes such as musical creativity as related to specific religious traditions, jazz as a form of ritual and healing, and jazz cosmologies and metaphysics. Spirits Rejoice! connects Religious Studies to Jazz Studies through thematic portraits, and a vast number of interviews to propose a new, improvisationally fluid archive for thinking about religion, race, and sound in the United States. Bivins's conclusions explore how the sound of spirits rejoicing challenges not only prevailing understandings of race and music, but also the way we think about religion. Spirits Rejoice! is an essential volume for any student of jazz, American religion, or American culture.
Jazz and Death
Author: Frederick J. Spencer
Publisher: Univ. Press of Mississippi
ISBN: 160473633X
Category : Biography & Autobiography
Languages : en
Pages : 333
Book Description
A disclosure of the deaths of jazz artists and their often fatal lifestyles
Publisher: Univ. Press of Mississippi
ISBN: 160473633X
Category : Biography & Autobiography
Languages : en
Pages : 333
Book Description
A disclosure of the deaths of jazz artists and their often fatal lifestyles