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Author: Konstantin Akinsha
Publisher: Random House (NY)
ISBN:
Category : Art
Languages : en
Pages : 360
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Book Description
"In what has been called one of the most important pieces of investigative journalism ever undertaken in the art world, Konstantin Akinsha and Grigorii Kozlov tell the story of how the Russians stole millions of art objects from European museums and private collectors in the final days of World War II and hid them away for fifty years. The Nazi confiscation of art from Jewish families and occupied countries has been well documented, but the story of what happened to the art after the Nazis were defeated in 1945 was virtually unknown until recently." "Secret "trophy brigades" were established early in 1945, with specific instructions from Stalin to remove art from Germany and ship it back to the USSR on special trains. This operation began while the fighting was still going on and was conducted at a frenzied pace for several months. It was the most prodigious transport operation of artworks in the history of mankind. Trophies were being removed from Germany as late as 1948." "Works by such masters as Botticelli, El Greco, Goya, Delacroix, Picasso, Velazquez, Matisse, Renoir, Raphael, Rembrandt, Rubens, Titian, and Degas made their way to the Soviet Union." "It was not until the late 1980s, when the Soviet Union began to dissolve, that it was possible to piece together this story. Akinsha and Kozlov were instrumental in revealing it to the West and in forcing Russian authorities to acknowledge the existence of the secret depositories. The Hermitage exhibited its collection of previously hidden Impressionist paintings early in 1995, but the Russians have been adamant in their refusal to return the stolen things, and the fate of the trophy art continues to be hotly debated."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Konstantin Akinsha
Publisher: Random House (NY)
ISBN:
Category : Art
Languages : en
Pages : 360
Get Book Here
Book Description
"In what has been called one of the most important pieces of investigative journalism ever undertaken in the art world, Konstantin Akinsha and Grigorii Kozlov tell the story of how the Russians stole millions of art objects from European museums and private collectors in the final days of World War II and hid them away for fifty years. The Nazi confiscation of art from Jewish families and occupied countries has been well documented, but the story of what happened to the art after the Nazis were defeated in 1945 was virtually unknown until recently." "Secret "trophy brigades" were established early in 1945, with specific instructions from Stalin to remove art from Germany and ship it back to the USSR on special trains. This operation began while the fighting was still going on and was conducted at a frenzied pace for several months. It was the most prodigious transport operation of artworks in the history of mankind. Trophies were being removed from Germany as late as 1948." "Works by such masters as Botticelli, El Greco, Goya, Delacroix, Picasso, Velazquez, Matisse, Renoir, Raphael, Rembrandt, Rubens, Titian, and Degas made their way to the Soviet Union." "It was not until the late 1980s, when the Soviet Union began to dissolve, that it was possible to piece together this story. Akinsha and Kozlov were instrumental in revealing it to the West and in forcing Russian authorities to acknowledge the existence of the secret depositories. The Hermitage exhibited its collection of previously hidden Impressionist paintings early in 1995, but the Russians have been adamant in their refusal to return the stolen things, and the fate of the trophy art continues to be hotly debated."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Ivan Lindsay
Publisher: Andrews UK Limited
ISBN: 1906509565
Category : Art
Languages : en
Pages : 707
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Book Description
The author of this enthralling book aims to present a well-illustrated and documented alternative history of the Western World through graphic accounts of looting and art theft from the time of Sargon, ruler of Syria in 721 BC, to the present day. Almost all the principal players included appear on the stage of World history and many of them are known as conquerors, confiscators (the old-fashioned word for looters) and ruthless administrators of the regions they created as a result of their conquests. Featured here are emperors, kings, queens, popes, adventurers, explorers and those whose energies and expertise supported the greed and acquisitive ambitions of their masters. The different motivation of the greatest looters in history is a recurrent theme which is examined throughout.
Author:
Publisher:
ISBN:
Category : Courts-martial and courts of inquiry
Languages : en
Pages : 1056
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Book Description
Author: Sharon Waxman
Publisher: Macmillan
ISBN: 1429960434
Category : Art
Languages : en
Pages : 440
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Book Description
A journey across four continents to the heart of the conflict over who should own the great works of ancient art Why are the Elgin Marbles in London and not on the Acropolis? Why do there seem to be as many mummies in France as there are in Egypt? Why are so many Etruscan masterworks in America? For the past two centuries, the West has been plundering the treasures of the ancient world to fill its great museums, but in recent years, the countries where ancient civilizations originated have begun to push back, taking museums to court, prosecuting curators, and threatening to force the return of these priceless objects. Where do these treasures rightly belong? Sharon Waxman, a former culture reporter for The New York Times and a longtime foreign correspondent, brings us inside this high-stakes conflict, examining the implications for the preservation of the objects themselves and for how we understand our shared cultural heritage. Her journey takes readers from the great cities of Europe and America to Egypt, Turkey, Greece, and Italy, as these countries face down the Louvre, the Metropolitan Museum, the British Museum, and the J. Paul Getty Museum. She also introduces a cast of determined and implacable characters whose battles may strip these museums of some of their most cherished treasures. For readers who are fascinated by antiquity, who love to frequent museums, and who believe in the value of cultural exchange, Loot opens a new window on an enduring conflict.
Author: Adam Raz
Publisher: Verso Books
ISBN: 1804295175
Category : History
Languages : en
Pages : 423
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Book Description
During the 1948 War, Israeli fighters and residents alike plundered Palestinian homes, shops, businesses, and farms. This bitter truth was then suppressed or forgotten over the coming years. Tens of thousands took part in the pillage of Palestinian property, stealing the belongings of their former neighbours. The implications of this mass looting go far beyond the personality or moral fibre of those who took part. Plundering served a political agenda by helping to empty the country of its Palestinian residents. In this context, it was part of the prevailing policy during the war - one designed to crush the Palestinian economy, destroy villages, and to confiscate and sometimes destroy crops and harvests remaining in the depopulated zones. The participating Jewish public became a stakeholder, motivated to prevent Palestinian residents from returning to the villages and cities they had left. These ordinary people were mobilized in the push for the segregation of Jews and Arabs in the early years of statehood. With painstaking original research into primary sources, Adam Raz has brought to light a tragic moment in the history of a conflict that roils the region and the wider world. As the details of the Nakba are understood and documented, redress for Palestinian grievances comes closer to reality.
Author: Walter Ings Farmer
Publisher: Walter de Gruyter
ISBN: 9783110168976
Category : History
Languages : en
Pages : 262
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Book Description
Farmer was a staff member of the US Monuments, Fine Arts, and Archives unit of the US Army, and was stationed in German after World War II. He and fellow officers wrote the Wiesbaden Manifesto and took other measures to keep German cultural heritage artifacts such as paintings and sculptures from being transported to the US. His account has been revised by Goldman, with the Prehistory and Early History Museum in Berlin). c. Book News Inc.
Author: Kathleen E. Smith
Publisher: Cornell University Press
ISBN: 1501717960
Category : Political Science
Languages : en
Pages : 238
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Book Description
After the collapse of Communist rule in 1991, those loyal to the old regime tried to salvage their political dreams by rejecting some aspects of their history and embracing others. Yeltsin and the democrats, although initially hesitant to rely on the patriotic mythmaking they associated with Communist propaganda, also turned to the national past in times of crisis, realizing they needed not only to create new institutions, but also to encourage popular support for them.Kathleen E. Smith examines the use of collective memories in Russian politics during the Yeltsin years, surveying the various issues that became battlegrounds for contending notions of what it means to be Russian. Both the new establishment and its opponents have struggled to shape versions of past events into symbolic political capital. What parts of the Communist past, Smith asks, have proved useful for interpreting political options? Which versions of their history have Russians chosen to cling to, and which Soviet memories have they deliberately tried to forget? What symbols do they hold up as truly Russian? Which will help define the attitudes shaping Russian policy for decades to come?Smith illustrates the potency of memory debates across a broad range of fields—law, politics, art, and architecture. Her case studies include the changing interpretations of the attempted coups of 1991 and 1993, the recasting of the holiday calendar, the controversy over the national anthem, the status of "trophy art" brought to Russia at the end of World War II, and the partisan use of historical symbols in elections.
Author: Desmond Dilg
Publisher:
ISBN:
Category : Burr-Hamilton Duel, Weehawken, N.J., 1804
Languages : en
Pages : 314
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Book Description
Author: Dirk Boll
Publisher: Hatje Cantz Verlag
ISBN: 3775739130
Category : Art
Languages : en
Pages : 279
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Book Description
Procurement analysis, sales planning, customer orientation, brand management—the art market is changing more rapidly than ever before. The price that a work of art commands influences its place in the art-historical canon. Auction houses have become dominant avenues of distribution, as have art fairs, galleries, and art dealers. Even today the ritual dramaturgy of the auction resembles an archaic competition, which can leave participants speechless and captivate bystanders. At the center of the action is the auctioneer, whose performance is increasingly critical to the success of the auction. With portraits of auctioneers, this volume tells the story of the art auction business. Key events that played out in cities such as New York, Paris, Zurich, Berlin, Stuttgart, and Pompeii come alive and show how the auctioneer is emerging from the anonymity of a service provider and stepping into the limelight as the star of the show. (Deutsche Ausgabe ISBN 978-3-7757-3902-3) In conjunction printed volumes (German edition ISBN 978-3-7757-3902-3, English edition ISBN 978-3-7757-3903-0) are also available.
Author: Pierre Hauck
Publisher: Oxford University Press
ISBN: 0191053481
Category : Law
Languages : en
Pages : 620
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Book Description
Since the end of the Cold War, states have become increasingly engaged in the suppression of transnational organised crime. The existence of the UN Convention against Transnational Organised Crime and its Protocols demonstrates the necessity to comprehend this subject in a systematic way. Synthesizing the various sources of law that form this area of growing academic and practical importance, International Law and Transnational Organised Crime provides readers with a thorough understanding of the key concepts and legal instruments in international law governing transnational organised crime. The volume analyses transnational organised crime in consideration of the most relevant subareas of international law, such as international human rights and the law of armed conflict. Written by internationally recognized scholars in international and criminal law as well as respected high-level practitioners, this book is a useful tool for lawyers, public agents, and academics seeking straightforward and comprehensive access to a complex and significant topic.
