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Author: Karen Di Franco
Publisher:
ISBN: 9783943514841
Category : Private presses
Languages : en
Pages : 469
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Book Description
Le "catalogue dé-raisonné" de l'ensemble de la production imprimée de la maison d'édition indépendante Beau Geste Press, qui fédéra poètes visuels, néo-dadaïstes et artistes internationaux affiliés à la mouvance Fluxus entre 1971 et 1976.
Author: Karen Di Franco
Publisher:
ISBN: 9783943514841
Category : Private presses
Languages : en
Pages : 469
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Book Description
Le "catalogue dé-raisonné" de l'ensemble de la production imprimée de la maison d'édition indépendante Beau Geste Press, qui fédéra poètes visuels, néo-dadaïstes et artistes internationaux affiliés à la mouvance Fluxus entre 1971 et 1976.
Author: Percival Christopher Wren
Publisher: Library of Alexandria
ISBN: 146560684X
Category :
Languages : en
Pages :
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Book Description
In the first place, there was the old standing trouble about the Shuwa Patrol; in the second, the truculent Chiboks were waxing insolent again, and their young men were regarding not the words of their elders concerning Sir Garnet Wolseley, and what happened, long, long ago, after the battle of Chibok Hill. Thirdly, the price of grain had risen to six shillings a saa, and famine threatened; fourthly, the Shehu and Shuwa sheiks were quarrelling again; and, fifthly, there was a very bad smallpox ju-ju abroad in the land (a secret society whose "secret" was to offer His Majesty's liege subjects the choice between being infected with smallpox, or paying heavy blackmail to the society). Lastly, there was acrimonious correspondence with the All-Wise Ones (of the Secretariat in "Aiki Square" at Zungeru), who, as usual, knew better than the man on the spot, and bade him do either the impossible or the disastrous. And across all the Harmattan was blowing hard, that terrible wind that carries the Saharan dust a hundred miles to sea, not so much as a sand-storm, but as a mist or fog of dust as fine as flour, filling the eyes, the lungs, the pores of the skin, the nose and throat; getting into the locks of rifles, the works of watches and cameras, defiling water, food and everything else; rendering life a burden and a curse. The fact, moreover, that thirty days' weary travel over burning desert, across oceans of loose wind-blown sand and prairies of burnt grass, through breast-high swamps, and across unbridged boatless rivers, lay between him and Kano, added nothing to his satisfaction. For, in spite of all, satisfaction there was, inasmuch as Kano was rail-head, and the beginning of the first stage of the journey Home. That but another month lay between him and "leave out of Africa," kept George Lawrence on his feet. From that wonderful and romantic Red City, Kano, sister of Timbuktu, the train would take him, after a three days' dusty journey, to the rubbish-heap called Lagos, on the Bight of Benin of the wicked West African Coast. There he would embark on the good ship Appam, greet her commander, Captain Harrison, and sink into a deck chair with that glorious sigh of relief, known in its perfection only to those weary ones who turn their backs upon the Outposts and set their faces towards Home. Meantime, for George Lawrence--disappointment, worry, frustration, anxiety, heat, sand-flies, mosquitoes, dust, fatigue, fever, dysentery, malarial ulcers, and that great depression which comes of monotony indescribable, weariness unutterable, and loneliness unspeakable.
Author: Jennifer Higgie
Publisher: Simon and Schuster
ISBN: 1643138049
Category : Art
Languages : en
Pages : 248
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Book Description
A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.
Author: W.O.R.K.S.
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 156
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Book Description
"W.O.R.K.S.C.O.R.E.P.O.R.T., assembled by the Canadian-based group W.O.R.K.S., is a complete anthology of their activities, 1971-73. The book is a group report, intertwining personal projects as articles, scores, photodocumentation of environments, concerts, events, videowork."--
Author: Jenny Jaskey
Publisher:
ISBN: 9780997099522
Category : Art
Languages : en
Pages : 200
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Book Description
Carolee's is the second issue of The Magazine of the Artist's Institute. Dedicated to Carolee Schneemann, it features a previously unpublished image archive from Schneemann's studio that documents half a century of morphological connections between her work and other visual material, including art, advertising, and popular culture. A new long-form pro'le of Schneemann by writer Maggie Nelson accompanies this project and considers the artist's relationship to the history of her reception and Schneemann's signi'cant in'uence on subsequent generations of feminists
Author: Mark A. Vieira
Publisher: Running Press Adult
ISBN: 0762451564
Category : Performing Arts
Languages : en
Pages : 226
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Book Description
Showcasing 50 films from 1939, during which the world braced for war, this stunning book brings to life the most glamorous era in movie history by discussing such works of cinematic art as Gunga Din, Goodbye, Mr. Chips and Gone With the Wind. Original.
Author: Jordan Sonnenblick
Publisher: Scholastic Inc.
ISBN: 0545292786
Category : Young Adult Fiction
Languages : en
Pages : 171
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Book Description
Jeffrey isn't a little boy with cancer anymore. He's a teen who's in remission, but life still feels fragile. The aftereffects of treatment have left Jeffrey with an inability to be a great student or to walk without limping. His parents still worry about him. His older brother, Steven, lost it and took off to Africa to be in a drumming circle and "find himself." Jeffrey has a little soul searching to do, too, which begins with his escalating anger at Steven, an old friend who is keeping something secret, and a girl who is way out of his league but who thinks he's cute.
Author: William Wellman, Jr.
Publisher: Pantheon
ISBN: 1101870281
Category : Biography & Autobiography
Languages : en
Pages : 657
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Book Description
The extraordinary life—the first—of the legendary, undercelebrated Hollywood director known in his day as “Wild Bill” (and he was!) Wellman, whose eighty-two movies (six of them uncredited), many of them iconic; many of them sharp, cold, brutal; others poetic, moving; all of them a lesson in close-up art, ranged from adventure and gangster pictures to comedies, aviation, romances, westerns, and searing social dramas. Among his iconic pictures: the pioneering World War I epic Wings (winner of the first Academy Award for best picture), Public Enemy (the toughest gangster picture of them all), Nothing Sacred, the original A Star Is Born, Beggars of Life, The Call of the Wild, The Ox-Bow Incident, Battleground, The High and the Mighty... David O. Selznick called him “one of the motion pictures’ greatest craftsmen.” Robert Redford described him as “feisty, independent, self-taught, and self-made. He stood his ground and fought his battles for artistic integrity, never wavering, always clear in his film sense.” Wellman directed Hollywood’s biggest stars for three decades, including Clark Gable, Gary Cooper, Barbara Stanwyck, John Wayne, Lauren Bacall, and Clint Eastwood. It was said he directed “like a general trying to break out of a beachhead.” He made pictures with such noted producers as Darryl F. Zanuck, Nunnally Johnson, Jesse Lasky, and David O. Selznick. Here is a revealing, boisterous portrait of the handsome, tough-talking, hard-drinking, uncompromising maverick (he called himself a “crazy bastard”)—juvenile delinquent; professional ice-hockey player as a kid; World War I flying ace at twenty-one in the Lafayette Flying Corps (the Lafayette Escadrille), crashing more than six planes (“We only had four instruments, none of which worked. And no parachutes . . . Greatest goddamn acrobatics you ever saw in your life”)—whose own life story was more adventurous and more unpredictable than anything in the movies. Wellman was a wing-walking stunt pilot in barnstorming air shows, recipient of the Croix de Guerre with two Gold Palm Leaves and five United States citations; a bad actor but good studio messenger at Goldwyn Pictures who worked his way up from assistant cutter; married to five women, among them Marjorie Crawford, aviatrix and polo player; silent picture star Helene Chadwick; and Dorothy Coonan, Busby Berkeley dancer, actress, and mother of his seven children. Irene Mayer Selznick, daughter of Louis B. Mayer, called Wellman “a terror, a shoot-up-the-town fellow, trying to be a great big masculine I-don’t-know-what. David had a real weakness for him. I didn’t share it.” Yet she believed enough in Wellman’s vision and cowritten script about Hollywood to persuade her husband to produce A Star Is Born, which Wellman directed. After he took over directing Tarzan Escapes at MGM, Wellman went to Louis B. Mayer and asked to make another Tarzan picture on his own. “What are you talking about? It’s beneath your dignity,” said Mayer. “To hell with that,” said Wellman, “I haven’t got any dignity.” Now William Wellman, Jr., drawing on his father’s unpublished letters, diaries, and unfinished memoir, gives us the first full portrait of the man—boy, flyer, husband, father, director, artist. Here is a portrait of a profoundly American spirit and visionary, a man’s man who was able to put into cinematic storytelling the most subtle and fulsome of feeling, a man feared, respected, and loved.
Author: Derek Sculthorpe
Publisher: McFarland
ISBN: 1476626588
Category : Performing Arts
Languages : en
Pages : 219
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Book Description
Brian Donlevy (1901-1972) was an underrated film actor with surprising range and a little-heralded gift for comedy. Often typecast as a villain, he played the definitive bad guy in such films as Destry Rides Again, Union Pacific and Beau Geste (all in 1939). He showed his versatility in the title role of Preston Sturges' political satire The Great McGinty (1940) and impressed both New York critics and the Soviet government as the cooly authoritative Major Caton in Wake Island (1942). Donlevy was fondly remembered as globe-trotting U.S. Special Agent Steve Mitchell in the television series Dangerous Assignment (1952) and as Professor Quatermass in two acclaimed science fiction films. This first ever biography of Donlevy covers his colorful early life as a boy soldier, his years playing comedy roles on Broadway and his long career in Hollywood.
Author: Raymond Jonas
Publisher: Harvard University Press
ISBN: 0674062795
Category : History
Languages : en
Pages : 426
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Book Description
In March 1896 a well-disciplined and massive Ethiopian army did the unthinkable-it routed an invading Italian force and brought Italy's war of conquest in Africa to an end. In an age of relentless European expansion, Ethiopia had successfully defended its independence and cast doubt upon an unshakable certainty of the age-that sooner or later all Africans would fall under the rule of Europeans. This event opened a breach that would lead, in the aftermath of world war fifty years later, to the continent's painful struggle for freedom from colonial rule. Raymond Jonas offers the first comprehensive account of this singular episode in modern world history. The narrative is peopled by the ambitious and vain, the creative and the coarse, across Africa, Europe, and the Americas-personalities like Menelik, a biblically inspired provincial monarch who consolidated Ethiopia's throne; Taytu, his quick-witted and aggressive wife; and the Swiss engineer Alfred Ilg, the emperor's close advisor. The Ethiopians' brilliant gamesmanship and savvy public relations campaign helped roll back the Europeanization of Africa. Figures throughout the African diaspora immediately grasped the significance of Adwa, Menelik, and an independent Ethiopia. Writing deftly from a transnational perspective, Jonas puts Adwa in the context of manifest destiny and Jim Crow, signaling a challenge to the very concept of white dominance. By reopening seemingly settled questions of race and empire, the Battle of Adwa was thus a harbinger of the global, unsettled century about to unfold.
