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Author: Leo Black
Publisher: Plumbago Books
ISBN: 9780955608759
Category : Music
Languages : en
Pages : 217
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Book Description
Working under the guidance of Leo Black at the BBC was a seminal time in my musical development. Leo guided me through the epiphanies and thickets of Romantic Lieder, from the long and often Gothic landscapes of Schubert, through' the beautiful, nostalgic reminiscences of Brahms, to the terse, neurotic, brilliant stutters of Wolf. Together, with the intellectual and visionary playing of Viola Tunnard, we three tried to discover the blue flower of Novalis. And we almost did.-Robert Tear BBC Music thrived in the golden and now controversial era from 1959-72 when Sir William Glock was Controller, Radio 3. Leo Black's memoir is not just a well-placed insider's 'factual account of how the Music Programmes Department was organized' at this time and after, but also an astute and witty study of key personalities such as Paul Hamburger, Hans Keller, Robert Simpson and Glock himself. It contains moving character sketches of composers, especially Luigi Dallapiccola, Roberto Gerhard and Hugh Wood, and vignettes of outstanding performers including Heather Harper, Elizabeth Harwood, Janet Baker, Margaret Price, Norma Burrowes, Walter Goelir, John Shirley Quirk, Michael Langdon, Robert Tear, Alfredo Campoli, AndrT Tchaikovsky and others. It ends with a poignant autobiographical essay For those who want to understand the history of the BBC in the post-war years through the eves of a sensitive and articulate musician, this is a key document, as readable: as it is informative. Leo Black was born in London in 1932 and educated at Wadham College, Oxford. Between 1960 and 1988 he was successively producer, chief producer and executive producer for BBC Radio Music. Since then he has written a series of essays on Schubert for The Musical Times (1997) and Opera Quarterly (1998) and a book, Schubert: Music and Belief (2003), for the Boydell Press. He paid tribute to a former Oxford tutor with his recent study of Edmund: Rubbra, Symphonist (Boydell, 2008). Christopher Wintle (Editor) is a Senior Research Fellow at King's College London. His monograph on Benjamin Britten, All the Gods, was published in 2006 (Plumbago), and he has edited four volumes of writings by Bans Keller and a further two by Hugh Wood and Bayan Northcott respectively.
Author: Leo Black
Publisher: Plumbago Books
ISBN: 9780955608759
Category : Music
Languages : en
Pages : 217
Get Book Here
Book Description
Working under the guidance of Leo Black at the BBC was a seminal time in my musical development. Leo guided me through the epiphanies and thickets of Romantic Lieder, from the long and often Gothic landscapes of Schubert, through' the beautiful, nostalgic reminiscences of Brahms, to the terse, neurotic, brilliant stutters of Wolf. Together, with the intellectual and visionary playing of Viola Tunnard, we three tried to discover the blue flower of Novalis. And we almost did.-Robert Tear BBC Music thrived in the golden and now controversial era from 1959-72 when Sir William Glock was Controller, Radio 3. Leo Black's memoir is not just a well-placed insider's 'factual account of how the Music Programmes Department was organized' at this time and after, but also an astute and witty study of key personalities such as Paul Hamburger, Hans Keller, Robert Simpson and Glock himself. It contains moving character sketches of composers, especially Luigi Dallapiccola, Roberto Gerhard and Hugh Wood, and vignettes of outstanding performers including Heather Harper, Elizabeth Harwood, Janet Baker, Margaret Price, Norma Burrowes, Walter Goelir, John Shirley Quirk, Michael Langdon, Robert Tear, Alfredo Campoli, AndrT Tchaikovsky and others. It ends with a poignant autobiographical essay For those who want to understand the history of the BBC in the post-war years through the eves of a sensitive and articulate musician, this is a key document, as readable: as it is informative. Leo Black was born in London in 1932 and educated at Wadham College, Oxford. Between 1960 and 1988 he was successively producer, chief producer and executive producer for BBC Radio Music. Since then he has written a series of essays on Schubert for The Musical Times (1997) and Opera Quarterly (1998) and a book, Schubert: Music and Belief (2003), for the Boydell Press. He paid tribute to a former Oxford tutor with his recent study of Edmund: Rubbra, Symphonist (Boydell, 2008). Christopher Wintle (Editor) is a Senior Research Fellow at King's College London. His monograph on Benjamin Britten, All the Gods, was published in 2006 (Plumbago), and he has edited four volumes of writings by Bans Keller and a further two by Hugh Wood and Bayan Northcott respectively.
Author: David Addyman
Publisher: Springer
ISBN: 1137542659
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
This book is the first sustained examination of Samuel Beckett’s pivotal engagements with post-war BBC radio. The BBC acted as a key interpreter and promoter of Beckett’s work during this crucial period of his "getting known" in the Anglophone world in the 1950s and 1960s, especially through the culturally ambitious Third Programme, but also by the intermediary of the house magazine, The Listener. The BBC ensured a sizeable but also informed reception for Beckett’s radio plays and various “adaptations” (including his stage plays, prose, and even poetry); the audience that Beckett's works reached by radio almost certainly exceeded in size his readership or theatre audiences at the time. In rethinking several key aspects of his relationship with the BBC, a mix of new and familiar Beckett critics take as their starting point the previously neglected BBC radio archives held at the Written Archive Centre in Caversham, Berkshire. The results of this extended reassessment are timely and, in many cases, quite surprising for readers of Beckett and for scholars of radio, “late modernism,” and post-war British culture more broadly.
Author: Monty Adkins
Publisher: Routledge
ISBN: 1317017226
Category : Music
Languages : en
Pages : 428
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Book Description
More than forty years after the composer's death, the music of Roberto Gerhard (1896-1970) continues to be recorded and performed and to attract international scholarly interest. The Roberto Gerhard Companion is the first full length scholarly work on this composer noted for his sharp intellect and original, exploring mind. This book builds on the outcomes of two recent international conferences and includes contributions by scholars from Spain, the USA and UK. The essays collected here explore themes and trends within Gerhard’s work, using individual or groups of works as case studies. Among the themes presented are the way Gerhard’s work was shaped by his Catalan heritage, his education under Pedrell and Schoenberg, and his very individual reaction to the latter’s teaching and methods, notably Gerhard’s very distinctive approach to serialism. The influence of these and other cultural and literary figures is an important underlying theme that ties essays together. Exiled from Catalonia from 1939, Gerhard spent the remainder of his life in Cambridge, England, composing a string of often ground-breaking compositions, notably the symphonies and concertos composed in the 1950s and 1960s. A particular focus in this book is Gerhard's electronic music. He was a pioneer in this genre and the book will contain the first rigorous studies of this music as well as the first accurate catalogue of this electronic output. His ground-breaking output of incidental music for radio and the stage is also given detailed consideration.
Author: Tony Stoller
Publisher: Springer
ISBN: 3319647105
Category : History
Languages : en
Pages : 305
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Book Description
This book is the first comprehensive account of classical music on all British radio stations, BBC and commercial, between 1945 and 1995. It narrates the shifting development of those services, from before the launch of the Third Programme until after the start of Classic FM, examining the output from both qualitative and quantitative perspectives, as well as recounting some of the stories and anecdotes which enliven the tale. During these fifty years, British classical music radio featured spells of broad, multi-channel classical music radio, with aspirational and mainstream culture enjoying positive interactions, followed by periods of more restricted and exclusive output, in a paradigm of the place of high culture in UK society as a whole. The history was characterised by the recurring tensions between elite and popular provision, and the interplay of demands for highbrow and middlebrow output, and also sheds new light on the continuing relevance of class in Britain. It is an important and unique resource for those studying British history in the second half of the twentieth century, as well as being a compelling and diverting account for enthusiasts for classical music radio.
Author: Sir Nicholas Kenyon
Publisher: Faber & Faber
ISBN: 0571272002
Category : Music
Languages : en
Pages : 508
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Book Description
The music of J.S.Bach has a unique power and attraction some 300 years after it was written. From annual performances of the great Passions and BBC Radio 3's hugely successful Bach Christmas, to its use in adverts, films and popular arrangements, the imaginative strength of Bach's music continues to draw listeners to explore its mysteries. This new Pocket Guide looks at all Bach's music, sacred and secular, and explores why he speaks so profoundly to our age about both the spiritual and the sensual in life. Among the features of this easy-to-use book: The Bach Top Ten Bach: The music work by work Performing Bach today Bach: The life year by year What people said about Bach Accessible and easy to use, Nicholas Kenyon provides for the first time an up-to-date survey of all Bach's major works in the light of the latest research, from Masses to Cantatas, Concertos to Suites, and recommends the best CDs and further reading.
Author: Julian Hellaby
Publisher: Routledge
ISBN: 1317037448
Category : Music
Languages : en
Pages : 266
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Book Description
In this book, Julian Hellaby presents a detailed study of English piano playing and career management as it was in the middle years of the twentieth century. Making regular comparisons with early twenty-first-century practice, the author examines career-launching mechanisms, such as auditions and competitions, and investigates available means of career sustenance, including artist management, publicity outlets, recital and concerto work, broadcasts, recordings and media reviews. Additionally, Hellaby considers whether a mid-twentieth-century school of English piano playing may be identified and, if so, whether it has lasted into the early decades of the twenty-first century. The author concludes with an appraisal of the state of English pianism in recent years and raises questions about its future. Drawing on extensive research from a wide variety of primary and secondary sources, this book is structured around case-studies of six pianists who were commencing and then developing their careers between approximately 1935 and 1970. The professional lives and playing styles of Malcolm Binns, Peter Katin, Moura Lympany, Denis Matthews, Valerie Tryon and David Wilde are examined, and telling comparisons are made between the state of affairs then and that of more recent times. Engagingly written, the book is likely to appeal to professional and amateur pianists, piano teachers, undergraduate and postgraduate music students, academics and anyone with an interest in the history of pianists, piano performance and music performance history in general.
Author: Björn Heile
Publisher: Routledge
ISBN: 131704245X
Category : Music
Languages : en
Pages : 518
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Book Description
Modernism in music still arouses passions and is riven by controversies. Taking root in the early decades of the twentieth century, it achieved ideological dominance for almost three decades following the Second World War, before becoming the object of widespread critique in the last two decades of the century, both from critics and composers of a postmodern persuasion and from prominent scholars associated with the ‘new musicology’. Yet these critiques have failed to dampen its ongoing resilience. The picture of modernism has considerably broadened and diversified, and has remained a pivotal focus of debate well into the twenty-first century. This Research Companion does not seek to limit what musical modernism might be. At the same time, it resists any dilution of the term that would see its indiscriminate application to practically any and all music of a certain period. In addition to addressing issues already well established in modernist studies such as aesthetics, history, institutions, place, diaspora, cosmopolitanism, production and performance, communication technologies and the interface with postmodernism, this volume also explores topics that are less established; among them: modernism and affect, modernism and comedy, modernism versus the ‘contemporary’, and the crucial distinction between modernism in popular culture and a ‘popular modernism’, a modernism of the people. In doing so, this text seeks to define modernism in music by probing its margins as much as by restating its supposed essence.
Author: Philip Ernst Rupprecht
Publisher: Cambridge University Press
ISBN: 0521844487
Category : Art
Languages : en
Pages : 507
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Book Description
The first in-depth historical analysis of British art music post-1945, providing a group-portrait of eleven composers ranging from avant-garde to pop.
Author: Asa Briggs
Publisher: Oxford University Press, USA
ISBN: 9780192159649
Category : Business & Economics
Languages : en
Pages : 1184
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Book Description
Part of a five-volume history of the rise and development of broadcasting in the United Kingdom.
Author: Monty Adkins
Publisher: Cambridge Scholars Publishing
ISBN: 1443874817
Category : Music
Languages : en
Pages : 291
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Book Description
For much of the mid-twentieth century, Roberto Gerhard found himself an outsider. He was airbrushed from much writing on contemporary music in Spain during the Franco regime, and was known in England more for his ‘commercial’ music for theatre, film and radio than his concert works. However, his significance as a musical innovator in developing serial technique and in the field of electro-acoustics is now being gradually recognised in both Spain and England, as well as further afield. The volume explores an extensive range of Gerhard’s work from the early Wind Quintet and the Spanish ballets Pandora and Don Quixote with their overt political overtones, through to the late period Metamorphoses and a newly discovered chance-based composition Claustophilia written in response to a request by John Cage for his book Notations. One of the key themes presented throughout the book is Gerhard’s innovative use of serialism. Gerhard’s development of Schoenberg’s technique led him to explore the serialization of both pitch and time. This volume suggests evidence for the first time that situates Gerhard’s idiosyncratic experiments alongside rather than after the total serialist works of his European counterparts Pierre Boulez, Olivier Messiaen and Karlheinz Stockhausen.
