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Author: Charles Osborne
Publisher: Random House Business Books
ISBN:
Category : Music
Languages : it
Pages : 168
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Book Description
Discusses the background of the opera, synopsis of the plot, music, survey of performances, chronology and major compositions by Verdi.
Author: Charles Osborne
Publisher: Random House Business Books
ISBN:
Category : Music
Languages : it
Pages : 168
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Book Description
Discusses the background of the opera, synopsis of the plot, music, survey of performances, chronology and major compositions by Verdi.
Author: F. Noske
Publisher: Springer Science & Business Media
ISBN: 9401010870
Category : Music
Languages : en
Pages : 428
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Book Description
The studies collected in this volume deal with the interpretation of opera. In most cases the results are based on structural analysis, a concept which may require some clarification in this context. During the past de cade 'structure' and 'structural' have become particularly fashionable terms lacking exact denotation and used for the most divergent purposes. As employed here, structural analysis is concerned with such concepts as 'relationship', 'coherence' and 'continuity', more or less in contrast to formal analysis which deals with measurable material. In other words, I have analysed the structure of an opera by seeking and examining factors in the musico-dramatic process, whereas analysts of form are generally preoccupied with the study of elements contained in the musical object. Though admittedly artificial, the dichotomy of form and structure may elucidate the present situation with regard to the study of opera. Today, nearly one hundred years after the death of Wagner, the proclaimed anti thesis of Oper und Drama is generally taken for what it really was: a means to propagate the philosophy of its inventor. The conception of opera (whether 'continuous' or composed of 'numbers') as a special form of drama is no longer contested. Nevertheless musical scholarship has failed to draw the consequences from this view and few scholars realize the need to study general theory of drama and more specifically the dramatic experience.
Author: Giuseppe Verdi
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : it
Pages : 10
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Book Description
Bb Clarinet part of " Un giorno di regno" (A One-Day Reign, or The Pretend Stanislaus) overture by G. Verdi. Complete transcription for Woodwind Quintet by Enrico Zullino (Flute, Oboe, Bb Clarinet, Horn and Bassoon) advanced level. duration 6.00 min (+-). Score & Parts available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG0597. Un giorno di regno, ossia Il finto Stanislao is an operatic melodramma giocoso in two acts by Giuseppe Verdi to an Italian libretto written in 1818 by Felice Romani. Originally written for the Bohemian composer Adalbert Gyrowetz the libretto was based on the play Le faux Stanislas written by the Frenchman Alexandre-Vincent Pineux Duval in 1808. Un giorno was given its premiere performance at the Teatro alla Scala, Milan on 5 September 1840.
Author: Library of Congress
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 852
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Book Description
Author:
Publisher:
ISBN:
Category : Audiocassettes
Languages : en
Pages : 1132
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Book Description
Author: a cura di Enrico Zullino
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : it
Pages : 9
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Book Description
Bb Bass Clarinet (instead Bassoon) part of " Un giorno di regno" (A One-Day Reign, or The Pretend Stanislaus) overture by G. Verdi. Complete transcription for Woodwind Quintet by Enrico Zullino (Flute, Oboe, Bb Clarinet, Horn and Bassoon) advanced level. duration 6.00 min (+-). Score & Parts available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG0597. Un giorno di regno, ossia Il finto Stanislao is an operatic melodramma giocoso in two acts by Giuseppe Verdi to an Italian libretto written in 1818 by Felice Romani. Originally written for the Bohemian composer Adalbert Gyrowetz the libretto was based on the play Le faux Stanislas written by the Frenchman Alexandre-Vincent Pineux Duval in 1808. Un giorno was given its premiere performance at the Teatro alla Scala, Milan on 5 September 1840.
Author: Gordon D. Thomas
Publisher:
ISBN:
Category : Sound recording industry
Languages : en
Pages : 558
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Book Description
Author: Roberto Curti
Publisher: McFarland
ISBN: 1476635242
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
The Italian Gothic horror genre underwent many changes in the 1980s, with masters such as Mario Bava and Riccardo Freda dying or retiring and young filmmakers such as Lamberto Bava (Macabro, Demons) and Michele Soavi (The Church) surfacing. Horror films proved commercially successful in the first half of the decade thanks to Dario Argento (both as director and producer) and Lucio Fulci, but the rise of made-for-TV products has resulted in the gradual disappearance of genre products from the big screen. This book examines all the Italian Gothic films of the 1980s. It includes previously unpublished trivia and production data taken from official archive papers, original scripts and interviews with filmmakers, actors and scriptwriters. The entries include a complete cast and crew list, plot summary, production history and analysis. Two appendices list direct-to-video releases and made-for-TV films.
Author: Ronnie Apter
Publisher: Bloomsbury Publishing
ISBN: 1472571916
Category : Language Arts & Disciplines
Languages : en
Pages : 309
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Book Description
Translating for Singing discusses the art and craft of translating singable lyrics, a topic of interest in a wide range of fields, including translation, music, creative writing, cultural studies, performance studies, and semiotics. Previously, such translation has most often been discussed by music critics, many of whom had neither training nor experience in this area. Written by two internationally-known translators, the book focusses mainly on practical techniques for creating translations meant to be sung to pre-existing music, with suggested solutions to such linguistic problems as those associated with rhythm, syllable count, vocal burden, rhyme, repetition and sound. Translation theory and translations of lyrics for other purposes, such as surtitles, are also covered. The book can serve as a primary text in courses on translating lyrics and as a reference and supplementary text for other courses and for professionals in the fields mentioned. Beyond academia, the book is of interest to professional translators and to librettists, singers, conductors, stage directors, and audience members.
Author: Pamela Gillilan
Publisher: Bloodaxe Books
ISBN:
Category : Poetry
Languages : en
Pages : 80
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Book Description
Pamela Gillilan was born in London in 1918, married in 1948 and moved to Cornwall in 1951. When she sat down to write her poem Come Away after the death of her husband David, she had written no poems for a quarter of a century. Then came a sequence of incredibly moving elegies. Other poems followed, and two years after starting to write again, she won the Cheltenham Festival poetry competition. Her first collection That Winter (Bloodaxe, 1986) was shortlisted for the Commonwealth Poetry Prize.
