Baudelaire: Selected Writings on Art and Artists PDF Download
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Author: Charles Baudelaire
Publisher:
ISBN:
Category : Art criticism
Languages : en
Pages : 460
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Book Description
Author: Charles Baudelaire
Publisher:
ISBN:
Category : Art criticism
Languages : en
Pages : 460
Get Book Here
Book Description
Author: Charles Baudelaire
Publisher: CUP Archive
ISBN: 9780521282871
Category : Art
Languages : en
Pages : 468
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Book Description
Spine title: Writings on art & artists Includes bibliographical references.
![Selected Writings on Art and Artists [of] Baudelaire PDF](https://books.google.com/books/content/images/frontcover/ENAYAAAAYAAJ?fife=w80-h100)
Author: Charles Baudelaire
Publisher: Penguin Group
ISBN:
Category : Art
Languages : en
Pages : 472
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Book Description
Translated articles illustrating the development of Baudelaire's critical ideas.
Author: Charles Baudelaire
Publisher: Penguin Classics
ISBN:
Category : Art
Languages : en
Pages : 468
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Book Description
Discusses works by great painters such as Delacroix and Ingres. This title features writings on Poe, Flaubert and Gautier.
Author: Charles Baudelaire
Publisher: Cambridge University Press
ISBN: 9780521282871
Category : Literary Criticism
Languages : en
Pages : 464
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Book Description
Before publishing Les Fleurs du Mal in 1857, Baudelaire was probably better known to his contemporaries as a critic than as a poet, and the articles translated here by P. E. Charvet illustrate the development of Baudelaire's critical ideas. The essays cover the visual, literary, and musical arts. From the early 'Salon' of 1846 Baudelaire's commitment to the cause of Delcroix was passionate and unswerving and it remains a theme of a number of these pieces. Baudelaire's literary criticism is represented by, amongst others, the two important articles on Poe, the spirited defence of Madame Bovary published shortly after Flaubert had been acquitted on a charge of offending public morality and the long article on Gautier, to whom Baudelaire dedicated Les Fleurs du Mal. The musician whom Baudelaire admired above all others was Wagner, and the article on Tannhäuser published at the time of the Paris production in 1861 shows his percipience as a critic: with no technical knowledge of music, Baudelaire nevertheless demonstrates an instinctive awareness of the magical power of suggestion in Wagner's music.
Author: Charles Baudelaire
Publisher: David Zwirner Books
ISBN: 9781644230534
Category : Art
Languages : en
Pages : 112
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Book Description
In his introduction to Charles Baudelaire’s Salon of 1846, the renowned art historian Michael Fried presents a new take on the French poet and critic’s ideas on art, criticism, romanticism, and the paintings of Delacroix. Charles Baudelaire, considered a father of modern poetry, wrote some of the most daring and influential prose of the nineteenth century. Prior to publishing international bestseller Les Fleurs du mal (1857), he was already notable as a forthright and witty critic of art and literature. Captivated by the Salons in Paris, Baudelaire took to writing to express his theories on modern art and art philosophy. The Salon of 1846 expands upon the tenets of Romanticism as Baudelaire methodically takes his reader through paintings by Delecroix and Ingres, illuminating his belief that the pursuit of the ideal must be paramount in artistic expression. Here we also see Baudelaire caught in a fundamental struggle with the urban commodity of capitalism developing in Paris at that time. Baudelaire’s text proves to be a useful lens for understanding art criticism in mid-nineteenth-century France, as well as the changing opinions regarding the essential nature of Romanticism and the artist as creative genius. Acclaimed art historian and art critic Michael Fried’s introduction offers a new reading of Baudelaire’s seminal text and highlights the importance of his writing and its relevance to today’s audience.
Author: Yves Bonnefoy
Publisher: University of Chicago Press
ISBN: 9780226064444
Category : Art
Languages : en
Pages : 270
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Book Description
Always fascinated in his poetry by the nature of color and light and the power of the image, Bonnefoy continues to pursue these themes in his discussion of the lure and truth of representation. He sees the painter as a poet whose language is visual, and he seeks to find out what visual artists can teach those who work with words.
![Selected Writings on Art and Artists [of] Beaudelaire, Translated [from the French] with an Introduction by P.E. Charvet PDF](https://books.google.com/books/content/images/frontcover/TFs8swEACAAJ?fife=w80-h100)
Author: Charles Baudelaire
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 460
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Book Description
Author: Charles Baudelaire
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 460
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Book Description
Author: Ainslie Armstrong McLees
Publisher: University of Georgia Press
ISBN: 0820334863
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
Exploring the poet's fascination with the affective power of caricature, Baudelaire's “Argot Plastique” charts the movement in Baudelaire's poetry toward a language of visual distortion. McLees demonstrates that caricature, graphically and culturally a vehicle of sharp wit and social commentary, became in Baudelaire's works a poetic expression of the human condition itself. Using its capacity for deflating commentary to subvert the poetic conventions of his age, transferring its range of subjects into a poetry that celebrated the underclass, Baudelaire ultimately focused the lens of poetic caricature on the relation of subject, artist, and viewer. Richly illustrated with lithographs, etchings, and drawings by Goya, Daumier, Grandville, Gavarni, and other caricaturists, Baudelaire's “Argot Plastique” reveals the importance of caricature as a model for Baudelaire's poetry.
