Author: Christopher Breward
Publisher: Berg 3pl
ISBN:
Category : Business & Economics
Languages : en
Pages : 248
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Book Description
"This book tests the very definition of modernity and enhances our understanding of the role of fashion in the modern world. From top hats to locomotives, dresses to retail outlets, fashion is a prism through which modernity reflects and refracts. Breward and Evans bring together an organic collaboration of voices on this subject. The collection ranges from such topics as James Morrison (1789-1857), the Napoleon of Shopkeepers to dress in the Stuart era The Mannequin Parade, 1900-1925 and clothing the London actress (1860-1914). From the relationship between clothing and forensic sciences, to the play of performance, parasexuality, and the celebrity, Fashion and Modernity offers an enlightening look at fashion and the modern age." http://www.loc.gov/catdir/description/hol053/2004023161.html.
Author: Philippe Perrot
Publisher: Princeton University Press
ISBN: 9780691000817
Category : Business & Economics
Languages : en
Pages : 292
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Book Description
By the middle of the century, men were prompted to disdain the decadent and gaudy colors of the pre-Revolutionary period and wear unrelievedly black frock coats suitable to the manly and serious world of commerce. Their wives and daughters, on the other hand, adorned themselves in bright colors and often uncomfortable and impractical laces and petticoats, to signal the status of their family.
Author: Anne Hollander
Publisher: Univ of California Press
ISBN: 9780520082311
Category : Art
Languages : en
Pages : 538
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Book Description
In this generously illustrated book, Anne Hollander examines the representation of the body and clothing in Western art, from Greek sculpture and vase painting through medieval and renaissance portraits, to contemporary films and fashion photography. First published ahead of its time, this book has become a classic.
Author: Tamar Garb
Publisher: Thames & Hudson
ISBN: 9780500018422
Category : Art
Languages : en
Pages : 240
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Book Description
BODIES OF MODERNITY explores the ways in which men's and women's bodies were represented in late 19th-century France. A series of case studies looks at well-known works by Cezanne, Renoir, and Seurat with new interpretation, while lesser-known works are considered seriously for the first time. 140 illustrations, 14 in color.
Author: Elizabeth Kolbinger Menon
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 368
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Book Description
'Evil be Design' documents the search for the origins of the iconic 'femme fatale'. This text uses popular sources to make the critical link between the femme fatale and the rise of feminism.
Author: Carol M. Armstrong
Publisher: Yale University Press
ISBN: 9780300096583
Category : Art
Languages : en
Pages : 420
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Book Description
Manet, a founding father of modernism, is one of the towering figures of 19th-century art. In this volume, Carol Armstrong looks closely at Manet's works to uncover a view not only of the artist but also of modernity itself. As she places his art within frameworks of colour, the feminine Other (the Manette in Manet), and consumerism, Armstrong seeks to expand and revise our understanding of this artist as a painter of modern life.
Author: Ulrich Lehmann
Publisher: MIT Press
ISBN: 9780262621717
Category : Architecture
Languages : en
Pages : 586
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Book Description
The history of modernity written as a philosophy if fashion, set in the cultural framework of Paris.
Author: Victoria de Grazia
Publisher: Univ of California Press
ISBN: 0520916778
Category : History
Languages : en
Pages : 446
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Book Description
This volume brings together the most innovative historical work on the conjoined themes of gender and consumption. In thirteen pioneering essays, some of the most important voices in the field consider how Western societies think about and use goods, how goods shape female, as well as male, identities, how labor in the family came to be divided between a male breadwinner and a female consumer, and how fashion and cosmetics shape women's notions of themselves and the society in which they live. Together these essays represent the state of the art in research and writing about the development of modern consumption practices, gender roles, and the sexual division of labor in both the United States and Europe. Covering a period of two centuries, the essays range from Marie Antoinette's Paris to the burgeoning cosmetics culture of mid-century America. They deal with topics such as blue-collar workers' survival strategies in the interwar years, the anxieties of working-class consumers, and the efforts of the state to define women's—especially wives' and mothers'—consumer identity. Generously illustrated, this volume also includes extensive introductions and a comprehensive annotated bibliography. Drawing on social, economic, and art history as well as cultural studies, it provides a rich context for the current discourse around consumption, particularly in relation to feminist discussions of gender.
Author: Daniel L. Purdy
Publisher: U of Minnesota Press
ISBN: 9780816643936
Category : Design
Languages : en
Pages : 355
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Book Description
Writing more than a century before Vogue, no less a figure than G. W. F. Hegel reviewed the fashion of his day and found it wanting because, in becoming outmoded so quickly, it drew attention away from the timeles beauty of the human form. For more than 250 years, social thinkers have considered fashion - its transitive nature, the conformity it inspires, the vast range of its influence - as a defining feature of modern life.
Author: Ruth E. Iskin
Publisher: Cambridge University Press
ISBN: 9781107672468
Category : Art
Languages : en
Pages : 0
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Book Description
This book examines the encounter between Impressionist painting and Parisian consumer culture. Its analysis of Impressionist paintings depicting women as consumers, producers, or sellers in sites such as the millinery boutique, theater, opera, café-concert and market revises our understanding of the representation of women in Impressionist painting, from women¹s exclusion from modernity to their inclusion in its public spaces, and from the privileging of the male gaze to a plurality of gazes. Ruth E. Iskin demonstrates that Impressionist painting addresses and represents women in active roles, and not only as objects on display, and probes the complex relationship between the Parisienne, French fashion, and national identity. She analyzes Impressionist representations of commodity displays and of signs of consumer culture such as advertising and shop fronts in views of Paris. Incorporating a wide range of nineteenth-century literary and visual sources, Iskin situates Impressionist painting in the culture of consumption and suggests new ways of understanding the art and culture of nineteenth-century Paris. Ruth E. Iskin holds a PhD from UCLA. She has received the Andrew W. Mellon fellowship at the Penn Humanities Forum. Her publications include essays in The Art Bulletin, Discourse, and Nineteenth-Century Contexts. She teaches art history and visual culture at the Ben-Gurion University of the Negev in Israel.
