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Author: Phillip W. Stewart
Publisher: PMS Press
ISBN:
Category : History
Languages : en
Pages : 174
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Book Description
Author: Phillip W. Stewart
Publisher: PMS Press
ISBN:
Category : History
Languages : en
Pages : 174
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Book Description
Author: Nick Deocampo
Publisher: Anvil Publishing, Inc.
ISBN: 971272896X
Category : Performing Arts
Languages : en
Pages : 550
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Book Description
This book is a sequel to Cine: Spanish Influences on Early Cinema in the Philippines, and part of Nick Deocampo’s extensive research on Philippine cinema. Tracing the beginnings of motion pictures from its Spanish roots, this book advances Deocampo’s scholarly study of cinema’s evolution in the hands of Americans.
Author: Jonathan Kahana
Publisher: Oxford University Press
ISBN: 0199739641
Category : Art
Languages : en
Pages : 1057
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Book Description
The documentary film reader' brings together an expansive range of writing by scholars, critics, historians, and filmmakers to provide a stimulating foundational text for students and others who want to undertake study of nonfiction film. While documentary has long been a mainstay of universities and cinematheques, its popularity of late has grown tenfold as reality television has flourished and as the ranks of novice filmmakers have swelled. There are now dozens of film festivals dedicated exclusively to documentaries. This reader presents an international perspective on the most significant developments and debates from several decades of critical writing about documentary. It integrates historical and theoretical approaches, offering a collection that is particularly well suited to meet the needs of large undergraduate survey courses on nonfiction film, as well as providing sufficient depth for graduate classes.
Author: Wheeler Winston Dixon
Publisher: Rutgers University Press
ISBN: 0813595142
Category : Performing Arts
Languages : en
Pages : 558
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Book Description
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Author: Robert Winklareth
Publisher: Casemate
ISBN: 1612001351
Category : History
Languages : en
Pages : 334
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Book Description
This detailed analysis of the WWII naval battle by the acclaimed historian and mechanical engineer reveals new insight into the Bismarck’s victory. In the spring of 1942, Nazi Germany unleashed its behemoth battleship Bismarck against the British in the Battle of the Denmark Strait. Bismarck destroyed the pride of the Royal Navy, HMS Hood, and severely damaged its newest battleship, HMS Prince of Whales. The decisive victory resonated both in Whitehall and Berlin—and yet there continues to be controversy as to how the conflict was actually fought. The Battle of the Denmark Strait offers a detailed technical analysis of combat circumstances, while new discoveries, revealed for the first time in this book, shed light on the battle. With a close examination of naval gunnery, from the various gun systems to the flight time of shells to their target, historian and mechanical engineer Robert Winklareth has painstakingly reconstructed the battle. He also explores events leading up to the titanic clash, as well as its aftermath.
Author: Jeff Codori
Publisher: McFarland
ISBN: 1476638292
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
The period in film history between the regimentation of the Edison Trust and the vertical integration of the Studio System--roughly 1916 through 1920--was a time of structural and artistic experimentation for the American film industry. As the nature of the industry was evolving, society around it was changing as well; arts, politics and society were in a state of flux between old and new. Before the major studios dominated the industry, droves of smaller companies competed for the attention of the independent exhibitor, their gateway to the movie-goer. Their arena was in the pages of the trade press, and their weapons were their advertisements, often bold and eye-catching. The reporting of the trade journals, as they witnessed the evolution of the industry from its infancy towards the future, is the basis of this history. Pulled from the pages of the journals themselves as archived by the Media History Digital Library, the observations of the trade press writers are accompanied by cleaned and restored advertisements used in the battle among the young film companies. They offer a unique and vital look at this formative period of film history.
Author: Hugo Letiche
Publisher: BRILL
ISBN: 900439012X
Category : Education
Languages : en
Pages : 266
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Book Description
Turn to Film: Film in the Business School offers creative and powerful uses of film in the business school classroom and surveys the pedagogical and performative value of watching films with students.
Author: Nicholas Reeves
Publisher: A&C Black
ISBN: 0826473903
Category : Social Science
Languages : en
Pages : 273
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Book Description
Explores five case studies in Britain, the USSR, Germany and Italy to determine whether or not propaganda films reached the audiences at which they were targeted, and where they did, whether the films made the impact on those audiences that the propagandists had expected.
Author: Tatʹi︠a︡na K. Egorova
Publisher: Psychology Press
ISBN: 9783718659104
Category : Music
Languages : en
Pages : 534
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Book Description
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Tatiana Egorova
Publisher: Routledge
ISBN: 1134377185
Category : Performing Arts
Languages : en
Pages : 326
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Book Description
In the years 1917 to 1991, despite unfavorable prevailing conditions, there were outstanding achievements in the music created for the cinema in the Soviet Union. Perhaps in no other country was film music associated with so many distinguished composers: Sergei Prokofiev, Dmitry Shostakovich, Isaak Dunayevsky, Georgy Sviridov, Aram Khachaturian, Alfred Schnittke, Nikolai Karetnikov, Edward Artemyev, Edison Denisov, and Sofia Gubaidulina. They were ready to accept film directors' invitations because they considered the cinema to be a perfect laboratory for testing the concepts and themes for future operas, symphonies, oratorios, and other large-scale compositions. A remarkable characteristic of Soviet film music was the appearance of successful director - composer collaborations, such as the famous 'duets' of Eisenstein - Prokofiev, Kozintsev - Shostakovich and Tarkovsky - Artemyev. This fascinating volume is the first attempt at a historical analysis of Soviet film music - a unique and full
