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Author: Batia Suter
Publisher:
ISBN: 9789492811233
Category : Appropriation (Art)
Languages : en
Pages : 296
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Book Description
The imagery in this book, which revolves around radial shapes and concepts, also forms the basis of a video work in the exhibition. Specific for the book is the use of two separate layers of black ink, allowing Suter to create double images and to merge patterns and screens. Departing from pages scanned from her collection of second hand tomes--mainly concerning natural science, precision machinery, and art history--Suter freely manipulates them and reorders them within the space of a book, which can be seen as a condensed exhibition on paper. The result is a journey along visual phenomena that reconnects us with the endless curiosity and patience of our younger selves leafing through an encyclopedia, unattended and unable to read, yet all the more sensitive to its inner visual rhymes and correspondences. With a text by Henri Michaux from 1968 [in English translation and French].
Author: Batia Suter
Publisher:
ISBN: 9789492811233
Category : Appropriation (Art)
Languages : en
Pages : 296
Get Book Here
Book Description
The imagery in this book, which revolves around radial shapes and concepts, also forms the basis of a video work in the exhibition. Specific for the book is the use of two separate layers of black ink, allowing Suter to create double images and to merge patterns and screens. Departing from pages scanned from her collection of second hand tomes--mainly concerning natural science, precision machinery, and art history--Suter freely manipulates them and reorders them within the space of a book, which can be seen as a condensed exhibition on paper. The result is a journey along visual phenomena that reconnects us with the endless curiosity and patience of our younger selves leafing through an encyclopedia, unattended and unable to read, yet all the more sensitive to its inner visual rhymes and correspondences. With a text by Henri Michaux from 1968 [in English translation and French].
Author:
Publisher:
ISBN: 9789492811592
Category :
Languages : en
Pages : 256
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Book Description
This volume is published on the occasion of Batia Suter?s exhibition at the Mauvoisin Dam in Switzerland. Suter focuses on her ever-expanding archive of scanned landscape images, which has already played an important role in her earlier publications. Many of the images depict wastelands, alternating between romantic and menacing views which create simultaneous sensations of majesty and disorientation. Through layering, a variety of disparate geological and biological environments merge into composite, dreamlike landscapes in a kind of adventurous journey. The book?s title is derived from the term ?Hexameter?, a poetic form of writing used in Homer?s ?Odyssey?. 00Exhibition: Musée de Bagnes & Mauvoisin Dam, Verbier, Switzerland (15.06.-29.09.2019).
Author: Dieter Roelstraete
Publisher:
ISBN: 9789077459645
Category : Landscape photography
Languages : en
Pages : 237
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Book Description
Surface Series - created by Batia Suter between 2008 and 2011 - contains images and fragments from other books. The recurrent use of photographic images is a common denominator in the work of Suter. Since the 1990s she makes use of enlarged photographic images to cover entire walls of exhibition spaces, exploring trompe loeil effects and the relationship between the inside and outside of those spaces. In the same way she makes her books, like specific exhibitions on paper.
Author:
Publisher:
ISBN: 9789492811981
Category :
Languages : en
Pages :
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Book Description
Author: Sabine Rewald
Publisher: Metropolitan Museum of Art
ISBN: 1588396002
Category : Art
Languages : en
Pages : 162
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Book Description
In December 1950, the German Expressionist Max Beckmann set out from his Manhattan apartment to see his Self-Portrait in Blue Jacket, on view at The Met, when he suffered a fatal heart attack. Inspired by the poignant circumstances of the artist’s death, Max Beckmann in New York focuses on 40 beautifully illustrated works that Beckmann painted in the city during the last 16 months of his life, as well as earlier works in New York collections. An informative and accessible essay by art historian Sabine Rewald, as well as detailed catalogue entries for each work and generous excerpts from the artist’s letters, diaries, and ephemera, illuminate Beckmann’s difficult and tumultuous life and make this an essential volume for anyone interested in the artist.
Author: Rodger Binyone
Publisher:
ISBN: 9781945509193
Category :
Languages : en
Pages : 32
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Book Description
Master of psychedelic mechanics Rodger Binyone presents Miffed Ruffianz: 32 neon Pantone pages following the blazzzed up, burned out, over-medium Sci-Fi Punk Maniacz taking the localz by storm. Retro-future rock band shredz & medz it's way to battle sworn rivalz, laying waste to the Regularz along the way. Limited printing of 1,000.
Author: Johanna Drucker
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 404
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Book Description
"Over the last ten years this book has become the definitive text in an emergent field: teachers, librarians, students, artists, and readers turn to the expertise contained on these pages every day."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Michael Duncan
Publisher:
ISBN: 9781942884873
Category :
Languages : en
Pages : 240
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Book Description
Abstract painting meets theosophical spirituality in 1930s New Mexico: the first book on a radical, astonishingly prescient episode in American modernism Founded in Santa Fe and Taos, New Mexico, in 1938, at a time when social realism reigned in American art, the Transcendental Painting Group (TPG) sought to promote abstract art that pursued enlightenment and spiritual illumination. The nine original members of the Transcendental Painting Group were Emil Bisttram, Robert Gribbroek, Lawren Harris, Raymond Jonson, William Lumpkins, Florence Miller Pierce, Agnes Pelton, Horace Towner Pierce and Stuart Walker. They were later joined by Ed Garman. Despite the quality of their works, these Southwest artists have been neglected in most surveys of American art, their paintings rarely exhibited outside of New Mexico. Faced with the double disadvantage of being an openly spiritual movement from the wrong side of the Mississippi, the TPG has remained a secret mostly known only to cognoscenti. Another World: The Transcendental Painting Group aims to address this slight, claiming the group's artists as crucial contributors to an alternative through-line in 20th-century abstraction, one with renewed relevance today. This volume provides a broad perspective on the group's work, positioning it within the history of modern painting and 20th-century American art. Essays examine the TPG in light of their international artistic peers; their involvement with esoteric thought and Theosophy; the group's sources in the culture and landscape of the American Southwest; and the experience of its two female members.
Author:
Publisher:
ISBN: 9783945900208
Category : Art
Languages : en
Pages :
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Book Description
The artists? book 'How To Shoplift Books' by David Horvitz is a guide on how to steal books. It details 80 ways in which one can steal a book, from the very practical, to the witty, imaginative, and romantic ways. Originally published in 2013, this paperback re-issue is making this sought after title available again and is published in an English, Spanish and French version. 17 more languages will be released successively.
Author: Kara Walker
Publisher:
ISBN: 9789491843990
Category : African American women
Languages : en
Pages :
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Book Description
Kara Walker began this sketchbook in Munich in 1999, when she was 29 years old. Like most sketchbooks it served as a portal between the real world and the realm of her imagination. Although it was never intended to be shared, nevertheless quite a bit of ?work? came out of this particular book, including the installation ?Insurrection! (Our Tools Were Rudimentary, Yet We Pressed On)?, which is in the collection of the Guggenheim Museum. However, that is an exception to the rule. For the most part the pages in this sketchbook reflect uneasy, unrefined, unfinished thoughts and anxieties, written and drawn with no objectives, no ulterior motives, and no filters.
