Basics Film-Making 04: The Language of Film PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Basics Film-Making 04: The Language of Film PDF full book. Access full book title Basics Film-Making 04: The Language of Film by Robert Edgar-Hunt. Download full books in PDF and EPUB format.
Author: Robert Edgar-Hunt
Publisher: AVA Publishing
ISBN: 2940411271
Category : Art
Languages : en
Pages : 195
Get Book Here
Book Description
Basics Film-Making: The Language of Film presents complex ideas in a clear and straightforward style, enabling you to apply these ideas to your own analysis or film-making. --
Author: Robert Edgar-Hunt
Publisher: AVA Publishing
ISBN: 2940411271
Category : Art
Languages : en
Pages : 195
Get Book Here
Book Description
Basics Film-Making: The Language of Film presents complex ideas in a clear and straightforward style, enabling you to apply these ideas to your own analysis or film-making. --
Author: Robert Edgar
Publisher: Bloomsbury Publishing
ISBN: 1472575245
Category : Art
Languages : en
Pages : 217
Get Book Here
Book Description
Beautifully illustrated with stills from feature films and short films, The Language of Film is an engaging introduction to the means by which film communicates meaning to its audience.
Author: Robert Edgar-Hunt
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Basics Film-Making: The Language of Film explores the means by which film communicates meaning to its audience. Despite the fact that most films are a mosaic of fractured images and fragmented narratives, we have little problem piecing them together into a complete, meaningful sequence. This book examines how films communicate. It discusses the stories they tell, the sign-systems they deploy, the interpretive contexts we are invited to place them in, and the range of aesthetic elements which contribute to the cinematic image. Each of these 'channels of communication' has developed its own conventions and standards, which are illustrated with contemporary examples from popular film, low-budget shorts and student work. Each chapter concludes with a case study, in which key ideas are seen in context within a particular film, or a specific scene. Basics Film-Making: The Language of Film presents complex ideas in a clear and straightforward style, enabling students to apply these ideas to their own analysis or film-making.
Author: Leon Hunt
Publisher: Bloomsbury Publishing
ISBN: 0857723502
Category : Performing Arts
Languages : en
Pages : 290
Get Book Here
Book Description
The vampire and the zombie, the two most popular incarnations of the undead, are brought together for a forensic critical investigation in Screening the Undead. Both have a long history in popular fiction, film, television, comics and games; the vampire also remains central to popular culture today, from literary 'paranormal romance' to cult TV and movie franchises - by turns romantic, tortured, grotesque, countercultural, a goth icon or lonely outsider. The zombie can shamble or, nowadays, sprint with alarming velocity, and even dance. It frequently lends itself to metaphor and can stand in for fascism or ecological disaster, but is perhaps most frequently a harbinger and instrument of the apocalypse. Leading writers on Horror and cult media consider the sexy vampire and the grotesque zombie, as well as hybrid figures who do not fit neatly into either category. These are examined across a range of contexts, from the Swedish vampire to the Afro-American Blacula, from the lesbian vampire to the gay zombie, from the Spanish Knights Templar riding skeletal horses to dancing Japanese zombies. Screening the Undead sheds new light on these two icons of terror - and desire - whose popular longevity has taken them 'Beyond Life'.
Author: David Bordwell
Publisher: Routledge
ISBN: 1134988095
Category : History
Languages : en
Pages : 791
Get Book Here
Book Description
Acclaimed for its breakthrough approach and its combination of theoretical analysis and empirical evidence, this is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s.
Author: Paula Willoquet-Maricondi
Publisher: Scarecrow Press
ISBN: 0810862271
Category : Art
Languages : en
Pages : 447
Get Book Here
Book Description
Since the 1960s, British multi-media artist Peter Greenaway has shocked and intrigued audiences with his avant-garde approach to filmmaking and other artistic ventures. From early experimental films to provocative features, Greenaway has deployed strategies associated with structuralist cinema, only to challenge or critique the very limits of that cinema and of film in general. In this collection of essays, scholars from a variety of disciplines explore various postmodern and poststructuralist aspects of Greenaway's films, starting with his early shorts and delving into his feature-length works, including The Draughtman's Contract, The Belly of an Architect, A Zed and Two Noughts, The Cook, the Thief, His Wife and Her Lover, The Baby of M%con, and The Pillow Book. Other artistic productions, including his paintings and installations are also discussed. These essays examine the filmmaker's position within British and avant-garde cinema and his interest in constructing and deconstructing representational systems. In the years since the first edition of this book, Greenaway has enjoyed continued success in creating hybridized media projects for the stage and screen, as evidenced by additional essays for this revised edition. A new chapter addresses how Dutch political events and Dutch art have been crucial in shaping Greenaway's aesthetic, focusing on The Draughtsman's Contract, the 1991 opera Writing to Vermeer, and Nightwatching, the audio-visual installation and 2007 film of the same name, which were inspired by Rembrandt's Night Watch. Also new to this collection is an essay that examines Greenaway's most ambitious endeavor to date, The Tulse Luper Suitcases, which exists as four feature films, multiple websites, an online game, several books and installations, and a number of theatrical events. Peter Greenaway's Postmodern/Poststructuralist Cinema, Revised Edition explores the cultural, historical, and philosophical implications of this hybrid artist whose paintings, drawings, exhibitions, installations, and operatic productions are an intrinsic part of his work in film. This collection of diverse essays, which includes two texts by Greenaway, two interviews with the director, and a revised filmography, will interest students, teachers, critics and lovers of both postmodern art and cinema.
Author:
Publisher:
ISBN:
Category : Films for the hearing impaired
Languages : en
Pages : 208
Get Book Here
Book Description
Author: Khadijeh Habashneh
Publisher: Springer Nature
ISBN: 3031188586
Category : Social Science
Languages : en
Pages : 238
Get Book Here
Book Description
This book consists of an account of the creation of the Palestine Film Unit (PFU) and its founding members, from the photography department in the early years of the Palestinian revolution (1967-1968), to its evolution in the mid-1970’s into the Palestinian Cinema Institution. Khadijeh Habashneh weaves her own memories into excerpts from letters and other communications of survivors, friends and PFU family members, with writings by scholars who analyzed the work and the contributions of this remarkable film movement (from the late 1960’s to early 1980’s). As such it offers a unique perspective on this aspect of Palestine film history that ended in the loss of its archive in the mid 1980’s, providing details that have not been previously published in English.
Author: Library of Congress
Publisher:
ISBN:
Category : Filmstrips
Languages : en
Pages : 712
Get Book Here
Book Description
Author: J.R Rollwagen
Publisher: Routledge
ISBN: 1134332106
Category : Social Science
Languages : en
Pages : 413
Get Book Here
Book Description
First Published in 1988. Visual Anthropology is a book series devoted to the illumination of the human condition through a systematic examination of all that is made to be seen. It is our intention to demonstrate the value of an anthropological approach to the study of the visual and pictorial world. The anthropological filmmaker, just like the ethnographer, must be content to present something about a dynamic process at a particular moment in time regardless of the fact that all of the variables are constantly in flux. The purpose of this work is to make available a collection of articles by individuals who are both anthropologists and filmmakers.
