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Author: Andrés Pérez-Simón
Publisher: Routledge
ISBN: 1000766578
Category : Literary Criticism
Languages : en
Pages : 162
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Book Description
Baroque Lorca: An Archaist Playwright for the New Stage defines Federico García Lorca’s trajectory in the theater as a lifelong search for an audience. It studies a wide range of dramatic writings that Lorca created for the theater, in direct response to the conditions of his contemporary industry, and situates the theory and praxis of his theatrical reform in dialogue with other modernist renovators of the stage. This book makes special emphasis on how Lorca engaged with the tradition of Spanish Baroque, in particular with Cervantes and Calderón, to break away from the conventions of the illusionist stage. The five chapters of the book analyze Lorca’s different attempts to change the dynamics of the Spanish stage from 1920 to his assassination in 1936: His initial incursions in the arenas of symbolist and historical drama (The Butterfly’s Evil Spell, Mariana Pineda); his interest in puppetry (The Billy-Club Puppets and In the Frame of Don Cristóbal) and the two ‘human’ farces The Shoemaker’s Prodigious Wife and The Love of Don Perlimplín and Belisa in the Garden; the central piece in his project of ‘impossible’ theater (The Public); his most explicitly political play, one that takes the violence to the spectators’ seats (The Dream of Life); and his three plays adopting, an altering, the contemporary formula of ‘rural drama’ (Blood Wedding, Yerma and The House of Bernarda Alba). Chapter 5 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Author: Andrés Pérez-Simón
Publisher: Routledge
ISBN: 1000766578
Category : Literary Criticism
Languages : en
Pages : 162
Get Book Here
Book Description
Baroque Lorca: An Archaist Playwright for the New Stage defines Federico García Lorca’s trajectory in the theater as a lifelong search for an audience. It studies a wide range of dramatic writings that Lorca created for the theater, in direct response to the conditions of his contemporary industry, and situates the theory and praxis of his theatrical reform in dialogue with other modernist renovators of the stage. This book makes special emphasis on how Lorca engaged with the tradition of Spanish Baroque, in particular with Cervantes and Calderón, to break away from the conventions of the illusionist stage. The five chapters of the book analyze Lorca’s different attempts to change the dynamics of the Spanish stage from 1920 to his assassination in 1936: His initial incursions in the arenas of symbolist and historical drama (The Butterfly’s Evil Spell, Mariana Pineda); his interest in puppetry (The Billy-Club Puppets and In the Frame of Don Cristóbal) and the two ‘human’ farces The Shoemaker’s Prodigious Wife and The Love of Don Perlimplín and Belisa in the Garden; the central piece in his project of ‘impossible’ theater (The Public); his most explicitly political play, one that takes the violence to the spectators’ seats (The Dream of Life); and his three plays adopting, an altering, the contemporary formula of ‘rural drama’ (Blood Wedding, Yerma and The House of Bernarda Alba). Chapter 5 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Author: Andrew A. Anderson
Publisher: LSU Press
ISBN: 0807183245
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Critical and historical discussions of the life and work of Federico García Lorca, Spain’s foremost poet and playwright of the twentieth century, often obscure the author’s more avant-garde dramatic works. In Lorca’s Experimental Theater, Andrew A. Anderson focuses on four of Lorca’s most challenging plays—Amor de don Perlimplín con Belisa en su jardín, El público, Así que pasen cinco años, and El sueño de la vida (previously known as Comedia sin título)—and on the surrounding context in which they came to be written and in only one case performed during his lifetime. While none of Lorca’s plays can be considered conventional, these four works stand out in his corpus for challenging theatrical conventions most forcefully, both thematically and technically. With discussions of stagecraft, artistic modernism, and the historical avant-garde, Lorca’s Experimental Theater provides detailed interpretive readings of the four plays, surveys their textual and performative history, and examines the most important contemporary influences on Lorca’s creation of these expressive, innovative works.
Author: Silvina Schammah Gesser
Publisher: Liverpool University Press
ISBN: 1836240929
Category : Art
Languages : en
Pages : 361
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Book Description
This book explores the role played by artists and intellectuals who constructed and disseminated various competing images of national identity which polarized Spanish society prior to the Civil War. The convergence of modern and essentialist discourses and practices, especially in literature and poetry, in what is conventionally called in Spanish letters "The Generation of '27", created fissures between competing views of aesthetics and ideology that cut across political affiliation. Silvina Schammah exposes the paradoxes facing Madrid's cultural vanguards, as they were torn by their ambition for universality, cosmopolitanism and transcendence on the one hand and by the centripetal forces of nationalistic ideologies on the other. Taking upon themselves roles to become the disseminators and populizers of radical positions and world-views first elaborated and conducted by the young urban intelligentsia, their proposed aim of incorporating diverse identities embedded in different cultural constructions and discourse was to have very real and tragic consequences as political and intellectual lines polarized in the years prior to the Spanish Civil War.
Author: Lois Parkinson Zamora
Publisher: Duke University Press
ISBN: 0822392526
Category : Literary Criticism
Languages : en
Pages : 690
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Book Description
Baroque New Worlds traces the changing nature of Baroque representation in Europe and the Americas across four centuries, from its seventeenth-century origins as a Catholic and monarchical aesthetic and ideology to its contemporary function as a postcolonial ideology aimed at disrupting entrenched power structures and perceptual categories. Baroque forms are exuberant, ample, dynamic, and porous, and in the regions colonized by Catholic Europe, the Baroque was itself eventually colonized. In the New World, its transplants immediately began to reflect the cultural perspectives and iconographies of the indigenous and African artisans who built and decorated Catholic structures, and Europe’s own cultural products were radically altered in turn. Today, under the rubric of the Neobaroque, this transculturated Baroque continues to impel artistic expression in literature, the visual arts, architecture, and popular entertainment worldwide. Since Neobaroque reconstitutions necessarily reference the European Baroque, this volume begins with the reevaluation of the Baroque that evolved in Europe during the late nineteenth century and the early twentieth. Foundational essays by Friedrich Nietzsche, Heinrich Wölfflin, Walter Benjamin, Eugenio d’Ors, René Wellek, and Mario Praz recuperate and redefine the historical Baroque. Their essays lay the groundwork for the revisionist Latin American essays, many of which have not been translated into English until now. Authors including Alejo Carpentier, José Lezama Lima, Severo Sarduy, Édouard Glissant, Haroldo de Campos, and Carlos Fuentes understand the New World Baroque and Neobaroque as decolonizing strategies in Latin America and other postcolonial contexts. This collection moves between art history and literary criticism to provide a rich interdisciplinary discussion of the transcultural forms and functions of the Baroque. Contributors. Dorothy Z. Baker, Walter Benjamin, Christine Buci-Glucksmann, José Pascual Buxó, Leo Cabranes-Grant, Haroldo de Campos, Alejo Carpentier, Irlemar Chiampi, William Childers, Gonzalo Celorio, Eugenio d’Ors, Jorge Ruedas de la Serna, Carlos Fuentes, Édouard Glissant, Roberto González Echevarría, Ángel Guido, Monika Kaup, José Lezama Lima, Friedrich Nietzsche, Mario Praz, Timothy J. Reiss, Alfonso Reyes, Severo Sarduy, Pedro Henríquez Ureña, Maarten van Delden, René Wellek, Christopher Winks, Heinrich Wölfflin, Lois Parkinson Zamora
Author: Monika Kaup
Publisher: University of Virginia Press
ISBN: 0813933145
Category : Literary Criticism
Languages : en
Pages : 434
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Book Description
In a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, Monika Kaup examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As "neobaroque" comes to the forefront of New World studies, attention to transcultural dynamics is overturning the traditional scholarship that confined the baroque to a specific period, class, and ideology in the seventeenth century. Reflecting on the rich, nonlinear genealogy of baroque expression, Neobaroque in the Americas envisions the baroque as an anti-proprietary expression that brings together seemingly disparate writers and artists and contributes to the new studies in global modernity.
Author: Jonathan Mayhew
Publisher: Routledge
ISBN: 0429941544
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
In Lorca’s Legacy, Jonathan Mayhew explores multiple aspects of the creative and critical afterlife of Federico García Lorca, the most internationally recognized Spanish poet and playwright of the twentieth century. Lorca is an iconic and charismatic figure who has evoked the admiration and fascination of musicians, poets, painters, and playwrights across the world since his tragic assassination by right-wing forces in 1936, at the onset of the Spanish Civil War. This volume ranges widely, discussing his influence on American theater, his much-debated lecture on the duende, his delayed encounter with queer theory, his influence on contemporary Spanish poetry, and other relevant topics. The critical literature on Lorca is vast, and original contributions are comparatively rare, but Mayhew has found a way to shed fresh light on his legacy by looking with a critical eye at the creative transformations of his life and work, both in Spain and abroad. Lorca’s Legacy celebrates the wealth of material inspired by Lorca, bringing to bear a sophisticated, theoretically informed critical perspective. This book will be of enormous interest to anyone interested in the international projection of Spanish literature, or anyone who has felt the fascination of Lorca’s duende.
Author: Silvina Schammah Gesser
Publisher: Liverpool University Press
ISBN: 1782842411
Category : Art
Languages : en
Pages : 479
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Book Description
Explores the role played by artists and intellectuals who constructed and disseminated various competing images of national identity which polarised Spanish society prior to the Civil War. This title exposes the paradoxes facing Madrid's cultural vanguards.
Author: Christian Bancroft
Publisher: Routledge
ISBN: 1000078116
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
Queering Modernist Translation explores translations by Ezra Pound, Langston Hughes, and H.D. through the concept of queering translation. As Bancroft argues, queering translation is an intersectional lens for gleaning identity and socio-cultural issues in translation, such as gender, sexuality, diaspora, and race. Using theories espoused by Jack Halberstam, José Esteban Muñoz, Elizabeth Grosz, Sara Ahmed, and Rinaldo Walcott as foundations for his arguments, Bancroft demonstrates that queering translation offers more expansive ways of imagining the relationship between translation and the identities, cultures, and societies that produce them. Intervening in new Modernist studies and translation studies, Queering Modernist Translation furthers contemporary conversations regarding Modernism and its lasting importance in the twenty-first century.
Author: Herbert Ramsden
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 148
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Book Description
Author: Esther Fernández
Publisher: Vanderbilt University Press
ISBN: 0826501818
Category : Performing Arts
Languages : en
Pages : 316
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Book Description
Winner of the Vern Williamsen Comedia Book Prize, Association for Hispanic Classical Theater, 2023 Winner of the Nancy Staub Award, UNIMA-USA (Union Internationale de la Marionnette), 2023 In its exploration of puppetry and animation as the performative media of choice for mastering the art of illusion, To Embody the Marvelous engages with early modern notions of wonder in religious, artistic, and social contexts. From jointed, wood-carved figures of Christ, saintly marionettes that performed hagiographical dramas, experimental puppets and automata in Cervantes' Don Quixote, and the mechanical sets around which playwright Calderón de la Barca devised secular magic shows to deconstruct superstitions, these historical and fictional artifacts reenvisioned religious, artistic, and social notions that led early modern society to critically wrestle with enchantment and disenchantment. The use of animated performance objects in Spanish theatrical contexts during the sixteenth and seventeenth centuries became one of the most effective pedagogical means to engage with civil society. Regardless of social strata, readers and spectators alike were caught up in a paradigm shift wherein belief systems were increasingly governed by reason—even though the discursive primacy of supernatural doxa and Christian wonder remained firmly entrenched. Thanks to their potential for motion, religious and profane puppets, automata, and mechanical stage props deployed a rationalized sense of wonder that illustrates the relationship between faith and reason, reevaluates the boundaries of fiction in art and entertainment cultures, acknowledges the rise of science and technology, and questions normative authority.
