Author: Otis T. Mason
Publisher:
ISBN:
Category : Bow and arrow
Languages : en
Pages : 234
Book Description
North American Bows, Arrows, and Quivers
Author: Otis T. Mason
Publisher:
ISBN:
Category : Bow and arrow
Languages : en
Pages : 234
Book Description
Publisher:
ISBN:
Category : Bow and arrow
Languages : en
Pages : 234
Book Description
North American Bows, Arrows, and Quivers
Author: Otis Tufton Mason
Publisher:
ISBN:
Category : Bow and arrow
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category : Bow and arrow
Languages : en
Pages : 312
Book Description
Archery in Medieval England
Author: Richard Wadge
Publisher: The History Press
ISBN: 0752483579
Category : History
Languages : en
Pages : 335
Book Description
Archery in Medieval England is an account of how archery developed amongst ordinary people in England and Wales after the Norman Conquest. In the 300 years after that traumatic event, Englishmen became such skilled archers that they could defeat the most heavily armoured noble knights in battle after battle – feats of arms unequalled by the combatants of any other European country. Here Richard Wadge describes how men used bows and arrows in their everyday lives in the centuries between the arrival of the Normans and the start of the 100 Years War in Edward III's reign. Many contemporary records provide accounts of the illegal use of bows and arrows: unlawful hunting is shown to have been particularly important as a school for the development of battle- winning archery skills. In the process of investigating these accounts, light is shed on the background to the stories of Robin Hood and other outlaws. Evidence from archaeology, manuscript illustrations, church wall paintings and carvings provides an insight into the actual bows and arrows and their use. Richard Wadge shows how the archer came to symbolise the spirit of the ordinary Englishman, how he became a forerunner of John Bull and how he remains part of the national identity even today.
Publisher: The History Press
ISBN: 0752483579
Category : History
Languages : en
Pages : 335
Book Description
Archery in Medieval England is an account of how archery developed amongst ordinary people in England and Wales after the Norman Conquest. In the 300 years after that traumatic event, Englishmen became such skilled archers that they could defeat the most heavily armoured noble knights in battle after battle – feats of arms unequalled by the combatants of any other European country. Here Richard Wadge describes how men used bows and arrows in their everyday lives in the centuries between the arrival of the Normans and the start of the 100 Years War in Edward III's reign. Many contemporary records provide accounts of the illegal use of bows and arrows: unlawful hunting is shown to have been particularly important as a school for the development of battle- winning archery skills. In the process of investigating these accounts, light is shed on the background to the stories of Robin Hood and other outlaws. Evidence from archaeology, manuscript illustrations, church wall paintings and carvings provides an insight into the actual bows and arrows and their use. Richard Wadge shows how the archer came to symbolise the spirit of the ordinary Englishman, how he became a forerunner of John Bull and how he remains part of the national identity even today.
Catalogue of the Anthropological Collection Lent by Colonel Lane Fox for Exhibition. By Colonel Lane Fox. With Illustrations
Author: Bethnal Green Branch Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 240
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 240
Book Description
Arrow Pushing in Organic Chemistry
Author: Daniel E. Levy
Publisher: John Wiley & Sons
ISBN: 111821045X
Category : Science
Languages : en
Pages : 258
Book Description
Find an easier way to learn organic chemistry with Arrow-Pushing in Organic Chemistry: An Easy Approach to Understanding Reaction Mechanisms, a book that uses the arrow-pushing strategy to reduce this notoriously challenging topic to the study of interactions between organic acids and bases. Understand the fundamental reaction mechanisms relevant to organic chemistry, beginning with Sn2 reactions and progressing to Sn1 reactions and other reaction types. The problem sets in this book, an excellent supplemental text, emphasize the important aspects of each chapter and will reinforce the key ideas without requiring memorization.
Publisher: John Wiley & Sons
ISBN: 111821045X
Category : Science
Languages : en
Pages : 258
Book Description
Find an easier way to learn organic chemistry with Arrow-Pushing in Organic Chemistry: An Easy Approach to Understanding Reaction Mechanisms, a book that uses the arrow-pushing strategy to reduce this notoriously challenging topic to the study of interactions between organic acids and bases. Understand the fundamental reaction mechanisms relevant to organic chemistry, beginning with Sn2 reactions and progressing to Sn1 reactions and other reaction types. The problem sets in this book, an excellent supplemental text, emphasize the important aspects of each chapter and will reinforce the key ideas without requiring memorization.
Source Book for Social Origins
Author: William Isaac Thomas
Publisher:
ISBN:
Category : Social history
Languages : en
Pages : 952
Book Description
Publisher:
ISBN:
Category : Social history
Languages : en
Pages : 952
Book Description
Source Book for Social Origins
Author: William Isaac Thomas (ed)
Publisher:
ISBN:
Category :
Languages : en
Pages : 970
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 970
Book Description
Days Before History
Author: Harry Reginald Hall
Publisher: Library of Alexandria
ISBN: 1465611606
Category : Fiction
Languages : en
Pages : 240
Book Description
I KNOW a boy called Dick. He is nine, and he lives near London. Last spring Dick’s father and mother moved house. All their furniture and things were taken in the vans, and Dick and his father and mother went in a cab. When they got to the house, Dick ran in at once to explore. It was not really a new house, because people had lived in it before; but Dick was disappointed to find it very much the same as the house they had just left. There was the drawing-room on one side of the hall and the dining-room on the other, and all the rooms upstairs, and the bath-room, and the box-room, just the same as in their other house; and there was a garden with walls round the three sides, very like their last one. And Dick was sorry that there was nothing new to see. So he said to his father that he did not like the new house because it was just like the old one. But his father said: “You must not grumble at that. Lots of houses are very much alike, of course. There are so many people in these days who want the same sort of house built for them.” That summer Dick went to pay a visit to his uncle, a long way off in the country. Dick’s uncle lived in a very old house; part of it was more than four hundred years old, and Dick had never been in such an old house in his life. His uncle took him all round it, and showed him many strange things. The oldest part of the house was a square tower with very thick walls and long, very narrow windows. Dick’s uncle told him that the windows were made like slits so that the men inside the tower could shoot their arrows out at their enemies; while the enemies would find it very hard to shoot their arrows in and hit the men inside. And he said, also, that in the old days before people could make glass for windows, it was better to have little windows than big ones in very cold weather. And Dick’s uncle took him to the top of the tower and showed him the remains of an open fireplace, in which the men of the tower used to light a beacon fire to give the alarm to people in the villages and towns when enemies were coming. And outside the tower he showed him part of a deep ditch, and told him that once this ditch went right round the house and was called a moat, only that now it was nearly all filled up with earth and stones. But at one time it was always full of water, so that no one could get at the tower without crossing the moat. And the people in the tower used to let down a bridge, called the drawbridge, because it was drawn up and down by means of chains. So that when they or their friends wanted to go out or come in, the drawbridge used to be let down for them, and pulled up afterwards.
Publisher: Library of Alexandria
ISBN: 1465611606
Category : Fiction
Languages : en
Pages : 240
Book Description
I KNOW a boy called Dick. He is nine, and he lives near London. Last spring Dick’s father and mother moved house. All their furniture and things were taken in the vans, and Dick and his father and mother went in a cab. When they got to the house, Dick ran in at once to explore. It was not really a new house, because people had lived in it before; but Dick was disappointed to find it very much the same as the house they had just left. There was the drawing-room on one side of the hall and the dining-room on the other, and all the rooms upstairs, and the bath-room, and the box-room, just the same as in their other house; and there was a garden with walls round the three sides, very like their last one. And Dick was sorry that there was nothing new to see. So he said to his father that he did not like the new house because it was just like the old one. But his father said: “You must not grumble at that. Lots of houses are very much alike, of course. There are so many people in these days who want the same sort of house built for them.” That summer Dick went to pay a visit to his uncle, a long way off in the country. Dick’s uncle lived in a very old house; part of it was more than four hundred years old, and Dick had never been in such an old house in his life. His uncle took him all round it, and showed him many strange things. The oldest part of the house was a square tower with very thick walls and long, very narrow windows. Dick’s uncle told him that the windows were made like slits so that the men inside the tower could shoot their arrows out at their enemies; while the enemies would find it very hard to shoot their arrows in and hit the men inside. And he said, also, that in the old days before people could make glass for windows, it was better to have little windows than big ones in very cold weather. And Dick’s uncle took him to the top of the tower and showed him the remains of an open fireplace, in which the men of the tower used to light a beacon fire to give the alarm to people in the villages and towns when enemies were coming. And outside the tower he showed him part of a deep ditch, and told him that once this ditch went right round the house and was called a moat, only that now it was nearly all filled up with earth and stones. But at one time it was always full of water, so that no one could get at the tower without crossing the moat. And the people in the tower used to let down a bridge, called the drawbridge, because it was drawn up and down by means of chains. So that when they or their friends wanted to go out or come in, the drawbridge used to be let down for them, and pulled up afterwards.
Musical Motives
Author: Brent Auerbach
Publisher: Oxford University Press
ISBN: 0197526020
Category : Music
Languages : en
Pages : 397
Book Description
The da-da-da-DUM motive from Beethoven's Fifth Symphony is an undeniably evocative moment for any music fan. Whether it be a first foray into classical music, childhood piano lessons, or the soundtrack to a beloved movie scene, this is a moment not easily forgotten. So what makes this and other musical motives so memorable? In Musical Motives, author Brent Auerbachs look at the ways that motives - or the small-scale pitch and rhythm shapes ever-present in music - tie musical compositions together, and why we remember some more than others. Musical motives function like motifs in visual art, tying together sonic space. They repeat frequently, either as perfect copies or with slight variation. With presence in all musical genres from classical and popular to jazz and world music, motives are ideal tools for musical analysis. Opening with an introduction to motives, Musical Motives offers a new and universal system of motivic nomenclature, then demonstrates how motives - both in small and in expanded forms stretching over many measures - help explain the structure and drama of musical works. Taking amateurs and experts alike into consideration, Auerbach provides two tiers of analytic method: Basic and Complex Motivic Analysis. To illustrate these methods, he offers large-scale analyses of pieces by Handel, Beethoven, Mozart, Chaminade, Radiohead, and others.
Publisher: Oxford University Press
ISBN: 0197526020
Category : Music
Languages : en
Pages : 397
Book Description
The da-da-da-DUM motive from Beethoven's Fifth Symphony is an undeniably evocative moment for any music fan. Whether it be a first foray into classical music, childhood piano lessons, or the soundtrack to a beloved movie scene, this is a moment not easily forgotten. So what makes this and other musical motives so memorable? In Musical Motives, author Brent Auerbachs look at the ways that motives - or the small-scale pitch and rhythm shapes ever-present in music - tie musical compositions together, and why we remember some more than others. Musical motives function like motifs in visual art, tying together sonic space. They repeat frequently, either as perfect copies or with slight variation. With presence in all musical genres from classical and popular to jazz and world music, motives are ideal tools for musical analysis. Opening with an introduction to motives, Musical Motives offers a new and universal system of motivic nomenclature, then demonstrates how motives - both in small and in expanded forms stretching over many measures - help explain the structure and drama of musical works. Taking amateurs and experts alike into consideration, Auerbach provides two tiers of analytic method: Basic and Complex Motivic Analysis. To illustrate these methods, he offers large-scale analyses of pieces by Handel, Beethoven, Mozart, Chaminade, Radiohead, and others.
Journal of Medieval Military History: Volume XXII
Author: Kelly Devries
Publisher: Boydell & Brewer
ISBN: 1837650705
Category : History
Languages : en
Pages : 259
Book Description
"The leading academic vehicle for scholarly publication in the field of medieval warfare." Medieval Warfare The articles in volume 22 of the Journal of Medieval Military History range widely, not only in chronology but also in geography and approach. Sven Ekdahl looks at the big picture of the role of Swedish castles in the north; L. J. Andrew Villalon focuses on the very particular and culturally significant rewards given by the Catholic Kings to two noble families to celebrate minor victories on the borders of Granada in the far south. Subjects include fighting at the tactical level (the unexpectedly substantial tradition of mounted archery in England, the Low Countries and France, revealed by Sanders Goevarts), the operational level (Emperor Louis II's logistics in Italy, treated by Elijah T. Wallace), and the strategic level (King John's employment of naval power, analyzed by Adam M. McNeil). Vladimir Aleksic and Damnjan Prlinčevic consider military, political, geographical, demographic, and economic factors to contextualize the military history of the rich mining town of Novo Brdo in Serbia as it faced the rising tide of Ottoman conquest in the last century of the Middle Ages. Three contributions draw on the rich resources of the English royal archives to illuminate the material and technological tools of medieval warfare: individual weapons (most significantly both longbows and short bows) described with exceptional detail in a murder case of 1315 (Clifford J. Rogers); the horses of Henry V in the Agincourt campaign of 1415 (Gary P. Baker); and the military equipment stored at Dover Castle as described in inventories dating from 1320 to 1437 (Dan Spencer).
Publisher: Boydell & Brewer
ISBN: 1837650705
Category : History
Languages : en
Pages : 259
Book Description
"The leading academic vehicle for scholarly publication in the field of medieval warfare." Medieval Warfare The articles in volume 22 of the Journal of Medieval Military History range widely, not only in chronology but also in geography and approach. Sven Ekdahl looks at the big picture of the role of Swedish castles in the north; L. J. Andrew Villalon focuses on the very particular and culturally significant rewards given by the Catholic Kings to two noble families to celebrate minor victories on the borders of Granada in the far south. Subjects include fighting at the tactical level (the unexpectedly substantial tradition of mounted archery in England, the Low Countries and France, revealed by Sanders Goevarts), the operational level (Emperor Louis II's logistics in Italy, treated by Elijah T. Wallace), and the strategic level (King John's employment of naval power, analyzed by Adam M. McNeil). Vladimir Aleksic and Damnjan Prlinčevic consider military, political, geographical, demographic, and economic factors to contextualize the military history of the rich mining town of Novo Brdo in Serbia as it faced the rising tide of Ottoman conquest in the last century of the Middle Ages. Three contributions draw on the rich resources of the English royal archives to illuminate the material and technological tools of medieval warfare: individual weapons (most significantly both longbows and short bows) described with exceptional detail in a murder case of 1315 (Clifford J. Rogers); the horses of Henry V in the Agincourt campaign of 1415 (Gary P. Baker); and the military equipment stored at Dover Castle as described in inventories dating from 1320 to 1437 (Dan Spencer).