Author: Joanna Merwood-Salisbury
Publisher: MIT Press
ISBN: 0262547414
Category : Architecture
Languages : en
Pages : 345
Book Description
A richly visual architectural history and theory of modernity that reexamines Thorstein Veblen’s classic text The Theory of the Leisure Class through the lens of Chicago in the 1890s. An important critic of modern culture, American economist Thorstein Veblen is best known for the concept of “conspicuous consumption,” the ostentatious and wasteful display of goods in the service of social status—a term he coined in his 1899 classic The Theory of the Leisure Class. In the field of architectural history, scholars have employed Veblen in support of a wide range of arguments about modern architecture, but never has he attracted a comprehensive and critical treatment from the viewpoint of architectural history. In Barbarian Architecture, Joanna Merwood-Salisbury corrects this omission by reexamining Veblen’s famous book as an original theory of modernity and situating it in a particular place and time—Chicago in the 1890s. Merwood-Salisbury takes her title from Veblen’s use of the term “barbarian,” which refers to his belief that Gilded Age American society was a last remnant of a barbarian state of greed and acquisitiveness. Taking an interdisciplinary approach that draws on biography, intellectual history, and historiography, she explores Veblen’s position in relation to debates about industrial reform and aesthetics in Chicago during the period 1890–1906. Bolstered by a strong visual narrative made possible by several of Chicago’s historic photographic collections, Barbarian Architecture makes a compelling and original argument for the influence of Veblen’s home city on his work and ideas.
Barbarian Architecture
Author: Joanna Merwood-Salisbury
Publisher: MIT Press
ISBN: 0262547414
Category : Architecture
Languages : en
Pages : 345
Book Description
A richly visual architectural history and theory of modernity that reexamines Thorstein Veblen’s classic text The Theory of the Leisure Class through the lens of Chicago in the 1890s. An important critic of modern culture, American economist Thorstein Veblen is best known for the concept of “conspicuous consumption,” the ostentatious and wasteful display of goods in the service of social status—a term he coined in his 1899 classic The Theory of the Leisure Class. In the field of architectural history, scholars have employed Veblen in support of a wide range of arguments about modern architecture, but never has he attracted a comprehensive and critical treatment from the viewpoint of architectural history. In Barbarian Architecture, Joanna Merwood-Salisbury corrects this omission by reexamining Veblen’s famous book as an original theory of modernity and situating it in a particular place and time—Chicago in the 1890s. Merwood-Salisbury takes her title from Veblen’s use of the term “barbarian,” which refers to his belief that Gilded Age American society was a last remnant of a barbarian state of greed and acquisitiveness. Taking an interdisciplinary approach that draws on biography, intellectual history, and historiography, she explores Veblen’s position in relation to debates about industrial reform and aesthetics in Chicago during the period 1890–1906. Bolstered by a strong visual narrative made possible by several of Chicago’s historic photographic collections, Barbarian Architecture makes a compelling and original argument for the influence of Veblen’s home city on his work and ideas.
Publisher: MIT Press
ISBN: 0262547414
Category : Architecture
Languages : en
Pages : 345
Book Description
A richly visual architectural history and theory of modernity that reexamines Thorstein Veblen’s classic text The Theory of the Leisure Class through the lens of Chicago in the 1890s. An important critic of modern culture, American economist Thorstein Veblen is best known for the concept of “conspicuous consumption,” the ostentatious and wasteful display of goods in the service of social status—a term he coined in his 1899 classic The Theory of the Leisure Class. In the field of architectural history, scholars have employed Veblen in support of a wide range of arguments about modern architecture, but never has he attracted a comprehensive and critical treatment from the viewpoint of architectural history. In Barbarian Architecture, Joanna Merwood-Salisbury corrects this omission by reexamining Veblen’s famous book as an original theory of modernity and situating it in a particular place and time—Chicago in the 1890s. Merwood-Salisbury takes her title from Veblen’s use of the term “barbarian,” which refers to his belief that Gilded Age American society was a last remnant of a barbarian state of greed and acquisitiveness. Taking an interdisciplinary approach that draws on biography, intellectual history, and historiography, she explores Veblen’s position in relation to debates about industrial reform and aesthetics in Chicago during the period 1890–1906. Bolstered by a strong visual narrative made possible by several of Chicago’s historic photographic collections, Barbarian Architecture makes a compelling and original argument for the influence of Veblen’s home city on his work and ideas.
Tensile Architecture
Author: Philip Drew
Publisher: Routledge
ISBN: 1000314340
Category : Architecture
Languages : en
Pages : 432
Book Description
This book provides an historical perspective for modern tensile architecture in the 20th century. It explores the tents of nomad cultures, geographical distribution of tent types, the effect of the dromedary on the distribution of the black tent, and seasonal specialization of Eskimo dwellings.
Publisher: Routledge
ISBN: 1000314340
Category : Architecture
Languages : en
Pages : 432
Book Description
This book provides an historical perspective for modern tensile architecture in the 20th century. It explores the tents of nomad cultures, geographical distribution of tent types, the effect of the dromedary on the distribution of the black tent, and seasonal specialization of Eskimo dwellings.
Architecture History, Theory and Preservation
Author: Arleen Pabón-Charneco
Publisher: Routledge
ISBN: 0429805799
Category : Architecture
Languages : en
Pages : 382
Book Description
Architecture History, Theory and Preservation critically explores the historic development, theoretical underpinnings and conservation practices of architecture. Complete with 170 full color images, this volume presents architectural and urban examples, from Prehistory to the Middle Ages, chronologically and thematically examining contextual issues that provide each period with distinctive expressions. The special features, structural systems, materials and construction technologies are analyzed, as well as how the international community deals with the task of interpreting and preserving certain historic properties. This publication provides professors and students of architecture, art history, historic preservation and related fields with an integrated view of architecture using historical, theoretical and conservation perspectives. As an architect, architectural historian and preservationist herself, Dr Pabón-Charneco weaves a field of relationships regarding each building, creating a silent yet empowering bridge between past and present.
Publisher: Routledge
ISBN: 0429805799
Category : Architecture
Languages : en
Pages : 382
Book Description
Architecture History, Theory and Preservation critically explores the historic development, theoretical underpinnings and conservation practices of architecture. Complete with 170 full color images, this volume presents architectural and urban examples, from Prehistory to the Middle Ages, chronologically and thematically examining contextual issues that provide each period with distinctive expressions. The special features, structural systems, materials and construction technologies are analyzed, as well as how the international community deals with the task of interpreting and preserving certain historic properties. This publication provides professors and students of architecture, art history, historic preservation and related fields with an integrated view of architecture using historical, theoretical and conservation perspectives. As an architect, architectural historian and preservationist herself, Dr Pabón-Charneco weaves a field of relationships regarding each building, creating a silent yet empowering bridge between past and present.
Architecture
Author: Sir Thomas Graham Jackson
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 582
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 582
Book Description
Surface Architecture
Author: David Leatherbarrow
Publisher: MIT Press
ISBN: 9780262621946
Category : Architecture
Languages : en
Pages : 294
Book Description
A study of the building surface, architecture's primary instrument of identity and engagement with its surroundings. Visually, many contemporary buildings either reflect their systems of production or recollect earlier styles and motifs. This division between production and representation is in some ways an extension of that between modernity and tradition. In this book, David Leatherbarrow and Mohsen Mostafavi explore ways that design can take advantage of production methods such that architecture is neither independent of nor dominated by technology. Leatherbarrow and Mostafavi begin with the theoretical and practical isolation of the building surface as the subject of architectural design. The autonomy of the surface, the "free facade," presumes a distinction between the structural and nonstructural elements of the building, between the frame and the cladding. Once the skin of the building became independent of its structure, it could just as well hang like a curtain, or like clothing. The focus of the relationship between structure and skin is the architectural surface. In tracing the handling of this surface, the authors examine both contemporary buildings and those of the recent past. Architects discussed include Albert Kahn, Ludwig Mies van der Rohe, Alison and Peter Smithson, Alejandro de la Sota, Robert Venturi, Jacques Herzog, and Pierre de Meuron. The properties of a building's surface—whether it is made of concrete, metal, glass, or other materials—are not merely superficial; they construct the spatial effects by which architecture communicates. Through its surfaces a building declares both its autonomy and its participation in its surroundings.
Publisher: MIT Press
ISBN: 9780262621946
Category : Architecture
Languages : en
Pages : 294
Book Description
A study of the building surface, architecture's primary instrument of identity and engagement with its surroundings. Visually, many contemporary buildings either reflect their systems of production or recollect earlier styles and motifs. This division between production and representation is in some ways an extension of that between modernity and tradition. In this book, David Leatherbarrow and Mohsen Mostafavi explore ways that design can take advantage of production methods such that architecture is neither independent of nor dominated by technology. Leatherbarrow and Mostafavi begin with the theoretical and practical isolation of the building surface as the subject of architectural design. The autonomy of the surface, the "free facade," presumes a distinction between the structural and nonstructural elements of the building, between the frame and the cladding. Once the skin of the building became independent of its structure, it could just as well hang like a curtain, or like clothing. The focus of the relationship between structure and skin is the architectural surface. In tracing the handling of this surface, the authors examine both contemporary buildings and those of the recent past. Architects discussed include Albert Kahn, Ludwig Mies van der Rohe, Alison and Peter Smithson, Alejandro de la Sota, Robert Venturi, Jacques Herzog, and Pierre de Meuron. The properties of a building's surface—whether it is made of concrete, metal, glass, or other materials—are not merely superficial; they construct the spatial effects by which architecture communicates. Through its surfaces a building declares both its autonomy and its participation in its surroundings.
Architecture against Democracy
Author: Reinhold Martin
Publisher: U of Minnesota Press
ISBN: 1452970831
Category : Architecture
Languages : en
Pages : 440
Book Description
Examining architecture’s foundational role in the repression of democracy Reinhold Martin and Claire Zimmerman bring together essays from an array of scholars exploring the troubled relationship between architecture and antidemocratic politics. Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, Architecture against Democracy analyzes crucial occasions when the built environment has been harnessed as an instrument of authoritarian power. Alongside chapters focusing on paradigmatic episodes from twentieth-century German and Italian fascism, the contributors examine historic and contemporary events and subjects that are organized thematically, including the founding of the Smithsonian Institution, Ellis Island infrastructure, the aftermath of the Paris Commune, Cold War West Germany and Iraq, Frank Lloyd Wright’s domestic architecture, and Istanbul’s Taksim Square. Through the range and depth of these accounts, Architecture against Democracy presents a selective overview of antidemocratic processes as they unfold in the built environment throughout Western modernity, offering an architectural history of the recent “nationalist international.” As new forms of nationalism and authoritarian rule proliferate across the globe, this timely collection offers fresh understandings of the role of architecture in the opposition to democracy. Contributors: Esra Akcan, Cornell U; Can Bilsel, U of San Diego; José H. Bortoluci, Getulio Vargas Foundation; Charles L. Davis II, U of Texas at Austin; Laura diZerega; Eve Duffy, Duke U; María González Pendás, Cornell U; Paul B. Jaskot, Duke U; Ana María León, Harvard U; Ruth W. Lo, Hamilton College; Peter Minosh, Northeastern U; Itohan Osayimwese, Brown U; Kishwar Rizvi, Yale U; Naomi Vaughan; Nader Vossoughian, New York Institute of Technology and Columbia U; Mabel O. Wilson, Columbia U.
Publisher: U of Minnesota Press
ISBN: 1452970831
Category : Architecture
Languages : en
Pages : 440
Book Description
Examining architecture’s foundational role in the repression of democracy Reinhold Martin and Claire Zimmerman bring together essays from an array of scholars exploring the troubled relationship between architecture and antidemocratic politics. Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, Architecture against Democracy analyzes crucial occasions when the built environment has been harnessed as an instrument of authoritarian power. Alongside chapters focusing on paradigmatic episodes from twentieth-century German and Italian fascism, the contributors examine historic and contemporary events and subjects that are organized thematically, including the founding of the Smithsonian Institution, Ellis Island infrastructure, the aftermath of the Paris Commune, Cold War West Germany and Iraq, Frank Lloyd Wright’s domestic architecture, and Istanbul’s Taksim Square. Through the range and depth of these accounts, Architecture against Democracy presents a selective overview of antidemocratic processes as they unfold in the built environment throughout Western modernity, offering an architectural history of the recent “nationalist international.” As new forms of nationalism and authoritarian rule proliferate across the globe, this timely collection offers fresh understandings of the role of architecture in the opposition to democracy. Contributors: Esra Akcan, Cornell U; Can Bilsel, U of San Diego; José H. Bortoluci, Getulio Vargas Foundation; Charles L. Davis II, U of Texas at Austin; Laura diZerega; Eve Duffy, Duke U; María González Pendás, Cornell U; Paul B. Jaskot, Duke U; Ana María León, Harvard U; Ruth W. Lo, Hamilton College; Peter Minosh, Northeastern U; Itohan Osayimwese, Brown U; Kishwar Rizvi, Yale U; Naomi Vaughan; Nader Vossoughian, New York Institute of Technology and Columbia U; Mabel O. Wilson, Columbia U.
Medieval Art and Architecture after the Middle Ages
Author: Alyce A. Jordan
Publisher: Cambridge Scholars Publishing
ISBN: 1443803987
Category : Art
Languages : en
Pages : 410
Book Description
Medieval Art and Architecture after the Middle Ages explores the endurance of and nostalgia for medieval monuments through their reception in later periods, specifically illuminating the myriad ways in which tangible and imaginary artifacts of the Middle Ages have served to articulate contemporary aspirations and anxieties. The essays in this interdisciplinary collection examine the afterlife of medieval works through their preservation, restoration, appropriation, and commodification in America, Great Britain, and across Europe from the sixteenth to the twentieth century. From the evocation of metaphors and tropes, to monumental projects of restoration and recreation—medieval visual culture has had a tremendous purchase in the construction of political, religious, and cultural practices of the Modern era. The authors assembled here engage a diverse spectrum of works, from Irish ruins and a former Florentine prison to French churches and American department stores, and an equally diverse array of media ranging from architecture and manuscripts to embroidery, monumental sculpture, and metalwork. With applications not only to the study of art and architecture, but also encompassing such varied fields as commerce, city planning, education, literature, collecting and exhibition design, this copiously illustrated anthology comprises a significant contribution to the study of medieval art and medievalism.
Publisher: Cambridge Scholars Publishing
ISBN: 1443803987
Category : Art
Languages : en
Pages : 410
Book Description
Medieval Art and Architecture after the Middle Ages explores the endurance of and nostalgia for medieval monuments through their reception in later periods, specifically illuminating the myriad ways in which tangible and imaginary artifacts of the Middle Ages have served to articulate contemporary aspirations and anxieties. The essays in this interdisciplinary collection examine the afterlife of medieval works through their preservation, restoration, appropriation, and commodification in America, Great Britain, and across Europe from the sixteenth to the twentieth century. From the evocation of metaphors and tropes, to monumental projects of restoration and recreation—medieval visual culture has had a tremendous purchase in the construction of political, religious, and cultural practices of the Modern era. The authors assembled here engage a diverse spectrum of works, from Irish ruins and a former Florentine prison to French churches and American department stores, and an equally diverse array of media ranging from architecture and manuscripts to embroidery, monumental sculpture, and metalwork. With applications not only to the study of art and architecture, but also encompassing such varied fields as commerce, city planning, education, literature, collecting and exhibition design, this copiously illustrated anthology comprises a significant contribution to the study of medieval art and medievalism.
Architecture in the Scandinavian Countries
Author: Marian Card Donnelly
Publisher: MIT Press
ISBN: 9780262041188
Category : Architecture
Languages : en
Pages : 428
Book Description
The most complete survey of Nordic architecture available today.
Publisher: MIT Press
ISBN: 9780262041188
Category : Architecture
Languages : en
Pages : 428
Book Description
The most complete survey of Nordic architecture available today.
On the Art of Building in Ten Books
Author: Leon Battista Alberti
Publisher: MIT Press
ISBN: 9780262510608
Category : Architecture
Languages : en
Pages : 484
Book Description
De Re Aedificatoria, by Leon Battista Alberti (1404-1472), was the first modern treatise on the theory and practice of architecture. Its importance for the subsequent history of architecture is incalculable, yet this is the first English translation based on the original, exceptionally eloquent Latin text on which Alberti's reputation as a theorist is founded.
Publisher: MIT Press
ISBN: 9780262510608
Category : Architecture
Languages : en
Pages : 484
Book Description
De Re Aedificatoria, by Leon Battista Alberti (1404-1472), was the first modern treatise on the theory and practice of architecture. Its importance for the subsequent history of architecture is incalculable, yet this is the first English translation based on the original, exceptionally eloquent Latin text on which Alberti's reputation as a theorist is founded.
Lombardic Architecture
Author: Giovanni Teresio Rivoira
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 272
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 272
Book Description