Author: Danielle N. Boaz
Publisher: Penn State Press
ISBN: 0271089644
Category : Law
Languages : en
Pages : 243
Book Description
Banning Black Gods is a global examination of the legal challenges faced by adherents of the most widely practiced African-derived religions in the twenty-first century, including Santeria/Lucumi, Haitian Vodou, Candomblé, Palo Mayombe, Umbanda, Islam, Rastafari, Obeah, and Voodoo. Examining court cases, laws, human rights reports, and related materials, Danielle N. Boaz argues that restrictions on African diaspora religious freedom constitute a unique and pervasive form of anti-Black discrimination. Emphasizing that these twenty-first-century cases and controversies are not a new phenomenon but rather a reemergence of colonial-era ideologies and patterns of racially motivated persecution, Boaz focuses each chapter on a particular challenge to Black religious freedom. She examines issues such as violence against devotees, restrictions on the ritual slaughter of animals, limitations on the custodial rights of parents, and judicial refusals to recognize these faiths as protected religions. Boaz introduces new issues that have never been considered as a question of religious freedom before—such as the right of Palo Mayombe devotees to possess remains of the dead—and she brings together controversies that have not been previously regarded as analogous, such as the right to wear headscarves and the right to wear dreadlocks in schools. Framing these issues in comparative perspective and focusing on transnational and transregional issues, Boaz advances our understanding of the larger human rights disputes that country-specific studies can overlook. Original and compelling, this important new book will be welcomed by students and scholars of African diaspora religions and discerning readers interested in learning more about the history of racial discrimination
Banning Black Gods
Author: Danielle N. Boaz
Publisher: Penn State Press
ISBN: 0271089644
Category : Law
Languages : en
Pages : 243
Book Description
Banning Black Gods is a global examination of the legal challenges faced by adherents of the most widely practiced African-derived religions in the twenty-first century, including Santeria/Lucumi, Haitian Vodou, Candomblé, Palo Mayombe, Umbanda, Islam, Rastafari, Obeah, and Voodoo. Examining court cases, laws, human rights reports, and related materials, Danielle N. Boaz argues that restrictions on African diaspora religious freedom constitute a unique and pervasive form of anti-Black discrimination. Emphasizing that these twenty-first-century cases and controversies are not a new phenomenon but rather a reemergence of colonial-era ideologies and patterns of racially motivated persecution, Boaz focuses each chapter on a particular challenge to Black religious freedom. She examines issues such as violence against devotees, restrictions on the ritual slaughter of animals, limitations on the custodial rights of parents, and judicial refusals to recognize these faiths as protected religions. Boaz introduces new issues that have never been considered as a question of religious freedom before—such as the right of Palo Mayombe devotees to possess remains of the dead—and she brings together controversies that have not been previously regarded as analogous, such as the right to wear headscarves and the right to wear dreadlocks in schools. Framing these issues in comparative perspective and focusing on transnational and transregional issues, Boaz advances our understanding of the larger human rights disputes that country-specific studies can overlook. Original and compelling, this important new book will be welcomed by students and scholars of African diaspora religions and discerning readers interested in learning more about the history of racial discrimination
Publisher: Penn State Press
ISBN: 0271089644
Category : Law
Languages : en
Pages : 243
Book Description
Banning Black Gods is a global examination of the legal challenges faced by adherents of the most widely practiced African-derived religions in the twenty-first century, including Santeria/Lucumi, Haitian Vodou, Candomblé, Palo Mayombe, Umbanda, Islam, Rastafari, Obeah, and Voodoo. Examining court cases, laws, human rights reports, and related materials, Danielle N. Boaz argues that restrictions on African diaspora religious freedom constitute a unique and pervasive form of anti-Black discrimination. Emphasizing that these twenty-first-century cases and controversies are not a new phenomenon but rather a reemergence of colonial-era ideologies and patterns of racially motivated persecution, Boaz focuses each chapter on a particular challenge to Black religious freedom. She examines issues such as violence against devotees, restrictions on the ritual slaughter of animals, limitations on the custodial rights of parents, and judicial refusals to recognize these faiths as protected religions. Boaz introduces new issues that have never been considered as a question of religious freedom before—such as the right of Palo Mayombe devotees to possess remains of the dead—and she brings together controversies that have not been previously regarded as analogous, such as the right to wear headscarves and the right to wear dreadlocks in schools. Framing these issues in comparative perspective and focusing on transnational and transregional issues, Boaz advances our understanding of the larger human rights disputes that country-specific studies can overlook. Original and compelling, this important new book will be welcomed by students and scholars of African diaspora religions and discerning readers interested in learning more about the history of racial discrimination
Reclaiming African Religions in Trinidad
Author: Frances Henry
Publisher:
ISBN: 9789766401290
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
Exploring various African religions as part of a cultural system, relevant to national identity in Trinidad, this text deals with the dynamic doctrinal and ideological changes that have occurred within the religions and documents the legislative and social acceptance of African religion.
Publisher:
ISBN: 9789766401290
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
Exploring various African religions as part of a cultural system, relevant to national identity in Trinidad, this text deals with the dynamic doctrinal and ideological changes that have occurred within the religions and documents the legislative and social acceptance of African religion.
Banning Black Gods
Author: Danielle N. Boaz
Publisher:
ISBN: 9780271094526
Category :
Languages : en
Pages : 242
Book Description
Examines the global legal challenges faced by adherents of the most widely practiced religions of the African diaspora in the twenty-first century, including Santeria/Lucumi, Haitian Vodou, Candomblé, Palo Mayombe, Umbanda, Islam, Rastafari, Obeah, and Voodoo.
Publisher:
ISBN: 9780271094526
Category :
Languages : en
Pages : 242
Book Description
Examines the global legal challenges faced by adherents of the most widely practiced religions of the African diaspora in the twenty-first century, including Santeria/Lucumi, Haitian Vodou, Candomblé, Palo Mayombe, Umbanda, Islam, Rastafari, Obeah, and Voodoo.
Twins in African and Diaspora Cultures
Author: Philip M. Peek
Publisher: Indiana University Press
ISBN: 0253223075
Category : Family & Relationships
Languages : en
Pages : 377
Book Description
Introduction : beginning to rethink twins / Philip M. Peek -- Twins and double beings among the Bamana and Maninka of Mali / Pascal James Imperato and Gavin H. Imperato -- Twins and intertwinement : reflections on ambiguity and ambivalence in northwestern Namibia / Steven Van Wolputte -- Sustaining the oneness in their twoness : poetics of twin figures (ère ìbejì) among the Yoruba / Babatunde Lawal -- "Son dos los jimagüas" ("the twins are two") : worship of the sacred twins in Lucumí religious culture / Ysamur Flores-Pena -- Twins, couples, and doubles and the negotiation of spirit-human identities among the Win / Susan Cooksey -- Double portraits : images of twinness in West African studio photography / C. Angelo Micheli -- Forever liminal : twins among the Kapsiki/Higi of north Cameroon and northeastern Nigeria / Walter E.A. Van Beek -- Snake, bush, and metaphor : twinship among Ubangians / Jan-Lodewijk Grootaers -- Fiction and forbidden sexual fantasy in the culture of Temne twins / Frederick John Lamp -- Embodied dilemma : Tabwa twinship in thought and performance / Allen F. Roberts -- Children of the moon : twins in Luba art and ontology / Mary Nooter Roberts -- Two equals three : twins and the trickster in Haitian vodou / Marilyn Houlberg -- Divine children : the ibejis and the erês in Brazilian candomblé / Stefania Capone -- The ambiguous ordinariness of Yoruba twins / Elisha P. Renne -- Twins, albinos, and vanishing prisoners : a Mozambican theory of political power / Paulo Granjo.
Publisher: Indiana University Press
ISBN: 0253223075
Category : Family & Relationships
Languages : en
Pages : 377
Book Description
Introduction : beginning to rethink twins / Philip M. Peek -- Twins and double beings among the Bamana and Maninka of Mali / Pascal James Imperato and Gavin H. Imperato -- Twins and intertwinement : reflections on ambiguity and ambivalence in northwestern Namibia / Steven Van Wolputte -- Sustaining the oneness in their twoness : poetics of twin figures (ère ìbejì) among the Yoruba / Babatunde Lawal -- "Son dos los jimagüas" ("the twins are two") : worship of the sacred twins in Lucumí religious culture / Ysamur Flores-Pena -- Twins, couples, and doubles and the negotiation of spirit-human identities among the Win / Susan Cooksey -- Double portraits : images of twinness in West African studio photography / C. Angelo Micheli -- Forever liminal : twins among the Kapsiki/Higi of north Cameroon and northeastern Nigeria / Walter E.A. Van Beek -- Snake, bush, and metaphor : twinship among Ubangians / Jan-Lodewijk Grootaers -- Fiction and forbidden sexual fantasy in the culture of Temne twins / Frederick John Lamp -- Embodied dilemma : Tabwa twinship in thought and performance / Allen F. Roberts -- Children of the moon : twins in Luba art and ontology / Mary Nooter Roberts -- Two equals three : twins and the trickster in Haitian vodou / Marilyn Houlberg -- Divine children : the ibejis and the erês in Brazilian candomblé / Stefania Capone -- The ambiguous ordinariness of Yoruba twins / Elisha P. Renne -- Twins, albinos, and vanishing prisoners : a Mozambican theory of political power / Paulo Granjo.
Banning Black Gods
Author: Danielle N. Boaz
Publisher: Africana Religions
ISBN: 9780271089300
Category :
Languages : en
Pages : 248
Book Description
Banning Black Gods is a global examination of the legal challenges faced by adherents of the most widely practiced African-derived religions in the twenty-first century, including Obeah, Santeria/Lucumi, Candomblé, Palo Mayombe, Rastafari, Islam, Vodou, and Voodoo. Examining court cases, laws, human rights reports, and related materials, Danielle N. Boaz argues that restrictions on African diaspora religious freedom constitute a unique and pervasive form of anti-Black discrimination. Emphasizing that these twenty-first-century cases and controversies are not a new phenomenon but rather a reemergence of colonial-era ideologies and patterns of racially motivated persecution, Boaz focuses each chapter on a particular challenge to Black religious freedom. She examines issues such as violence against devotees, restrictions on the ritual slaughter of animals, limitations on the custodial rights of parents, and judicial refusals to recognize these faiths as protected religions. Boaz scrutinizes in conversation with one another controversies, too, that have not been previously regarded as analogous. For example, she examines the right of Palo Mayombe devotees to possess remains of the dead, and she addresses the right of individuals to wear headscarves and dreadlocks in schools. Framing these issues in comparative perspective and focusing on transnational and transregional issues, Boaz advances our understanding of the larger human rights disputes that country-specific studies can overlook. Original and compelling, this important new book will be welcomed by students and scholars of African diaspora religions and discerning readers interested in learning more about the history of racial discrimination
Publisher: Africana Religions
ISBN: 9780271089300
Category :
Languages : en
Pages : 248
Book Description
Banning Black Gods is a global examination of the legal challenges faced by adherents of the most widely practiced African-derived religions in the twenty-first century, including Obeah, Santeria/Lucumi, Candomblé, Palo Mayombe, Rastafari, Islam, Vodou, and Voodoo. Examining court cases, laws, human rights reports, and related materials, Danielle N. Boaz argues that restrictions on African diaspora religious freedom constitute a unique and pervasive form of anti-Black discrimination. Emphasizing that these twenty-first-century cases and controversies are not a new phenomenon but rather a reemergence of colonial-era ideologies and patterns of racially motivated persecution, Boaz focuses each chapter on a particular challenge to Black religious freedom. She examines issues such as violence against devotees, restrictions on the ritual slaughter of animals, limitations on the custodial rights of parents, and judicial refusals to recognize these faiths as protected religions. Boaz scrutinizes in conversation with one another controversies, too, that have not been previously regarded as analogous. For example, she examines the right of Palo Mayombe devotees to possess remains of the dead, and she addresses the right of individuals to wear headscarves and dreadlocks in schools. Framing these issues in comparative perspective and focusing on transnational and transregional issues, Boaz advances our understanding of the larger human rights disputes that country-specific studies can overlook. Original and compelling, this important new book will be welcomed by students and scholars of African diaspora religions and discerning readers interested in learning more about the history of racial discrimination
Lion Songs
Author: Banning Eyre
Publisher: Duke University Press
ISBN: 0822375427
Category : Biography & Autobiography
Languages : en
Pages : 258
Book Description
Like Fela Kuti and Bob Marley, singer, composer, and bandleader Thomas Mapfumo and his music came to represent his native country's anticolonial struggle and cultural identity. Mapfumo was born in 1945 in what was then the British colony of Rhodesia (now Zimbabwe). The trajectory of his career—from early performances of rock 'n' roll tunes to later creating a new genre based on traditional Zimbabwean music, including the sacred mbira, and African and Western pop—is a metaphor for Zimbabwe's evolution from colony to independent nation. Lion Songs is an authoritative biography of Mapfumo that narrates the life and career of this creative, complex, and iconic figure. Banning Eyre ties the arc of Mapfumo's career to the history of Zimbabwe. The genre Mapfumo created in the 1970s called chimurenga, or "struggle" music, challenged the Rhodesian government—which banned his music and jailed him—and became important to Zimbabwe achieving independence in 1980. In the 1980s and 1990s Mapfumo's international profile grew along with his opposition to Robert Mugabe's dictatorship. Mugabe had been a hero of the revolution, but Mapfumo’s criticism of his regime led authorities and loyalists to turn on the singer with threats and intimidation. Beginning in 2000, Mapfumo and key band and family members left Zimbabwe. Many of them, including Mapfumo, now reside in Eugene, Oregon. A labor of love, Lion Songs is the product of a twenty-five-year friendship and professional relationship between Eyre and Mapfumo that demonstrates Mapfumo's musical and political importance to his nation, its freedom struggle, and its culture.
Publisher: Duke University Press
ISBN: 0822375427
Category : Biography & Autobiography
Languages : en
Pages : 258
Book Description
Like Fela Kuti and Bob Marley, singer, composer, and bandleader Thomas Mapfumo and his music came to represent his native country's anticolonial struggle and cultural identity. Mapfumo was born in 1945 in what was then the British colony of Rhodesia (now Zimbabwe). The trajectory of his career—from early performances of rock 'n' roll tunes to later creating a new genre based on traditional Zimbabwean music, including the sacred mbira, and African and Western pop—is a metaphor for Zimbabwe's evolution from colony to independent nation. Lion Songs is an authoritative biography of Mapfumo that narrates the life and career of this creative, complex, and iconic figure. Banning Eyre ties the arc of Mapfumo's career to the history of Zimbabwe. The genre Mapfumo created in the 1970s called chimurenga, or "struggle" music, challenged the Rhodesian government—which banned his music and jailed him—and became important to Zimbabwe achieving independence in 1980. In the 1980s and 1990s Mapfumo's international profile grew along with his opposition to Robert Mugabe's dictatorship. Mugabe had been a hero of the revolution, but Mapfumo’s criticism of his regime led authorities and loyalists to turn on the singer with threats and intimidation. Beginning in 2000, Mapfumo and key band and family members left Zimbabwe. Many of them, including Mapfumo, now reside in Eugene, Oregon. A labor of love, Lion Songs is the product of a twenty-five-year friendship and professional relationship between Eyre and Mapfumo that demonstrates Mapfumo's musical and political importance to his nation, its freedom struggle, and its culture.
The Holy Piby
Author: Robert Athlyi Rogers
Publisher: The Floating Press
ISBN: 1775410528
Category : Religion
Languages : en
Pages : 107
Book Description
In the 1920s, Robert Athlyi Rogers founded the Afro-Athlican Constructive Gaathly religion in the West Indies. He wrote The Holy Piby as a guiding text, seeing Ethiopians - in the classical meaning of all Africans - as God's chosen people, and he preached self-determination and self-reliance. The Holy Piby is a major source of influence to the Rastafarian faith, which holds Haile Selassie I as Christ, and Marcus Garvey as his prophet. The Holy Piby consists of four books, and the seventh chapter of the second book identifies Marcus Garvey as one of three apostles of God. Original copies are extremely rare, and it is not even listed in the Library of Congress. The text was banned in Jamaica and many other Caribbean Islands until the late 1920s.
Publisher: The Floating Press
ISBN: 1775410528
Category : Religion
Languages : en
Pages : 107
Book Description
In the 1920s, Robert Athlyi Rogers founded the Afro-Athlican Constructive Gaathly religion in the West Indies. He wrote The Holy Piby as a guiding text, seeing Ethiopians - in the classical meaning of all Africans - as God's chosen people, and he preached self-determination and self-reliance. The Holy Piby is a major source of influence to the Rastafarian faith, which holds Haile Selassie I as Christ, and Marcus Garvey as his prophet. The Holy Piby consists of four books, and the seventh chapter of the second book identifies Marcus Garvey as one of three apostles of God. Original copies are extremely rare, and it is not even listed in the Library of Congress. The text was banned in Jamaica and many other Caribbean Islands until the late 1920s.
Silencing the Drum
Author: Danielle N. Boaz
Publisher: Amherst College Press
ISBN: 194320876X
Category : Music
Languages : en
Pages : 210
Book Description
Silencing the Drum exposes the profound struggle of Afro-Brazilian sacred music against escalating intolerance. Danielle N. Boaz and Umi Vaughan blend legal scholarship with ethnomusicology, offering a compelling narrative rooted in interviews with religious leaders, musicians, and activists across Brazil. This multidisciplinary exploration examines the relentless attacks against the practitioners of Afro-Brazilian religions—from discriminatory noise complaints in Bahia to vigilante violence in Rio de Janeiro. The volume integrates multimedia elements including musical samples to vividly illustrate the struggles and resilience of Afro-Brazilian communities in the face of discrimination. As Silencing the Drum confronts the larger global issues of racism and religious freedom, it provides essential insights for scholars, activists, and anyone passionate about human rights and cultural preservation.
Publisher: Amherst College Press
ISBN: 194320876X
Category : Music
Languages : en
Pages : 210
Book Description
Silencing the Drum exposes the profound struggle of Afro-Brazilian sacred music against escalating intolerance. Danielle N. Boaz and Umi Vaughan blend legal scholarship with ethnomusicology, offering a compelling narrative rooted in interviews with religious leaders, musicians, and activists across Brazil. This multidisciplinary exploration examines the relentless attacks against the practitioners of Afro-Brazilian religions—from discriminatory noise complaints in Bahia to vigilante violence in Rio de Janeiro. The volume integrates multimedia elements including musical samples to vividly illustrate the struggles and resilience of Afro-Brazilian communities in the face of discrimination. As Silencing the Drum confronts the larger global issues of racism and religious freedom, it provides essential insights for scholars, activists, and anyone passionate about human rights and cultural preservation.
The Afro-Latino Memoir
Author: Trent Masiki
Publisher: UNC Press Books
ISBN: 1469675285
Category : Literary Criticism
Languages : en
Pages : 253
Book Description
Despite their literary and cultural significance, Afro-Latino memoirs have been marginalized in both Latino and African American studies. Trent Masiki remedies this problem by bringing critical attention to the understudied African American influences in Afro-Latino memoirs published after the advent of the Black Arts movement. Masiki argues that these memoirs expand on the meaning of racial identity for both Latinos and African Americans. Using interpretive strategies and historical methods from literary and cultural studies, Masiki shows how Afro-Latino memoir writers often turn to the African American experience as a model for articulating their Afro-Latinidad. African American literary production, expressive culture, political ideology, and religiosity shaped Afro-Latino subjectivity more profoundly than typically imagined between the post-war and post-soul eras. Masiki recovers this neglected history by exploring how and why Black nationalism shaped Afro-Latinidad in the United States. This book opens the border between the canons of Latino and African American literature, encouraging greater intercultural solidarities between Latinos and African Americans in the era of Black Lives Matter.
Publisher: UNC Press Books
ISBN: 1469675285
Category : Literary Criticism
Languages : en
Pages : 253
Book Description
Despite their literary and cultural significance, Afro-Latino memoirs have been marginalized in both Latino and African American studies. Trent Masiki remedies this problem by bringing critical attention to the understudied African American influences in Afro-Latino memoirs published after the advent of the Black Arts movement. Masiki argues that these memoirs expand on the meaning of racial identity for both Latinos and African Americans. Using interpretive strategies and historical methods from literary and cultural studies, Masiki shows how Afro-Latino memoir writers often turn to the African American experience as a model for articulating their Afro-Latinidad. African American literary production, expressive culture, political ideology, and religiosity shaped Afro-Latino subjectivity more profoundly than typically imagined between the post-war and post-soul eras. Masiki recovers this neglected history by exploring how and why Black nationalism shaped Afro-Latinidad in the United States. This book opens the border between the canons of Latino and African American literature, encouraging greater intercultural solidarities between Latinos and African Americans in the era of Black Lives Matter.
Voodoo: the History of a Racial Slur
Author: Associate Professor of Africana Studies Danielle N Boaz
Publisher: Oxford University Press
ISBN: 019768940X
Category : Law
Languages : en
Pages : 209
Book Description
Coined in the middle of the nineteenth century, the term "voodoo" has been deployed largely by people in the U.S. to refer to spiritual practices--real or imagined--among people of African descent. "Voodoo" is one way that white people have invoked their anxieties and stereotypes about Black people--to call them uncivilized, superstitious, hypersexual, violent, and cannibalistic. In this book, Danielle Boaz explores public perceptions of "voodoo" as they have varied over time, with an emphasis on the intricate connection between stereotypes of "voodoo" and debates about race and human rights. The term has its roots in the U.S. Civil War in the 1860s, especially following the Union takeover of New Orleans, when it was used to propagate the idea that Black Americans held certain "superstitions" that allegedly proved that they were unprepared for freedom, the right to vote, and the ability to hold public office. Similar stereotypes were later extended to Cuba and Haiti in the late nineteenth and early twentieth centuries. In the 1930s, Black religious movements like the Moorish Science Temple and the Nation of Islam were derided as "voodoo cults." More recently, ideas about "voodoo" have shaped U.S. policies toward Haitian immigrants in the 1980s, and international responses to rituals to bind Nigerian women to human traffickers in the twenty-first century. Drawing on newspapers, travelogues, magazines, legal documents, and books, Boaz shows that the term "voodoo" has often been a tool of racism, colonialism, and oppression.
Publisher: Oxford University Press
ISBN: 019768940X
Category : Law
Languages : en
Pages : 209
Book Description
Coined in the middle of the nineteenth century, the term "voodoo" has been deployed largely by people in the U.S. to refer to spiritual practices--real or imagined--among people of African descent. "Voodoo" is one way that white people have invoked their anxieties and stereotypes about Black people--to call them uncivilized, superstitious, hypersexual, violent, and cannibalistic. In this book, Danielle Boaz explores public perceptions of "voodoo" as they have varied over time, with an emphasis on the intricate connection between stereotypes of "voodoo" and debates about race and human rights. The term has its roots in the U.S. Civil War in the 1860s, especially following the Union takeover of New Orleans, when it was used to propagate the idea that Black Americans held certain "superstitions" that allegedly proved that they were unprepared for freedom, the right to vote, and the ability to hold public office. Similar stereotypes were later extended to Cuba and Haiti in the late nineteenth and early twentieth centuries. In the 1930s, Black religious movements like the Moorish Science Temple and the Nation of Islam were derided as "voodoo cults." More recently, ideas about "voodoo" have shaped U.S. policies toward Haitian immigrants in the 1980s, and international responses to rituals to bind Nigerian women to human traffickers in the twenty-first century. Drawing on newspapers, travelogues, magazines, legal documents, and books, Boaz shows that the term "voodoo" has often been a tool of racism, colonialism, and oppression.