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Author: Baṅkimacandra Caṭṭopādhyāẏa
Publisher:
ISBN:
Category :
Languages : en
Pages : 172
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Book Description
Author: Baṅkimacandra Caṭṭopādhyāẏa
Publisher:
ISBN:
Category :
Languages : en
Pages : 172
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Book Description
Author: Bankim Chandra Chattopadhyay
Publisher: DigiCat
ISBN:
Category : Art
Languages : en
Pages : 121
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Book Description
Kapalkundala is a Bengali romance novel by Indian writer Bankim Chandra Chattopadhyay. Published in 1866, it is a story of a forest-dwelling girl named Kapalkundala, who fell in love with and married Nabakumar, a young gentleman from Saptagram. Eventually, she finds herself unable to adjust to city life.
Author: Bankim Chatterjee
Publisher: Createspace Independent Publishing Platform
ISBN: 9781976200007
Category :
Languages : en
Pages : 158
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Book Description
Kapalkundala or Kopal-Kundala also known as Mrinmoyee, is a Bengali romance novel by Indian writer Bankim Chandra Chattopadhyay. Published in 1866, it is a story of a forest-dwelling girl named Kapalkundala, who fell in love and got married to Nabakumar, a young gentleman from Saptagram, but eventually found that she is unable to adjust herself with the city life. Following the success of Chattopadhyay's first novel Durgeshnandini, he decided to write about a girl who is brought up in a remote forest by a Kapalika (Tantrik sage) and never saw anyone but her foster-father. The story is set in Dariapur, Contai in modern-day Purba Medinipur district, Paschimbanga (West Bengal) where Chattopadhyay served as a Deputy Magistrate and Deputy Collector.Kapalkundala is considered as one of the finest and the most popular of Chattopadhyay's novels. It has been translated into English, German, Hindi, Gujrati, Tamil, Telugu and Sanskrit. Girish Chandra Ghosh, one of the pioneers of Bengali drama, and Atul Krishna Mitra dramatized the novel separately
Author: Bankim Chandra Chatterjee
Publisher: Graphic Arts Books
ISBN: 1513224034
Category : Fiction
Languages : en
Pages : 97
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Book Description
Kapalkundala (1866) is a novel by Bankim Chandra Chatterjee. Set in Dariapur, Contai, Kapalkundala was Chatterjee’s second novel. Recognized as a pioneering work of Bengali literature with universal romantic themes, Kapalkundala has been adapted several times for film and television, most recently for a popular Indian Bengali soap opera of the same name. On his way home to Saptagram from a pilgrimage to Gangasagar, Nabakumar encounters a Tantric sage in the forest. After exchanging their greetings, the sage captures the young gentleman in order to sacrifice him to the goddess Shamshaan Kali. Rescued by the sage’s foster daughter, the beautiful Kapalkundala, Nabakumar marries her the next day. Despite their happiness, the past refuses to let them live in peace. As the sage plots his revenge, Nabakumar’s first wife, who left him after converting to Islam, has returned seeking forgiveness. As doubt begins to penetrate their bond, Nabakumar and Kapalkundala lose sight of the only thing that matters: each other. Tragic and timeless, Kapalkundala is a brilliant romance from a legendary figure in Bengali literature. With a beautifully designed cover and professionally typeset manuscript, this edition of Bankim Chandra Chatterjee’s Kapalkundala is a classic of Bengali literature and utopian science fiction reimagined for modern readers.
Author: Ulka Anjaria
Publisher: Cambridge University Press
ISBN: 1316299783
Category : Literary Criticism
Languages : en
Pages : 449
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Book Description
A History of the Indian Novel in English traces the development of the Indian novel from its beginnings in the late nineteenth century up until the present day. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes extensive essays that shed light on the legacy of English in Indian writing. Organized thematically, these essays examine how English was 'made Indian' by writers who used the language to address specifically Indian concerns. Such concerns revolved around the question of what it means to be modern as well as how the novel could be used for anti-colonial activism. By the 1980s, the Indian novel in English was a global phenomenon, and India is now the third largest publisher of English-language books. Written by a host of leading scholars, this History invites readers to question conventional accounts of India's literary history.
Author: Bankim Chandra Chattopadhyay
Publisher: Library of Alexandria
ISBN: 1465615512
Category : Fiction
Languages : en
Pages : 205
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Book Description
It was hot at Padachina even for a summer day. In this village were many houses, but not a soul could be seen anywhere. The bazaar was full of shops and the lanes were lined with houses built either of brick or of mud. Every house was quiet. The shops were closed, and no one knew where the shopkeepers had gone. Even the street beggars were absent. The weavers wove no more. The merchants had no business. Philanthropic persons had nothing to give. Teachers closed their schools. Things had come to such a pass that children were even afraid to cry. The streets were empty. There were no bathers in the river. There were no human beings about the houses, no birds in the trees, no cattle in the pastures. Jackals and dogs morosely prowled in the graveyards and in the cremation grounds. One great house stood in this village. Its colossal pillars could be seen from a distance. But its doors were closed so tight that it was almost impossible for even a breath of air to enter. Within the house a man and his wife sat deeply absorbed in thought. Mahendra Singh and his wife were face to face with famine. The year before the harvests had been below normal. So rice was expensive this year and people began to suffer. Then during the rainy season it rained plentifully. The villagers at first looked upon this as a special mercy of God. Cowherds sang in joy, and the wives of the peasants began to pester their husbands for silver ornaments. All of a sudden, God frowned again. Not a drop of rain fell during the remaining months of the season. The rice fields dried into heaps of straw. Here and there a few fields yielded poor crops, but government agents bought these up for the army. So people began to starve again. At first they lived on one meal a day. Soon, even that became scarce, and they began to go without any food at all. The crop was too scanty, but the government revenue collector sought to advance his personal prestige by increasing the land revenue by ten per cent. And in dire misery Bengal shed bitter tears. Beggars increased in such numbers that charity soon became the most difficult thing to practise. Then disease began to spread. Farmers sold their cattle and their ploughs and ate up the seed grain. Then they sold their homes and farms. For lack of food they soon took to eating leaves of trees, then grass and when the grass was gone they ate weeds. People of certain castes began to eat cats, dogs and rats.
Author: G.A. Natesan
Publisher:
ISBN:
Category : India
Languages : en
Pages : 1032
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Book Description
Author: Himani Bannerji
Publisher: Canadian Scholars’ Press
ISBN: 0889612080
Category : Social Science
Languages : en
Pages : 193
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Book Description
Thinking Through brings together new and recent writing by Himani Bannerji. Through anti-racist, Marxist feminism, Bannerji questions the notion of distinct/separate oppressions which understands gender, race and class as separate issues. Incisive and important, Thinking Through offers a new strategy to theorizing gender, race, class and socialist revolution.
Author: Manojit Mandal
Publisher: Taylor & Francis
ISBN: 1000963098
Category : Literary Criticism
Languages : en
Pages : 170
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Book Description
Shakespeare and Indian Nationalism aims to articulate the reception of Shakespeare by the 19th-century Indian intelligentsia from Bengal and their ambivalent approach to the Indian Renaissance and consequent nationalist project. Showcasing the cultural politics of British imperialism, this volume focuses on six early nationalist writers and their engagement with Shakespeare: Hemchandra Bandopadhay (1838–1903), Girishchandra Ghosh (1844–1912), Purnachandra Basu (1844–unknown), Iswarchandra Vidyasagar (1820–1891), Bankimchandra Chattopadhaya(1838–1894), and Rabindranath Tagore (1861–1941). Drawing on Antonio Gramsci’s theory of hegemony and a host of prominent writers of cultural politics, nationalism and Indian history, this interdisciplinary approach combines postcolonial studies and Shakespeare studies in an attempt to reconcile the existence of an unbridled admiration for an English cultural icon in India alongside the rise of nationalism and a fierce resistance to British rule. The book, finally, moves to re-explore Shakespeare's position in academic, political and popular nationalist discourses in postcolonial India.
Author: S. K. BOSE
Publisher: Publications Division Ministry of Information & Broadcasting
ISBN: 8123022697
Category :
Languages : en
Pages : 231
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Book Description
The book is about Bankim Chandra Chatterji's life and his contributions towards the freedom struggle.
