Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 522
Book Description
Ballou's Monthly Magazine
Ballou's Monthly Magazine
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 600
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 600
Book Description
Ballou's Dollar Monthly Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
Book Description
Ballou's Dollar Monthly Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1192
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1192
Book Description
Tufts College Graduate
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 488
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 488
Book Description
Before Sherlock Holmes
Author: LeRoy Lad Panek
Publisher: McFarland
ISBN: 0786488565
Category : Language Arts & Disciplines
Languages : en
Pages : 230
Book Description
Traditionally, the history of detective stories as a literary genre begins in the 19th century with the works of Edgar Allan Poe, Charles Dickens, Wilkie Collins, Emile Gaboriau and a handful of other writers. The 19th century was actually awash in detective stories, though many, like the so-called detective notebooks, are so rare that they lay beyond the reach of even the most dedicated readers. This volume surveys the first 50 years of the detective story in 19th century America and England, examining not only major works, but also the lesser known--including contemporary pseudo-biographies, magazines, story papers, and newspapers--only recently accessible through new media. By rewriting the history of the mystery genre, this study opens up new avenues for literary exploration. Instructors considering this book for use in a course may request an examination copy here.
Publisher: McFarland
ISBN: 0786488565
Category : Language Arts & Disciplines
Languages : en
Pages : 230
Book Description
Traditionally, the history of detective stories as a literary genre begins in the 19th century with the works of Edgar Allan Poe, Charles Dickens, Wilkie Collins, Emile Gaboriau and a handful of other writers. The 19th century was actually awash in detective stories, though many, like the so-called detective notebooks, are so rare that they lay beyond the reach of even the most dedicated readers. This volume surveys the first 50 years of the detective story in 19th century America and England, examining not only major works, but also the lesser known--including contemporary pseudo-biographies, magazines, story papers, and newspapers--only recently accessible through new media. By rewriting the history of the mystery genre, this study opens up new avenues for literary exploration. Instructors considering this book for use in a course may request an examination copy here.
The Massachusetts Register and United States Calendar for the Year of Our Lord ...
Author:
Publisher:
ISBN:
Category : Almanacs, American
Languages : en
Pages : 360
Book Description
Publisher:
ISBN:
Category : Almanacs, American
Languages : en
Pages : 360
Book Description
The Massachusetts Register and Business Directory ...
Author: Nahum Capen
Publisher:
ISBN:
Category : Massachusetts
Languages : en
Pages : 384
Book Description
Publisher:
ISBN:
Category : Massachusetts
Languages : en
Pages : 384
Book Description
The Scout, Or Sharpshooters of the Revolution, a Tale of Our Revolutionary Struggle
Author: Benjamin Perley Poore
Publisher:
ISBN:
Category : Adventure stories, American
Languages : en
Pages : 74
Book Description
Publisher:
ISBN:
Category : Adventure stories, American
Languages : en
Pages : 74
Book Description
Hemispheric Regionalism
Author: Gretchen J. Woertendyke
Publisher: Oxford University Press
ISBN: 0190621281
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
In this broad ranging study, Gretchen Woertendyke reconfigures US literary history as a product of hemispheric relations. Hemispheric Regionalism: Romance and the Geography of Genre, brings together a rich archive of popular culture, fugitive slave narratives, advertisements, political treatises, and literature to construct a new literary history from a hemispheric and regional perspective. At the center of this history is romance, a popular and versatile literary genre uniquely capable of translating the threat posed by the Haitian Revolution--or the expansionist possibilities of Cuban annexation--for a rapidly increasing readership. Through romance, she traces imaginary and real circuits of exchange and remaps romance's position in nineteenth century life and letters as irreducible to, nor fully mediated by, a concept of nation. The energies associated with Cuba and Haiti, manifest destiny and apocalypse, bring historical depth to an otherwise short national history. As a result, romance becomes remarkably influential in inculcating a sense of new world citizenry. The study shifts our critical focus from novel and nation, to romance and region, inevitable, she argues, when we attend to the tangled, messy relations across geographic and historical boundaries. Woertendyke reads the archives of Gabriel Prosser, Nat Turner, and Denmark Vesey along with less frequently treated writers such as John Howison, William Gilmore Simms, and J.H. Ingraham. The study provides a new context for understanding works by Washington Irving, Edgar Allan Poe, Herman Melville, and James Fenimore Cooper and brings together the theories of Charles Brockden Brown, the editorial work of Maturin M. Ballou, and the historical romances of Walter Scott. In Hemispheric Regionalism, Woertendyke demonstrates that US literature has always been the product of hemispheric and regional relations and that all forms of romance are central to this history.
Publisher: Oxford University Press
ISBN: 0190621281
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
In this broad ranging study, Gretchen Woertendyke reconfigures US literary history as a product of hemispheric relations. Hemispheric Regionalism: Romance and the Geography of Genre, brings together a rich archive of popular culture, fugitive slave narratives, advertisements, political treatises, and literature to construct a new literary history from a hemispheric and regional perspective. At the center of this history is romance, a popular and versatile literary genre uniquely capable of translating the threat posed by the Haitian Revolution--or the expansionist possibilities of Cuban annexation--for a rapidly increasing readership. Through romance, she traces imaginary and real circuits of exchange and remaps romance's position in nineteenth century life and letters as irreducible to, nor fully mediated by, a concept of nation. The energies associated with Cuba and Haiti, manifest destiny and apocalypse, bring historical depth to an otherwise short national history. As a result, romance becomes remarkably influential in inculcating a sense of new world citizenry. The study shifts our critical focus from novel and nation, to romance and region, inevitable, she argues, when we attend to the tangled, messy relations across geographic and historical boundaries. Woertendyke reads the archives of Gabriel Prosser, Nat Turner, and Denmark Vesey along with less frequently treated writers such as John Howison, William Gilmore Simms, and J.H. Ingraham. The study provides a new context for understanding works by Washington Irving, Edgar Allan Poe, Herman Melville, and James Fenimore Cooper and brings together the theories of Charles Brockden Brown, the editorial work of Maturin M. Ballou, and the historical romances of Walter Scott. In Hemispheric Regionalism, Woertendyke demonstrates that US literature has always been the product of hemispheric and regional relations and that all forms of romance are central to this history.