Bakhtin and Theatre PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Bakhtin and Theatre PDF full book. Access full book title Bakhtin and Theatre by Dick Mccaw. Download full books in PDF and EPUB format.
Author: Dick Mccaw
Publisher: Routledge
ISBN: 1317486587
Category : Performing Arts
Languages : en
Pages : 444
Get Book Here
Book Description
What did Bakhtin think about the theatre? That it was outdated? That is ‘stopped being a serious genre’ after Shakespeare? Could a thinker to whose work ideas of theatricality, visuality, and embodied activity were so central really have nothing to say about theatrical practice? Bakhtin and Theatre is the first book to explore the relation between Bakhtin’s ideas and the theatre practice of his time. In that time, Stanislavsky co-founded the Moscow Art Theatre in 1898 and continued to develop his ideas about theatre until his death in 1938. Stanislavsky’s pupil Meyerhold embraced the Russian Revolution and created some stunningly revolutionary productions in the 1920s, breaking with the realism of his former teacher. Less than twenty years after Stanislavsky’s death and Meyerhold’s assassination, a young student called Grotowski was studying in Moscow, soon to break the mould with his Poor Theatre. All three directors challenged the prevailing notion of theatre, drawing on, disagreeing with and challenging each other’s ideas. Bakhtin’s early writings about action, character and authorship provide a revealing framework for understanding this dialogue between these three masters of Twentieth Century theatre.
Author: Dick Mccaw
Publisher: Routledge
ISBN: 1317486587
Category : Performing Arts
Languages : en
Pages : 444
Get Book Here
Book Description
What did Bakhtin think about the theatre? That it was outdated? That is ‘stopped being a serious genre’ after Shakespeare? Could a thinker to whose work ideas of theatricality, visuality, and embodied activity were so central really have nothing to say about theatrical practice? Bakhtin and Theatre is the first book to explore the relation between Bakhtin’s ideas and the theatre practice of his time. In that time, Stanislavsky co-founded the Moscow Art Theatre in 1898 and continued to develop his ideas about theatre until his death in 1938. Stanislavsky’s pupil Meyerhold embraced the Russian Revolution and created some stunningly revolutionary productions in the 1920s, breaking with the realism of his former teacher. Less than twenty years after Stanislavsky’s death and Meyerhold’s assassination, a young student called Grotowski was studying in Moscow, soon to break the mould with his Poor Theatre. All three directors challenged the prevailing notion of theatre, drawing on, disagreeing with and challenging each other’s ideas. Bakhtin’s early writings about action, character and authorship provide a revealing framework for understanding this dialogue between these three masters of Twentieth Century theatre.
Author: David G. Shepherd
Publisher: Rodopi
ISBN: 9789051834505
Category : Language Arts & Disciplines
Languages : en
Pages : 368
Get Book Here
Book Description
Author: Rocco Coronato
Publisher: Rodopi
ISBN: 9789042011748
Category : Drama
Languages : en
Pages : 282
Get Book Here
Book Description
Contents: 1. Carnival of sorts. - 2. Sejanus plays antics. - 3. Catiline's spoiled party. - 4. 'A silent woman' is hard to find. - 5. Fair time for pigs and kings. - 6. A well-timed carnival. - 7. Potted Gods and poets. - 8. The island of Mardigras.
Author: Mikhail Mikhaĭlovich Bakhtin
Publisher: Indiana University Press
ISBN: 9780253203410
Category : Literary Criticism
Languages : en
Pages : 520
Get Book Here
Book Description
This classic work by the Russian philosopher and literary theorist Mikhail Bakhtin (1895-1975) examines popular humor and folk culture in the Middle Ages and the Renaissance. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.
Author: Michael D. Bristol
Publisher: Routledge
ISBN: 1317748301
Category : History
Languages : en
Pages : 218
Get Book Here
Book Description
In this title, first published in 1985, Michael Bristol draws on several theoretical and critical traditions to study the nature and purpose of theatre as a social institution: on Marxism, and its revisions in the work of Mikhail Bakhtin; on the theories of Emile Durkheim and their adaptations in the work of Victor Turner; and on the history of social life and material culture as practiced by the Annales school. This valuable work is an important contribution to literary criticism, theatre studies and social history and has particular importance for scholars interested in the dramatic literature of Elizabethan England.
Author: Slav N. Gratchev
Publisher: Rowman & Littlefield
ISBN: 1498582702
Category : Literary Criticism
Languages : en
Pages : 385
Get Book Here
Book Description
Art and Answerability, the work that would become Mikhail Bakhtin’s literary manifesto, was first published in Den Iskusstva (The Day of the Art) on September 13, 1919. Mikhail Bakhtin’s Heritage in Literature, Arts, and Psychology: Art and Answerability celebrates one hundred years of Bakhtin’s heritage. This unique book examines the heritage of Mikhail Bakhtinin a variety of disciplines.To articulate the enduring relevance and heritage of the varied works of Bakhtin, sixteen scholars from eight countries have come together, and each has brought his/her unique perspective to the subject. Bakhtin’s work in aesthetics, moral philosophy, linguistics, psychology, carnival, cognition, contextualism, and the history and theory of the novel are present here, as understood by a wide variety of distinguished scholars.
Author: M. M. Bakhtin
Publisher: University of Texas Press
ISBN: 0292782861
Category : Philosophy
Languages : en
Pages : 660
Get Book Here
Book Description
These essays reveal Mikhail Bakhtin (1895-1975)—known in the West largely through his studies of Rabelais and Dostoevsky—as a philosopher of language, a cultural historian, and a major theoretician of the novel. The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology. Bakhtin uses the category "novel" in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, "novelness," which he discusses in "From the Prehistory of Novelistic Discourse." Two essays, "Epic and Novel" and "Forms of Time and of the Chronotope in the Novel," deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented "languages" in battle with one another.
Author: Athol Fugard
Publisher: Samuel French, Inc.
ISBN: 9780573694776
Category : Drama
Languages : en
Pages : 68
Get Book Here
Book Description
Author: Peter Womack
Publisher: Taylor & Francis
ISBN: 1134331843
Category : Art
Languages : en
Pages : 177
Get Book Here
Book Description
Dialogue is a many-sided critical concept; at once an ancient philosophical genre, a formal component of fiction and drama, a model for the relationship of writer and reader, and a theoretical key to the nature of language. In this clear and concise guide to the multiple significance of the term, Peter Womack outlines the history of dialogue form, illustrates dialogue in the novel and on stage, interprets the influential dialogic theories of Mikhail Bakhtin and examines the idea that literary study itself consists of a ‘dialogue’ with the past.
Author: M. Harris
Publisher: Springer
ISBN: 0230376495
Category : Religion
Languages : en
Pages : 220
Get Book Here
Book Description
In this adventurous and wide-ranging book, Harris weaves an intriguing tale of Franciscan Missionary theatre in early colonial Mexico and Indigenous dramatizations of the theme of conquest in modern Mexico. He offers fresh readings of representations of the conquest of Mexico by Dryden and Artaud and engages in a lively dialogue with Bakhtin's insistence that drama is a monological genre. Combining careful scholarship and an entertaining style, he develops his study of the theatre into a thoughtful and original meditation on the ethics of cross-cultural encounter.
