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Author: Thomas J. Farrell
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
"The first of its kind for medieval studies. . . . I cannot imagine that a collection of this caliber would not be consulted regularly by those of us who struggle with questions of interpreting and teaching the literature of the Middle Ages."--R. A. Shoaf, University of Florida This is the first wide-ranging exploration of the theories of the 20th-century Russian critic Mikhail Bakhtin, as they apply to medieval literature. It challenges established ways of reading medieval texts and constructs a cross-interrogation between medieval data and Bakhtinian theories. Contents Part One: Carnival Voices in Medieval Texts Playing on the Margins: Bakhtin and the Smithfield Decretals, by Andrew Taylor Taking Laughter Seriously: The Comic and Didactic Functions of Helmbrecht, by Lisa R. Perfetti Dangerous Dialogues: The Sottie as a Threat to Authority, by Jody L. H. McQuillan Part Two: Multiple Voices in Medieval Texts Heteroglossia and Chaucer's Man of Law's Tale, by Robert M. Jordan Dialogics and Prosody in Chaucer, by Steve Guthrie Dialogism, Heteroglossia, and Late Medieval Translation, by Daniel J. Pinti Medieval Authorship and the Polyphonic Text: From Manuscript Commentary to the Modern Novel, by Robert S. Sturges Part Three: Dissenting Voices in Dialogue with Bakhtin The Chronotopes of Monology in Chaucer's Clerk's Tale, by Thomas J. Farrell Popular-Festive Forms and Beliefs in Robert Mannyng's Handlyng Synne, by Nancy Mason Bradbury Problems of Bakhtin's Epic: Capitalism and the Image of History, by Mark A. Sherman Thomas J. Farrell is associate professor and chair of the English Department at Stetson University, DeLand, Florida, where he holds the Kenneth P. Kirchman Chair in the Humanities. He has published articles in ELH, Studies in Philology, Chaucer Review, and other collections and journals.
Author: Thomas J. Farrell
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 264
Get Book Here
Book Description
"The first of its kind for medieval studies. . . . I cannot imagine that a collection of this caliber would not be consulted regularly by those of us who struggle with questions of interpreting and teaching the literature of the Middle Ages."--R. A. Shoaf, University of Florida This is the first wide-ranging exploration of the theories of the 20th-century Russian critic Mikhail Bakhtin, as they apply to medieval literature. It challenges established ways of reading medieval texts and constructs a cross-interrogation between medieval data and Bakhtinian theories. Contents Part One: Carnival Voices in Medieval Texts Playing on the Margins: Bakhtin and the Smithfield Decretals, by Andrew Taylor Taking Laughter Seriously: The Comic and Didactic Functions of Helmbrecht, by Lisa R. Perfetti Dangerous Dialogues: The Sottie as a Threat to Authority, by Jody L. H. McQuillan Part Two: Multiple Voices in Medieval Texts Heteroglossia and Chaucer's Man of Law's Tale, by Robert M. Jordan Dialogics and Prosody in Chaucer, by Steve Guthrie Dialogism, Heteroglossia, and Late Medieval Translation, by Daniel J. Pinti Medieval Authorship and the Polyphonic Text: From Manuscript Commentary to the Modern Novel, by Robert S. Sturges Part Three: Dissenting Voices in Dialogue with Bakhtin The Chronotopes of Monology in Chaucer's Clerk's Tale, by Thomas J. Farrell Popular-Festive Forms and Beliefs in Robert Mannyng's Handlyng Synne, by Nancy Mason Bradbury Problems of Bakhtin's Epic: Capitalism and the Image of History, by Mark A. Sherman Thomas J. Farrell is associate professor and chair of the English Department at Stetson University, DeLand, Florida, where he holds the Kenneth P. Kirchman Chair in the Humanities. He has published articles in ELH, Studies in Philology, Chaucer Review, and other collections and journals.
Author: David Lawton
Publisher: Oxford University Press
ISBN: 0198792409
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
David Lawton approaches later medieval English vernacular culture in terms of voice. As texts and discourses shift in translation and in use from one language to another, antecedent texts are revoiced in ways that recreate them (as "public interiorities") without effacing their history or future. The approach yields important insights into the voice work of late medieval poets, especially Langland and Chaucer, and also their fifteenth-century successors, who treat their work as they have treated their precursors. It also helps illuminate vernacular religious writing and its aspirations, and it addresses literary and cultural change, such as the effect of censorship and increasing political instability in and beyond the fifteenth century. Lawton also proposes his emphasis on voice as a literary tool of broad application, and his book has a bold and comparative sweep that encompasses the Pauline letters, Augustine's Confessions, the classical precedents of Virgil and Ovid, medieval contemporaries like Machaut and Petrarch, extra-literary artists like Monteverdi, later poets such as Wordsworth, Heaney, and Paul Valery, and moderns such as Jarry and Proust. What justifies such parallels, the author claims, is that late medieval texts constitute the foundation of a literary history of voice that extends to modernity. The book's energy is therefore devoted to the transformative reading of later medieval texts, in order to show their original and ongoing importance as voice work.
Author: Tzvetan Todorov
Publisher: Manchester University Press
ISBN: 9780719014673
Category : Literary Criticism
Languages : en
Pages : 156
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Book Description
Author: James V. WERTSCH
Publisher: Harvard University Press
ISBN: 0674045106
Category : Psychology
Languages : en
Pages : 182
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Book Description
In Voices of the Mind, James Wertsch outlines an approach to mental functioning that stresses its inherent cultural, historical, and institutional context. A critical aspect of this approach is the cultural tools or mediational means that shape both social and individual processes. In considering how these mediational means--in particular, language--emerge in social history and the role they play in organizing the settings in which human beings are socialized, Wertsch achieves fresh insights into essential areas of human mental functioning that are typically unexplored or misunderstood. Although Wertsch's discussion draws on the work of a variety of scholars in the social sciences and the humanities, the writings of two Soviet theorists, L. S. Vygotsky (1896-1934) and Mikhail Bakhtin (1895-1975), are of particular significance. Voices of the Mind breaks new ground in reviewing and integrating some of their major theoretical ideas and in demonstrating how these ideas can be extended to address a series of contemporary issues in psychology and related fields. A case in point is Wertsch's analysis of voice, which exemplifies the collaborative nature of his effort. Although some have viewed abstract linguistic entities, such as isolated words and sentences, as the mechanism shaping human thought, Wertsch turns to Bakhtin, who demonstrated the need to analyze speech in terms of how it appropriates the voices of others in concrete sociocultural settings. These appropriated voices may be those of specific speakers, such as one's parents, or they may take the form of social languages characteristic of a category of speakers, such as an ethnic or national community. Speaking and thinking thus involve the inherent process of ventriloquating through the voices of other socioculturally situated speakers. Voices of the Mind attempts to build upon this theoretical foundation, persuasively arguing for the essential bond between cognition and culture.
Author: Mikhail Mikhaĭlovich Bakhtin
Publisher: Indiana University Press
ISBN: 9780253203410
Category : Literary Criticism
Languages : en
Pages : 520
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Book Description
This classic work by the Russian philosopher and literary theorist Mikhail Bakhtin (1895-1975) examines popular humor and folk culture in the Middle Ages and the Renaissance. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.
Author: Slav N. Gratchev
Publisher: Rowman & Littlefield
ISBN: 1498582702
Category : Literary Criticism
Languages : en
Pages : 385
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Book Description
Art and Answerability, the work that would become Mikhail Bakhtin’s literary manifesto, was first published in Den Iskusstva (The Day of the Art) on September 13, 1919. Mikhail Bakhtin’s Heritage in Literature, Arts, and Psychology: Art and Answerability celebrates one hundred years of Bakhtin’s heritage. This unique book examines the heritage of Mikhail Bakhtinin a variety of disciplines.To articulate the enduring relevance and heritage of the varied works of Bakhtin, sixteen scholars from eight countries have come together, and each has brought his/her unique perspective to the subject. Bakhtin’s work in aesthetics, moral philosophy, linguistics, psychology, carnival, cognition, contextualism, and the history and theory of the novel are present here, as understood by a wide variety of distinguished scholars.
Author:
Publisher: BRILL
ISBN: 9004490736
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
As witnessed by a tremendous upsurge in medieval research, academic meetings, innovative interpretive approaches, enrolment numbers, and public interest, Medieval Studies are proving once again to be a vibrant field of investigations both inside and outside of academia. Nevertheless, there is a tendency among colleagues and administrators in the field of Germanistik/German Studies to exclude the earlier period as an exotic and irrelevant subject matter. The contributors to this volume, all of whom teach at North American universities, make a strong case for the paradigmatic function of medieval German literature for the general field of Germanistik, and argue that many of the most recent changes in our discipline related to the German Studies paradigm have been foreshadowed by Medieval Studies where interdisciplinarity, comparative approaches, the consideration of Mentalitätsgeschichte, theology, history, art history, even gender studies, and the history of everyday life have often constituted the conditio sine qua non. Some of the authors in this volume argue for the relevance of medieval German literature by investigating concrete cases taken from the Middle Ages, others show how modern German literature has been deeply influenced by medieval texts. The purpose of this volume is not to privilege medieval literature over modern literature, but instead to reclaim the premodern period as an important and relevant field of investigation within contemporary German Studies.
Author: Jacob Blevins
Publisher: Associated University Presse
ISBN: 9781575911205
Category : Literary Collections
Languages : en
Pages : 278
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Book Description
"Using Mikhail Bakhtin as a kind of theoretical starting point, this volume of essays investigates the manifestation of such competing "voices" within the tradition of lyric poetry. The lyric subject's understanding of himself/herself - through the very act of speaking/writing - is irrevocably connected, on multiple levels, to the heard and unheard voices of others. No matter how private the voice of the lyric speaker appears to be, nearly every utterance is formed from and then positioned between what others have said or will say. Included here are essays on the classical, medieval, early modern, and modern lyric. Some of the essays in this volume engage Bakhtin "head-on"; others, by focusing explicitly on the construction of the subject through multiple discursive dialogues implicitly bring Bakhtin to bear. These essays engage multiple elements of dialogism, including the convergence of masculine and feminine voices, public and private discourses, intertextuality and the "voices of the past," the dialogue between literature and art, and the always present dialogue between speaker(s) and reader(s)."--BOOK JACKET.
Author: Kevin S. Whetter
Publisher: Boydell & Brewer
ISBN: 1843846470
Category : Literary Criticism
Languages : en
Pages : 343
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Book Description
Arthurian Literature has established its position as the home for a great diversity of new research into Arthurian matters. It delivers fascinating material across genres, periods, and theoretical issues. TIMES LITERARY SUPPLEMENT This issue offers stimulating studies of a wide range of Arthurian texts and authors, from the Middle Ages to the nineteenth century, among which is the first winner of the Derek Brewer Essay Prize, awarded to a fascinating exploration of Ragnelle's strangeness in The Weddyng of Syr Gawen and Dame Ragnelle. It includes an exploration of Irish and Welsh cognates and possible sources for Merlin; Bakhtinian analysis of Geoffrey of Monmouth's playful discourse; and an account of the transmission of Geoffrey's text into Old Icelandic. In the Middle English tradition, there is an investigation of material Arthuriana in Sir Gawain and the Green Knight, followed by explorations of shame in Malory's Morte Darthur. The post-medieval articles see one paper devoted to the paratexts of sixteenth-century French Arthurian publishers; one to eighteenth-century Arthuriana; and one to a range of nineteenth-century rewritings of the virginity of Galahad and Percival's Sister. Two Notes close this volume: one on Geoffrey's Vita Merlini and a possible Irish source, and one on a likely source for Malory's linking of Trystram with the Book of Hunting and Hawking in an early form of The Book of St Albans.
Author: Carolyn Birdsall
Publisher: Amsterdam University Press
ISBN: 9089644261
Category : History
Languages : en
Pages : 548
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Book Description
Na de formatie van de NSDAP in de jaren '20 werden verschillende vormen van geluid (stem, ruis, stilte, populaire muziek) en mediatechnologieën (radio- en luidsprekersystemen) ingezet voor hun politieke programma. Vanuit de historisch invalshoek van het stedelijke 'soundscape' van Düsseldorf, onderzoekt de auteur de productie en receptie van deze geluiden en technologieën. Nazi Soundscapes brengt in kaart hoe het politieke bestel de stedelijke ruimte en identiteitsformatie van burgers door middel van geluid beïnvloedt. Het geeft een kritisch perspectief op zowel visuele als auditieve manieren van controle en discipline, in het bijzonder bij uitsluiting en geweld tijdens het nationaal-socialisme (1933-1945).
