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Author: Canadian Stage Theatre Archives (University of Guelph)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Canadian Stage Theatre Archives (University of Guelph)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Vincent Newey
Publisher: Rowman & Littlefield
ISBN: 9780389209546
Category : History
Languages : en
Pages : 316
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Book Description
This collection of essays traces the representation of nationalism in a number of literary texts, ranging from the poems of Sir Thomas Wyatt written at the court of Henry 8th to the plays of Tom Murphy written in Ireland in the 1980s.
Author: Anne F. O'Reilly
Publisher: Peter Lang
ISBN: 9781904505075
Category : Drama
Languages : en
Pages : 360
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Book Description
Examination of the soul and spirituality in Irish theatre
Author: Birgit Ryschka
Publisher: Peter Lang
ISBN: 9783631581117
Category : Art
Languages : en
Pages : 276
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Book Description
Originally presented as the author's thesis (doctoral)--University of Limerick, Ireland, 2007.
Author: Nicholas Grene
Publisher: Bloomsbury Publishing
ISBN: 1472568125
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
Tom Murphy shot to fame with the London production of A Whistle in the Dark in 1961, establishing him as the outstanding Irish playwright of his generation. The international success of DruidMurphy, the 2012-13 staging of three of his major plays by the Druid Theatre Company, served to underline his continuing appeal and importance. This is the first full scale academic study devoted to his theatre, providing an overview of all his work, with a detailed reading of his most significant texts. His powerful and searchingly honest engagement with Irish history and society is reflected in the violent Whistle in the Dark, the epic Famine (1968), the often hilarious Conversations on a Homecoming (1985) and the darkly Chekhovian The House (2000). Folklore and myth figure more prominently in the spiritual drama of The Sanctuary Lamp (1975), the Faustian Gigli Concert (1983) and the women's stories of Bailegangaire (1985). The range and reach of Murphy's theatre is demonstrated in this informed reading, supported by key interviews with the playwright himself and his most important theatrical and critical interpreters.
Author: Nadine Holdsworth
Publisher: John Wiley & Sons
ISBN: 1118739078
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
Focusing on major and emerging playwrights, institutions, and various theatre practices this Concise Companion examines the key issues in British and Irish theatre since 1979. Written by leading international scholars in the field, this collection offers new ways of thinking about the social, political, and cultural contexts within which specific aspects of British and Irish theatre have emerged and explores the relationship between these contexts and the works produced. It investigates why particular issues and practices have emerged as significant in the theatre of this period.
Author: Hiroko Mikami
Publisher: Peter Lang
ISBN: 9781904505235
Category : Drama
Languages : en
Pages : 212
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Book Description
Essays on Irish theatre in the second half of the twentieth century
Author: Fintan O'Toole
Publisher: Peter Lang
ISBN: 9781904505037
Category : Drama
Languages : en
Pages : 424
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Book Description
Few figures are more respected and quoted internationally than Fintan O'Toole, both as a controversial and provocative political commentator and theatre critic. This extensive collection brings together a wide range of his writings going back to 1980. It provides a privileged insight into the great moments of contemporary Irish theatre, marking the contributions of playwrights (Carr, Murphy, Friel, McGuinness), directors (Hynes, Byrne), actors (Hickey, McKenna), and designers (Vanek, Frawley). It also demonstrates his unsettling of the usual "canon," with his thoughtful arguments promoting certain playwrights who deserve to up be there with Ireland's best, including Antoine O'Flatharta, Paul Mercier, Dermot Bolger, and David Byrne.
Author: Alexandra Poulain
Publisher: Springer
ISBN: 1349949639
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
This book discusses Irish Passion plays (plays that rewrite or parody the story of the Passion of Christ) in modern Irish drama from the Irish Literary Revival to the present day. It offers innovative readings of such canonical plays as J. M. Synge’s The Playboy of the Western World, W. B. Yeats’s Calvary, Brendan Behan’s The Hostage, Samuel Beckett’s Endgame, Brian Friel’s Faith Healer and Tom Murphy’s Bailegangaire, as well as of less well-known plays by Padraic Pearse, Lady Gregory, G. B. Shaw, Seán O’Casey, Denis Johnston, Samuel Beckett and David Lloyd. Challenging revisionist readings of the rhetoric of “blood sacrifice” and martyrdom in the Irish Republican tradition, it argues that the Passion play is a powerful political genre which centres on the staged death of the (usually male) protagonist, and makes visible the usually invisible violence perpetrated both by colonial power and by the postcolonial state in the name of modernity.
Author: Manfred Pfister
Publisher: Rodopi
ISBN: 9789042012882
Category : Literary Collections
Languages : en
Pages : 220
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Book Description
Is there a 'history' of laughter? Or isn't laughter an anthropological constant rather and thus beyond history, a human feature that has defined humanity as homo ridens from cave man and cave woman to us? The contributors to this collection of essays believe that laughter does have a history and try to identify continuities and turning points of this history by studying a series of English texts, both canonical and non-canonical, from Anglosaxon to contemporary. As this is not another book on the history of the comic or of comedy it does not restrict itself to comic genres; some of the essays actually go out of their way to discover laughter at the margins of texts where one would not have expected it all - in Beowulf, or Paradise Lost or the Gothic Novel. Laughter at the margins of texts, which often coincides with laughter from the margins of society and its orthodoxies, is one of the special concerns of this book. This goes together with an interest in 'impure' forms of laughter - in laughter that is not the serene and intellectually or emotionally distanced response to a comic stimulus which is at the heart of many philosophical theories of the comic, but emotionally disturbed and troubled, aggressive and transgressive, satanic and sardonic laughter. We do not ask, then, what is comic, but: who laughs at and with whom where, when, why, and how?
