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Author: Mark Ringer
Publisher: Unlocking the Masters
ISBN: 9781538135563
Category : Music
Languages : en
Pages : 208
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Book Description
Bach's Operas of the Soul is the first introduction for the general music lover to Bach's sacred cantatas to appear in nearly half a century. In clear and accessible language, Mark Ringer examines this vast output of masterpieces as the great musical dramatic creations that they are in order to open these works to a wider audience. Bach's sacred cantatas represent an almost superhuman artistic and spiritual achievement, arguably the richest investment by a great composer within a single genre. But outside of a handful of pieces, they remain a closed book to a majority of serious listeners already familiar with Bach's large-scale religious works. Nevertheless, the same musical-dramatic genius of Bach's Passions is fully evident in virtually all of the composer's sacred cantatas. This book's innovative approach to Bach's Sacred Cantatas is to think of them as sermons in musical-dramatic form, un-staged operas, planned for each occasion of the church year. Bach's ability to dramatize text through music is unmatched throughout history. His era relished dramatic contrast and Bach's use of the human voice offers a constantly changing pallet of vocal colors. The singers play 'roles' throughout the cantatas from penitent sinner, to ardent believer, to Christ himself. The emotions and dramatic situations expressed are as varied as the human condition. This book will be of use to readers interested in opera and vocal music who have already come to love Bach's Passions and who want to familiarize themselves with this wide array of masterpieces.
Author: Mark Ringer
Publisher: Rowman & Littlefield
ISBN: 1538135574
Category : Music
Languages : en
Pages : 233
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Book Description
Bach’s Operas of the Soul is the first introduction to Bach’s sacred cantatas for the general music lover. In clear and accessible language, Mark Ringer examines this vast output of masterpieces as the great musical dramatic creations that they. Bach’s sacred cantatas represent an almost superhuman artistic and spiritual achievement, arguably the richest investment by a great composer within a single genre. But outside of a handful of pieces, they remain a closed book to a majority of serious listeners already familiar with Bach’s large-scale religious works. Nevertheless, the same musical-dramatic genius of Bach’s Passions is fully evident in virtually all of the composer's sacred cantatas. Ringer approaches the sacred cantatas as sermons in musical-dramatic form, un-staged operas, planned for each occasion of the church year. Bach’s era relished dramatic contrast, and his use of the human voice offers a constantly changing pallet of vocal colors. The singers play ‘roles’ throughout the cantatas from penitent sinner, to ardent believer, to Christ himself. This book is accompanied by online audio tracks of select Bach canatatas from the Naxos music library. It will be of use to readers interested in opera and vocal music who have already come to love Bach’s Passions and who want to familiarize themselves with this wide array of masterpieces.
Author: Alfred Dürr
Publisher: Oxford University Press
ISBN: 0198167075
Category : Music
Languages : en
Pages : 984
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Book Description
This is the only English translation of this important book by the world's most distinguished Bach scholar.
Author: Markus Rathey
Publisher: Yale University Press
ISBN: 0300219512
Category : Music
Languages : en
Pages : 247
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Book Description
Every year, Johann Sebastian Bach’s major vocal works are performed to mark liturgical milestones in the Christian calendar. Written by a renowned Bach scholar, this concise and accessible book provides an introduction to the music and cultural contexts of the composer’s most beloved masterpieces, including the Magnificat, Christmas Oratorio, and St. John Passion. In addition to providing historical information, each chapter highlights significant aspects—such as the theology of love—of a particular piece. This penetrating volume is the first to treat the vocal works as a whole, showing how the compositions were embedded in their original performative context within the liturgy as well as discussing Bach’s musical style, from the detailed level of individual movements to the overarching aspects of each work. Published in the approach to Easter when many of these vocal works are performed, this outstanding volume will appeal to casual concertgoers and scholars alike.
Author: Patrick Kavanaugh
Publisher: Zondervan
ISBN: 0310208068
Category : Biography & Autobiography
Languages : en
Pages : 260
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Book Description
This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.
Author: Christoph Wolff
Publisher: Oxford University Press, USA
ISBN: 9780199248841
Category : Biography & Autobiography
Languages : en
Pages : 644
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Book Description
Now available in paperback, this landmark biography was first published in 2000 to mark the 250th anniversary of J. S. Bach's death. Written by a leading Bach scholar, this book presents a new picture of the composer. Christoph Wolff demonstrates the intimate connection between Bach's life and his music, showing how the composer's superb inventiveness pervaded his career as a musician, composer, performer, scholar, and teacher.
Author: Richard D. P. Jones
Publisher: OUP Oxford
ISBN: 0191503843
Category : Music
Languages : en
Pages : 450
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Book Description
This is the second of a two-volume study of the music of Johann Sebastian Bach. Taking into account the vast increase in our knowledge of the composer due to the Bach scholarship of the last sixty years, Richard Jones presents a vivid and in some respects radically new picture of his creative development during the Cöthen (1717-23) and Leipzig years (1723-50). The approach is, as far as possible, chronological and analytical, but the author has also tried to make the book readable so that it may be accessible to music lovers and amateur performers as well as to students, scholars, and professional musicians. There are many good biographies of Bach, but this is the first, fully-comprehensive, in-depth study of his music making it indispensable for those who want to study specific pieces or learn how he developed as a composer.
Author: Steve Rush
Publisher: Church Publishing, Inc.
ISBN: 0898698162
Category : Religion
Languages : en
Pages : 177
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Book Description
This book offers hope to the parish that is searching for a way to make their liturgies more meaningful in the local context. Written by a priest and musician who have worked together for many years in the Canterbury House ministry at the University of Michigan, the methods described here demonstrate a respect for others' gifts and skills, discernment of the spiritual needs of the community, and actively welcoming the creative force of the Holy Spirit to work even in the planning process. Based on the liturgical format of the Book of Common Prayer, Hamilton and Rush nevertheless outline their experience and ideas in ways that will be useful to all liturgical denominations.
Author:
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ISBN:
Category :
Languages : en
Pages : 396
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Book Description
Author:
Publisher:
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Category : Music
Languages : en
Pages : 924
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Book Description
Author: Mark A. Peters
Publisher: Rowman & Littlefield
ISBN: 1498554962
Category : Music
Languages : en
Pages : 355
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Book Description
Compositional Choices and Meaning in the Vocal Music of J. S. Bach collects seventeen essays by leading Bach scholars. The authors each address in some way such questions of meaning in J. S. Bach’s vocal compositions—including his Passions, Masses, Magnificat, and cantatas—with particular attention to how such meaning arises out of the intentionality of Bach’s own compositional choices or (in Part IV in particular) how meaning is discovered, and created, through the reception of Bach’s vocal works. And the authors do not consider such compositional choices in a vacuum, but rather discuss Bach’s artistic intentions within the framework of broader cultural trends—social, historical, theological, musical, etc. Such questions of compositional choice and meaning frame the four primary approaches to Bach’s vocal music taken by the authors in this volume, as seen across the book’s four parts: Part I: How might the study of historical theology inform our understanding of Bach’s compositional choices in his music for the church (cantatas, Passions, masses)? Part II: How can we apply traditional analytical tools to understand better how Bach’s compositions were created and how they might have been heard by his contemporaries? Part III: What we can understand anew through the study of Bach’s self-borrowing (i.e., parody), which always changed the earlier meaning of a composition through changes in textual content, compositional characteristics, the work’s context within a larger composition, and often the performance context (from court to church, for example)? Part IV: What can the study of reception teach us about a work’s meaning(s) in Bach’s time, during the time of his immediate successors, and at various points since then (including our present)? The chapters in this volume thus reflect the breadth of current Bach research in its attention not only to source study and analysis, but also to meanings and contexts for understanding Bach’s compositions.
