Bach's Authentic Chorale Harmony - Workbook PDF Download
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Author: Christopher Mabley
Publisher: Christopher Mabley
ISBN: 1399901206
Category : Art
Languages : en
Pages : 201
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Book Description
Johann Sebastian Bach’s chorale settings have been vital to the teaching of music ever since they were composed, and this comprehensive Course provides a thorough re-appraisal of this inspiring music. In matching HARMONY closely to TEXTURE, it is founded entirely on the composer's own procedures. Each Chapter builds on the work of previous ones, so that the student is taken from the simplest harmonizations of single phrases through to the most complex settings of complete chorale melodies employing the full range of Bach’s harmonic resources. The materials are complemented at every stage by focused exercises using Bach's music as relevant exemplars. This book provides the keen student with practical working insights into the basics of harmony and counterpoint, and these insights can then be adapted and applied to music in other styles and genres. This edition is presented in American English and American musical terminology. It complements the printed edition which uses British English and British musical terminology.
Author: Christopher Mabley
Publisher: Christopher Mabley
ISBN: 1399901206
Category : Art
Languages : en
Pages : 201
Get Book Here
Book Description
Johann Sebastian Bach’s chorale settings have been vital to the teaching of music ever since they were composed, and this comprehensive Course provides a thorough re-appraisal of this inspiring music. In matching HARMONY closely to TEXTURE, it is founded entirely on the composer's own procedures. Each Chapter builds on the work of previous ones, so that the student is taken from the simplest harmonizations of single phrases through to the most complex settings of complete chorale melodies employing the full range of Bach’s harmonic resources. The materials are complemented at every stage by focused exercises using Bach's music as relevant exemplars. This book provides the keen student with practical working insights into the basics of harmony and counterpoint, and these insights can then be adapted and applied to music in other styles and genres. This edition is presented in American English and American musical terminology. It complements the printed edition which uses British English and British musical terminology.
Author: Hugh Benham
Publisher: Rhinegold Education
ISBN: 1787590607
Category : Music
Languages : en
Pages : 198
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Book Description
The A Level Music Harmony Workbook 1 provides a firm foundation for all students embarking on a study of harmony. Assuming very little prior knowledge, it guides you through topics such as intervals, chord construction, cadences, harmonic progressions, part-writing and figured bass. Activities are provided throughout the book to help you learn and practise the skills you are acquiring. This book is a thoroughly revised edition of the AS Music Harmony Workbook (2008), updated to meet the requirements of the 2016 A Level Music specifications for all exam boards. Follow on with A Level Music Harmony Workbook 2 to learn how to apply your knowledge to a wide range of tasks, including the harmonisation of chorales in the style of J S Bach.
Author: Steven Porter
Publisher: Taylor & Francis
ISBN: 9780935016802
Category : Music
Languages : en
Pages : 152
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Book Description
First Published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
Author: David Huron
Publisher: MIT Press
ISBN: 026233545X
Category : Music
Languages : en
Pages : 273
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Book Description
An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others. Voice leading is the musical art of combining sounds over time. In this book, David Huron offers an accessible account of the cognitive and perceptual foundations for this practice. Drawing on decades of scientific research, including his own award-winning work, Huron offers explanations for many practices and phenomena, including the perceptual dominance of the highest voice, chordal-tone doubling, direct octaves, embellishing tones, and the musical feeling of sounds “leading” somewhere. Huron shows how traditional rules of voice leading align almost perfectly with modern scientific accounts of auditory perception. He also reviews pertinent research establishing the role of learning and enculturation in auditory and musical perception. Voice leading has long been taught with reference to Baroque chorale-style part-writing, yet there exist many more musical styles and practices. The traditional emphasis on Baroque part-writing understandably leaves many musicians wondering why they are taught such an archaic and narrow practice in an age of stylistic diversity. Huron explains how and why Baroque voice leading continues to warrant its central pedagogical status. Expanding beyond choral-style writing, Huron shows how established perceptual principles can be used to compose, analyze, and critically understand any kind of acoustical texture from tune-and-accompaniment songs and symphonic orchestration to jazz combo arranging and abstract electroacoustic music. Finally, he offers a psychological explanation for why certain kinds of musical textures are more likely to be experienced by listeners as pleasing.
Author: Christopher Czarnecki
Publisher:
ISBN: 9780989087933
Category :
Languages : en
Pages :
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Book Description
A collection of all the known chorales of J.S. Bach in one easy to read format. This is a paperback version of these pieces designed for the musician. Each chorale is given it's own page with plenty of room for notes and large, easy to read notation. There is plenty of room for the music student to write in their own notes and analysis.A helpful index of existing versions of the 371 and 389 Bach chorales as well as BWV numbers is included in the preface for those who might wish to compare or cross reference these versions of the chorales as they appear in this volume of 413.
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Chorales
Languages : en
Pages : 192
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Book Description
Author: Dariusz Terefenko
Publisher: Taylor & Francis
ISBN: 104015140X
Category : Music
Languages : en
Pages : 595
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Book Description
Explorations in Music Theory: Harmony, Musicianship, Improvisation offers an innovative learning approach to music theory, centered on instrumental skills, improvisation, and composition. Providing a comprehensive textbook to support music theory curricula, along with an accompanying workbook, it includes extensive performance-based exercises in each chapter, alongside written theory and analysis. This book teaches harmony as a series of historical practices, each with different advantages and disadvantages. Classes are empowered to critically compare these practices and adopt those that they find most effective. Designed to support multiple learning modalities, and incorporating repertoire from a diverse array of composers, this book offers instructors and students a comprehensive and engaging foundation in music theory. Features of this book include: · Modular lessons centered on inquiry-driven pedagogy, offering flexibility · Lesson difficulty is marked to allow instructors to easily organize their course · A wide variety of exercises and practice tasks incorporated throughout the chapters · Improvisation Labs allow students to practice concepts through improvisation · Historical Minutes introduce students to historical theorists and enable them to understand music theory as a living practice · Composer Spotlights highlight the stories of composers whose work is featured in the chapter, bringing forward underrepresented composers · Explore Online features provide additional exercises and coverage of advanced topics through an accompanying online resource A flexible, modular organization allows the book to be used in a variety of course structures, accommodating a wide variety of schools. Enhancing improvisation and composition skills, introducing historical perspectives, incorporating diverse repertoire, and enabling students to better connect theory concepts with practical applications, this text provides a new and effective way to teach harmony. This accompanying Workbook offers exercises to accompany each chapter in the book. Divided into warmup and homework sections, the exercises in the Workbook provide additional practice with the skills addressed in the textbook through a range of approaches, including writing, composition, and identification.
Author: Alfred Day
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 176
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Book Description
Author: George B. Stauffer
Publisher: Indiana University Press
ISBN: 9780253213860
Category : Music
Languages : en
Pages : 324
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Book Description
" . . . a valuable book of scholarly yet highly readable studies . . . every organist and anyone interested in the music of J. S. Bach should have it." —Early Keyboard Journal " . . . a very perceptive and informative guide . . . " —Early Music " . . . this book is a must." —The American Organist " . . . invaluable and entertaining . . . " —American Music Teacher " . . . among the most important and accomplished studies on eighteenth-century performance. Its comprehensiveness, clarity, and scholarship make it indispensable." —Performance Practice Review In J. S. Bach as Organist, specialists from six countries explore Bach's relationship to his favorite instrument during all periods of his career. J. S. Bach as Organist is a book for scholars, performers, and students. Authoritative and wide-ranging.
Author: Felix Salzer
Publisher: Columbia University Press
ISBN: 023107039X
Category : Composition (Music)
Languages : en
Pages : 504
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Book Description
-- Stanley Persky, City University of New York
