Author: Alfred Kanwischer
Publisher: Rowman & Littlefield
ISBN: 1442230649
Category : Music
Languages : en
Pages : 239
Book Description
In From Bach’s Goldberg to Beethoven’s Diabelli: Influence and Independence, music scholar and noted pianist Alfred Kanwischer takes readers on an extended exploration in which each of the thirty-three pieces making up Beethoven’s Diabelli Variations (Op. 120) is caringly examined and assessed for its ingredients, actions, personality, and influence on the whole. Counterpoint abounds, not only in the fugal variations, which are closely parsed, but throughout the Diabelli, revealing the noticeably baroque character of the technical compositional devices Beethoven employs. Throughout his study, Kanwischer integrates comparisons with Bach’s immortal Goldberg Variations. Both sets stand alone as among the greatest keyboard variations in the Western canon. During their creation, the composers were nearly the same age, at the zenith of their art, and in similarly felicitous frames of mind. Kanwischer underscores twenty essential similarities, from the use of melody and melodic outline and the comparability among variations in size, parallel design, ebullient outlook, increasing contrasts, daring virtuosic flights, Shakespearean blend of comic and tragic, and their respective cumulative rises to spiritual transcendence. From Bach’s Goldberg to Beethoven’s Diabelli takes readers on a lively and stimulating journey of discovery. It considers not only questions of influence but those of insight and understanding, offering a work useful as a reference and as a guide to performers, music instructors, and devotees. This work also includes seventy visually annotated interpretive musical examples as aids to understanding.
From Bach's Goldberg to Beethoven's Diabelli
Author: Alfred Kanwischer
Publisher: Rowman & Littlefield
ISBN: 1442230649
Category : Music
Languages : en
Pages : 239
Book Description
In From Bach’s Goldberg to Beethoven’s Diabelli: Influence and Independence, music scholar and noted pianist Alfred Kanwischer takes readers on an extended exploration in which each of the thirty-three pieces making up Beethoven’s Diabelli Variations (Op. 120) is caringly examined and assessed for its ingredients, actions, personality, and influence on the whole. Counterpoint abounds, not only in the fugal variations, which are closely parsed, but throughout the Diabelli, revealing the noticeably baroque character of the technical compositional devices Beethoven employs. Throughout his study, Kanwischer integrates comparisons with Bach’s immortal Goldberg Variations. Both sets stand alone as among the greatest keyboard variations in the Western canon. During their creation, the composers were nearly the same age, at the zenith of their art, and in similarly felicitous frames of mind. Kanwischer underscores twenty essential similarities, from the use of melody and melodic outline and the comparability among variations in size, parallel design, ebullient outlook, increasing contrasts, daring virtuosic flights, Shakespearean blend of comic and tragic, and their respective cumulative rises to spiritual transcendence. From Bach’s Goldberg to Beethoven’s Diabelli takes readers on a lively and stimulating journey of discovery. It considers not only questions of influence but those of insight and understanding, offering a work useful as a reference and as a guide to performers, music instructors, and devotees. This work also includes seventy visually annotated interpretive musical examples as aids to understanding.
Publisher: Rowman & Littlefield
ISBN: 1442230649
Category : Music
Languages : en
Pages : 239
Book Description
In From Bach’s Goldberg to Beethoven’s Diabelli: Influence and Independence, music scholar and noted pianist Alfred Kanwischer takes readers on an extended exploration in which each of the thirty-three pieces making up Beethoven’s Diabelli Variations (Op. 120) is caringly examined and assessed for its ingredients, actions, personality, and influence on the whole. Counterpoint abounds, not only in the fugal variations, which are closely parsed, but throughout the Diabelli, revealing the noticeably baroque character of the technical compositional devices Beethoven employs. Throughout his study, Kanwischer integrates comparisons with Bach’s immortal Goldberg Variations. Both sets stand alone as among the greatest keyboard variations in the Western canon. During their creation, the composers were nearly the same age, at the zenith of their art, and in similarly felicitous frames of mind. Kanwischer underscores twenty essential similarities, from the use of melody and melodic outline and the comparability among variations in size, parallel design, ebullient outlook, increasing contrasts, daring virtuosic flights, Shakespearean blend of comic and tragic, and their respective cumulative rises to spiritual transcendence. From Bach’s Goldberg to Beethoven’s Diabelli takes readers on a lively and stimulating journey of discovery. It considers not only questions of influence but those of insight and understanding, offering a work useful as a reference and as a guide to performers, music instructors, and devotees. This work also includes seventy visually annotated interpretive musical examples as aids to understanding.
Beethovens Diabelli Variations
Author: William Kinderman
Publisher: Oxford University Press
ISBN: 0199711747
Category : Music
Languages : en
Pages : 247
Book Description
The Thirty-three Variations on a Waltz by Diabelli, Op. 120, represent Beethovens most extraordinary achievement in the art of variation-writing. In their originality and power of invention, they stand beside other late Beethoven masterpieces such as the Ninth Symphony, the Missa Solemnis, and the last quartets. William Kindermans study of the compositional history of the work includes the first extended investigation and reconstruction of the sketches and drafts, and reveals, contrary to earlier views of its chronology, that it was actually begun in 1819, then put aside, and completed in 1822-3. Kinderman also provides an analytical discussion of the complete work, and he demonstrates how insights derived from a close study of the sketches can illuminate Beethovens compositional ideas and attitudes and contribute substantially to a better understanding of this massive and complex set of variations. The book includes complete transcriptions of the two central documents in the genesis of the Diabelli variations - the reconstructed Wittgenstein Sketchbook and the Paris - Landsberg - Montauban Draft.
Publisher: Oxford University Press
ISBN: 0199711747
Category : Music
Languages : en
Pages : 247
Book Description
The Thirty-three Variations on a Waltz by Diabelli, Op. 120, represent Beethovens most extraordinary achievement in the art of variation-writing. In their originality and power of invention, they stand beside other late Beethoven masterpieces such as the Ninth Symphony, the Missa Solemnis, and the last quartets. William Kindermans study of the compositional history of the work includes the first extended investigation and reconstruction of the sketches and drafts, and reveals, contrary to earlier views of its chronology, that it was actually begun in 1819, then put aside, and completed in 1822-3. Kinderman also provides an analytical discussion of the complete work, and he demonstrates how insights derived from a close study of the sketches can illuminate Beethovens compositional ideas and attitudes and contribute substantially to a better understanding of this massive and complex set of variations. The book includes complete transcriptions of the two central documents in the genesis of the Diabelli variations - the reconstructed Wittgenstein Sketchbook and the Paris - Landsberg - Montauban Draft.
Bach: The Goldberg Variations
Author: Peter Williams
Publisher: Cambridge University Press
ISBN: 9780521001939
Category : Music
Languages : en
Pages : 132
Book Description
Many listeners and players are fascinated by Bach's Goldberg Variations. In this wideranging and searching study, Professor Williams, one of the leading Bach scholars of our time, helps them probe its depths and understand its uniqueness. He considers the work's historical origins, especially in relation to all Bach's Clavierübung volumes and late keyboard works, its musical agenda and its formal shape, and discusses significant performance issues. In the course of the book he poses a number of key questions. Why should such a work be written? Does the work have both a conceptual and a perceptual shape? What other music is likely to have influenced the Goldberg and to what extent is it trying to be encyclopedic? What is the canonic vocabulary? How have contemporaries or musicians from Beethoven to the present day seen this work and, above all, how has its mysterious beauty been created?
Publisher: Cambridge University Press
ISBN: 9780521001939
Category : Music
Languages : en
Pages : 132
Book Description
Many listeners and players are fascinated by Bach's Goldberg Variations. In this wideranging and searching study, Professor Williams, one of the leading Bach scholars of our time, helps them probe its depths and understand its uniqueness. He considers the work's historical origins, especially in relation to all Bach's Clavierübung volumes and late keyboard works, its musical agenda and its formal shape, and discusses significant performance issues. In the course of the book he poses a number of key questions. Why should such a work be written? Does the work have both a conceptual and a perceptual shape? What other music is likely to have influenced the Goldberg and to what extent is it trying to be encyclopedic? What is the canonic vocabulary? How have contemporaries or musicians from Beethoven to the present day seen this work and, above all, how has its mysterious beauty been created?
Late Beethoven
Author: Maynard Solomon
Publisher: Univ of California Press
ISBN: 9780520237469
Category : Art
Languages : en
Pages : 356
Book Description
This "multitude of productive images," writes Solomon, "provides kindling for the blaze of his imagination.""--BOOK JACKET.
Publisher: Univ of California Press
ISBN: 9780520237469
Category : Art
Languages : en
Pages : 356
Book Description
This "multitude of productive images," writes Solomon, "provides kindling for the blaze of his imagination.""--BOOK JACKET.
Bach Goldberg Beethoven Diabelli
Author: Carlo Fiore
Publisher:
ISBN: 9788883023996
Category : Music
Languages : it
Pages : 110
Book Description
Publisher:
ISBN: 9788883023996
Category : Music
Languages : it
Pages : 110
Book Description
Beethoven: The Music and the Life
Author: Lewis Lockwood
Publisher: W. W. Norton & Company
ISBN: 0393326381
Category : Biography & Autobiography
Languages : en
Pages : 621
Book Description
Written for the general reader, this book reveals how Beethoven's great works reflect both his artistic individuality and the deepest philosophical and political currents of his age.
Publisher: W. W. Norton & Company
ISBN: 0393326381
Category : Biography & Autobiography
Languages : en
Pages : 621
Book Description
Written for the general reader, this book reveals how Beethoven's great works reflect both his artistic individuality and the deepest philosophical and political currents of his age.
33 Variations
Author: Moisés Kaufman
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822223924
Category : Parenthood
Languages : en
Pages : 116
Book Description
THE STORY: A mother coming to terms with her daughter. A composer coming to terms with his genius. And, even though they're separated by 200 years, these two people share an obsession that might, even just for a moment, make time stand still. Drama
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822223924
Category : Parenthood
Languages : en
Pages : 116
Book Description
THE STORY: A mother coming to terms with her daughter. A composer coming to terms with his genius. And, even though they're separated by 200 years, these two people share an obsession that might, even just for a moment, make time stand still. Drama
Ferruccio Busoni and His Legacy
Author: Erinn E. Knyt
Publisher: Indiana University Press
ISBN: 025302689X
Category : Music
Languages : en
Pages : 386
Book Description
An analysis of the composer’s unconventional teaching style and philosophy, his relationship with his students, and his effect on twentieth century music. Many students of renowned composer, conductor, and teacher Ferruccio Busoni had illustrious careers of their own, yet the extent to which their mentor’s influence helped shape their success was largely unexplored until now. Through rich archival research including correspondence, essays, and scores, Erinn E. Knyt presents an evocative account of Busoni’s idiosyncratic pedagogy—focused on aesthetic ideals rather than methodologies or techniques—and how this teaching style and philosophy can be seen and heard in the Nordic-inspired musical works of Sibelius, the unusual soundscapes of Varèse, the polystylistic meldings of music and technology in Louis Gruenberg’s radio operas and film scores, the electronic music of Otto Luening, and the experimentalism of Philip Jarnach. Equal parts critical biography and interpretive analysis, Knyt’s work compels a reconsideration of Busoni’s legacy and puts forth the notion of a “Busoni School” as one that shaped the trajectory of twentieth-century music. “Erinn Knyt’s Ferruccio Busoni and His Legacy is a most welcome addition to the literature on Busoni as a fine example of research based on primary sources.” —Bach
Publisher: Indiana University Press
ISBN: 025302689X
Category : Music
Languages : en
Pages : 386
Book Description
An analysis of the composer’s unconventional teaching style and philosophy, his relationship with his students, and his effect on twentieth century music. Many students of renowned composer, conductor, and teacher Ferruccio Busoni had illustrious careers of their own, yet the extent to which their mentor’s influence helped shape their success was largely unexplored until now. Through rich archival research including correspondence, essays, and scores, Erinn E. Knyt presents an evocative account of Busoni’s idiosyncratic pedagogy—focused on aesthetic ideals rather than methodologies or techniques—and how this teaching style and philosophy can be seen and heard in the Nordic-inspired musical works of Sibelius, the unusual soundscapes of Varèse, the polystylistic meldings of music and technology in Louis Gruenberg’s radio operas and film scores, the electronic music of Otto Luening, and the experimentalism of Philip Jarnach. Equal parts critical biography and interpretive analysis, Knyt’s work compels a reconsideration of Busoni’s legacy and puts forth the notion of a “Busoni School” as one that shaped the trajectory of twentieth-century music. “Erinn Knyt’s Ferruccio Busoni and His Legacy is a most welcome addition to the literature on Busoni as a fine example of research based on primary sources.” —Bach
The Rest Is Noise
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Heitor Villa-Lobos’s Bachianas Brasileiras
Author: Norton Dudeque
Publisher: Routledge
ISBN: 1000452395
Category : Music
Languages : en
Pages : 186
Book Description
Heitor Villa-Lobos’s Bachianas Brasileiras demonstrates how the composer achieved his own Brazilian neoclassical style in a group of works, nine suites in total, that is arguably one of the best examples of homage to J.S. Bach’s music in the twentieth century. In this book, the corpus of Bachianas Brasileiras is contextualized and critically examined according to its structure and intertextual aspects, as well as its relationship to Bach’s music, Brazilian popular music, and other works by contemporaries of Villa Lobos. A range of musical examples illustrate instances of the selected topics in the works, encompassing urban Brazilian popular music such as the choro, Brazilian northeast and afro rhythms, and citation of folkloric melodies. Dudeque’s comprehensive examination of the Bachianas Brasileiras will be invaluable for scholars and researchers of music theory and analysis.
Publisher: Routledge
ISBN: 1000452395
Category : Music
Languages : en
Pages : 186
Book Description
Heitor Villa-Lobos’s Bachianas Brasileiras demonstrates how the composer achieved his own Brazilian neoclassical style in a group of works, nine suites in total, that is arguably one of the best examples of homage to J.S. Bach’s music in the twentieth century. In this book, the corpus of Bachianas Brasileiras is contextualized and critically examined according to its structure and intertextual aspects, as well as its relationship to Bach’s music, Brazilian popular music, and other works by contemporaries of Villa Lobos. A range of musical examples illustrate instances of the selected topics in the works, encompassing urban Brazilian popular music such as the choro, Brazilian northeast and afro rhythms, and citation of folkloric melodies. Dudeque’s comprehensive examination of the Bachianas Brasileiras will be invaluable for scholars and researchers of music theory and analysis.