Awful Calamities; Or The Shipwrecks of December, 1839 PDF Download
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Author:
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Category : Massachusetts
Languages : en
Pages : 32
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Author:
Publisher:
ISBN:
Category : Massachusetts
Languages : en
Pages : 32
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Book Description
Author: Susan W. Kieffer
Publisher: W. W. Norton & Company
ISBN: 0393080951
Category : Nature
Languages : en
Pages : 336
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Book Description
Natural disasters bedevil our planet, and each appears to be a unique event. Leading geologist Susan W. Kieffer shows how all disasters are connected. In 2011, there were fourteen natural calamities that each destroyed over a billion dollars’ worth of property in the United States alone. In 2012, Hurricane Sandy ravaged the East Coast and major earthquakes struck in Italy, the Philippines, Iran, and Afghanistan. In the first half of 2013, the awful drumbeat continued—a monster supertornado struck Moore, Oklahoma; a powerful earthquake shook Sichuan, China; a cyclone ravaged Queensland, Australia; massive floods inundated Jakarta, Indonesia; and the largest wildfire ever engulfed a large part of Colorado. Despite these events, we still behave as if natural disasters are outliers. Why else would we continue to build new communities near active volcanoes, on tectonically active faults, on flood plains, and in areas routinely lashed by vicious storms? A famous historian once observed that “civilization exists by geologic consent, subject to change without notice.” In the pages of this unique book, leading geologist Susan W. Kieffer provides a primer on most types of natural disasters: earthquakes, tsunamis, volcanoes, landslides, hurricanes, cyclones, and tornadoes. By taking us behind the scenes of the underlying geology that causes them, she shows why natural disasters are more common than we realize, and that their impact on us will increase as our growing population crowds us into ever more vulnerable areas. Kieffer describes how natural disasters result from “changes in state” in a geologic system, much as when water turns to steam. By understanding what causes these changes of state, we can begin to understand the dynamics of natural disasters. In the book’s concluding chapter, Kieffer outlines how we might better prepare for, and in some cases prevent, future disasters. She also calls for the creation of an organization, something akin to the Centers for Disease Control and Prevention but focused on pending natural disasters.
Author: Absalom Jones
Publisher: Gale Ecco, Print Editions
ISBN: 9781379359203
Category :
Languages : en
Pages : 32
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Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library W028650 The "late publications" referred to are those of Mathew Carey, particularly his "Short account of the malignant fever, lately prevalent in Philadelphia .." - District of Pennsylvania copyright notice (p. [2]) names Jones and Richard Allen as authors. "To Philadelphia: Printed for the authors, by William W. Woodward, at Franklin's Head, no. 41, Chesnut-Street, 1794. 28 p.; 12°
Author:
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Category :
Languages : en
Pages : 898
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Author: James Everett
Publisher:
ISBN:
Category :
Languages : en
Pages : 364
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![A Discourse, delivered at the Universalist Meetinghouse in Barre, Vermont ... Nov. 24th, 1826 [in reply to Mr. Kinsman's sermon on the doctrine of universal salvation]. PDF](https://books.google.com/books/content/images/frontcover/z9wM2x4sfuAC?fife=w80-h100)
Author: John E. PALMER
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
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Author: Thomas Faulkner
Publisher:
ISBN:
Category : Chelsea (London, England)
Languages : en
Pages : 476
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Author: Thomas Faulkner (Topographer.)
Publisher:
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Category :
Languages : en
Pages : 472
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Author:
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ISBN:
Category :
Languages : en
Pages : 880
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Author: Margaretta M. Lovell
Publisher: Penn State Press
ISBN: 0271093226
Category : Art
Languages : en
Pages : 599
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Book Description
The impulse in much nineteenth-century American painting and culture was to describe nature as a wilderness on which the young nation might freely inscribe its future: the United States as a virgin land, that is, unploughed, unfenced, and unpainted. Insofar as it exhibited evidence of a past, its traces pointed to a geologic or cosmic past, not a human one. The work of the New England artist Fitz H. Lane, however, was decidedly different. In this important study, Margaretta Markle Lovell singles out the more modestly scaled, explicitly inhabited landscapes of Fitz H. Lane and investigates the patrons who supported his career, with an eye to understanding how New Englanders thought about their land, their economy, their history, and their links with widely disparate global communities. Lane’s works depict nature as productive and allied in partnership with humans to create a sustainable, balanced political economy. What emerges from this close look at Lane’s New England is a picture not of a “virgin wilderness” but of a land deeply resonant with its former uses—and a human history that incorporates, rather than excludes, Native Americans as shapers of land and as agents in that history. Calling attention to unexplored dimensions of nineteenth-century painting, Painting the Inhabited Landscape is a major intervention in the scholarship on American art of the period, examining how that body of work commented on American culture and informs our understanding of canon formation.
