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Author: Radu Stern
Publisher:
ISBN:
Category :
Languages : fr
Pages : 106
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Author: Radu Stern
Publisher:
ISBN:
Category :
Languages : fr
Pages : 106
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Author: Institut National des Métiers d'Art (INMA)
Publisher: La Documentation française
ISBN: 2111450650
Category : Art
Languages : fr
Pages : 128
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Book Description
Les pratiques au sein des métiers d’art, au carrefour de la tradition et de l’innovation, se renouvellent sans cesse. La formation devient un enjeu majeur pour le développement économique et la pérennité des entreprises. Qui s’oriente aujourd’hui vers les métiers d’art, quels sont les débouchés ? Quel cursus mène à l’exercice d’un métier d’art ? Où en est l’apprentissage dans ces métiers aujourd’hui ? Comment faciliter la transmission des savoir-faire ? Outre la présentation de filière de formation initiale et la diversité des parcours possibles, cet ouvrage évoque également les perspectives d’évolution de l’offre de formation et met en avant des initiatives et expérimentations innovantes. Un manuel utile autant pour les enseignants que pour les jeunes ou adultes cherchant un métier d'avenir.
Author: Centre de formation et de consultation en metiers d'art
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Author:
Publisher:
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Category : Canada
Languages : en
Pages : 468
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Author:
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ISBN:
Category : Textile industry
Languages : en
Pages : 460
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Author: Québec (Province). Ministre d'État au développement culturel
Publisher:
ISBN:
Category : Québec (Province)
Languages : en
Pages : 514
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Author: Riva Castleman
Publisher: ABRAMS
ISBN: 9780810961814
Category :
Languages : en
Pages : 0
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Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Author:
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Category : Nature conservation
Languages : en
Pages : 682
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Author: Georges Didi-Huberman
Publisher: MIT Press
ISBN: 0262541807
Category : Psychology
Languages : en
Pages : 387
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The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria. In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere. As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical "type"—they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's "Tuesday Lectures." Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite "cases," that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.
Author:
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Category : Child development
Languages : en
Pages : 44
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