Automated Design and Computer-aided Music Composition PDF Download
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Author: Garry Steven Sittler
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
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Book Description
Author: Garry Steven Sittler
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
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Book Description
Author: Christopher Ariza
Publisher: Universal-Publishers
ISBN: 1581122926
Category : Computers
Languages : en
Pages : 484
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Book Description
This dissertation introduces a new design for a computer-aided algorithmic music composition system. Rather than exploring specific algorithms, this study focuses on system and component design. The design introduced here is demonstrated through its implementation in athenaCL, a modular, polyphonic, poly-paradigm algorithmic music composition system in a cross-platform interactive command-line environment. The athenaCL system offers an open-source, object-oriented composition tool written in Python. The system can be scripted and embedded, and includes integrated instrument libraries, post-tonal and microtonal pitch modeling tools, multiple-format graphical outputs, and musical output in Csound, MIDI, audio file, XML, and text formats. Software design analysis is framed within a broad historical and intertextual study of the themes, approaches, and systems of computer-aided algorithmic composition (CAAC). A detailed history of the earliest experiments, as well as analysis of the foundational CAAC systems, is provided. Common problems and interpretations of CAAC are then presented in a historical and intertextual context, drawn from the writings and systems of numerous composers and developers. Toward the goal of developing techniques of comparative software analysis, a survey of system design archetypes, based on seven descriptors of CAAC systems, is presented. With this foundation, athenaCL system components are analyzed in detail. System components are divided into abstractions of musical materials, abstractions of musical procedures, and system architecture. For each component, object models, Python examples, and diagrams are provided. Further, each component is given context in terms of its compositional implications and relation to alternative and related models from the history of CAAC.
Author: Phil Winsor
Publisher:
ISBN:
Category : Computers
Languages : en
Pages : 340
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Book Description
Whether you’re a musician with no previous experience in computer programming, or a computer hobbyist interested in learning about music, Automated Music Composition has something to offer. The book contains BASIC language tutorials for beginning programmers; an overview of computer music applications; a systematic exposition of the principles and techniques of automated music composition; insights into contemporary trends in music and computerized sound; principles of MIDI-interfaced computer/synthesizers; a beginning course in music composition, showing in detail how to create a variety of sounds with the computer; step-by-step instructions for using plug-in-and-play programs; interactive MIDI programs listings ready for immediate use; over 50 BASIC routines for automated composition adapted for MIDI sequencers and synthesizers; numerous examples and programming ideas.
Author: Gerhard Nierhaus
Publisher: Springer Science & Business Media
ISBN: 3211755403
Category : Mathematics
Languages : en
Pages : 294
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Book Description
Algorithmic composition – composing by means of formalizable methods – has a century old tradition not only in occidental music history. This is the first book to provide a detailed overview of prominent procedures of algorithmic composition in a pragmatic way rather than by treating formalizable aspects in single works. In addition to an historic overview, each chapter presents a specific class of algorithm in a compositional context by providing a general introduction to its development and theoretical basis and describes different musical applications. Each chapter outlines the strengths, weaknesses and possible aesthetical implications resulting from the application of the treated approaches. Topics covered are: markov models, generative grammars, transition networks, chaos and self-similarity, genetic algorithms, cellular automata, neural networks and artificial intelligence are covered. The comprehensive bibliography makes this work ideal for the musician and the researcher alike.
Author: Marco Giommoni
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 168
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Book Description
Author: Eduardo Miranda
Publisher: CRC Press
ISBN: 1136120939
Category : Technology & Engineering
Languages : en
Pages : 228
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Book Description
Focuses on the role of the computer as a generative tool for music composition. Miranda introduces a number of computer music composition techniques ranging from probabilities, formal grammars and fractals, to genetic algorithms, cellular automata and neural computation. Anyone wishing to use the computer as a companion to create music will find this book a valuable resource. As a comprehensive guide with full explanations of technical terms, it is suitable for students, professionals and enthusiasts alike. The accompanying CD-ROM contains examples, complementary tutorials and a number of composition systems for PC and Macintosh platforms, from demonstration versions of commercial programs to exciting, fully working packages developed by research centres world-wide, including Nyquist, Bol Processor, Music Sketcher, SSEYO Koan, Open Music and the IBVA brainwaves control system, among others. This book will be interesting to anyone wishing to use the computer as a companion to create music. It is a comprehensive guide, but the technical terms are explained so it is suitable for students, professionals and enthusiasts alike.
Author: Jason Roy Cullimore
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
This thesis, and the artworks that accompany it, are the products of my Special Case, Interdisciplinary PhD program. The program allowed me to develop artworks where programmable computers are granted agency over music structure, contrasting with my prior composing practice centred on digital audio workstations and linear scores. Here I seek bridges between my established practice of linear composition and those where algorithm-design facilitates interactivity, nonlinearity, and contact be- tween human agents through innovative computer-based interfaces. I establish three types of contribution: one third my contribution to computer science, one third the artworks which I developed, and one third my critical re ection on the process. This re ection centres on my creative methodology, and ve main artistic works. These artworks include an original album of songs written from the perspective of hypo- thetical future, arti cially-intelligent machines, three exploratory interactive digital works, and a nal major project called \Shards of Memory," a composition in the form of a smartphone app. This body of work has emerged from my e orts to bal- ance the compositional a ordances of programming code with my desire to facilitate the authentic expression of human agents, including myself. I chart my traversal of an interdisciplinary borderland between music composition and computer science, and uncover fertile territories where interdisciplinary artists may challenge musical conventions by using programming languages as compositional media supporting an interplay of multiple agencies. I conclude by arguing that interdisciplinary algorithmic composers are on the vanguard of an evolution of music, and that the chronological evolution of my own doctoral work as an example of how a composer's practice may be transformed and energized by exerting composerly agency through acts of coding.
Author: Daniel V. Oppenheim
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 160
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Book Description
Author: Todd Winkler
Publisher: MIT Press
ISBN: 9780262731393
Category : Music
Languages : en
Pages : 372
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Book Description
Interactive music refers to a composition or improvisation in which software interprets live performances to produce music generated or modified by computers. In Composing Interactive Music, Todd Winkler presents both the technical and aesthetic possibilities of this increasingly popular area of computer music. His own numerous compositions have been the laboratory for the research and development that resulted in this book. The author's examples use a graphical programming language called Max. Each example in the text is accompanied by a picture of how it appears on the computer screen. The same examples are included as software on the accompanying CD-ROM, playable on a Macintosh computer with a MIDI keyboard. Although the book is aimed at those interested in writing music and software using Max, the casual reader can learn the basic concepts of interactive composition by just reading the text, without running any software. The book concludes with a discussion of recent multimedia work incorporating projected images and video playback with sound for concert performances and art installations.
Author: Robert Plotkin
Publisher: Stanford University Press
ISBN: 0804756996
Category : Law
Languages : en
Pages : 281
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Book Description
The Genie in the Machine examines how computers are being used to automate the process of inventing, and explains the steps that high-tech companies, patent lawyers, inventors, and consumers should take to thrive in the upcoming Artificial Invention Age.
