Author: Isaac F Marcosson
Publisher: Legare Street Press
ISBN: 9781019476031
Category :
Languages : en
Pages : 0
Book Description
This biography offers an in-depth look at the life of Charles Frohman, one of the most influential theater managers of the late nineteenth and early twentieth centuries. The book explores Frohman's life and work, including his relationships with some of the most famous actors and actresses of his day. Frohman's impact on the theater world was immense, and this book provides a valuable perspective on his legacy. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Charles Frohman Manager And Man
Publications 1934
Author: United States. National Recovery Review Board
Publisher:
ISBN:
Category :
Languages : en
Pages : 772
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 772
Book Description
The Big Broadcast 1920-1950
Author: Frank Buxton
Publisher:
ISBN: 9780380010585
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780380010585
Category :
Languages : en
Pages : 0
Book Description
The Theatre
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 580
Book Description
Vol. 1 includes Our player's gallery.
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 580
Book Description
Vol. 1 includes Our player's gallery.
Theatre Magazine
Author: W. J. Thorold
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 524
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 524
Book Description
Marching Along
Author: John Philip Sousa
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages : 0
Book Description
The Tyranny of Tears ...
Author: Charles Haddon Chambers
Publisher:
ISBN:
Category :
Languages : en
Pages : 176
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 176
Book Description
Picture Theatre Advertising
Author: Epes Winthrop Sargent
Publisher:
ISBN:
Category : Advertising
Languages : en
Pages : 320
Book Description
Publisher:
ISBN:
Category : Advertising
Languages : en
Pages : 320
Book Description
The Stage Year Book
Author: Lionel Carson
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 428
Book Description
Vols. for 1908-10 include the section: The Stage provincial guide; 1950-52: The Stage guide. (Other years published separately).
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 428
Book Description
Vols. for 1908-10 include the section: The Stage provincial guide; 1950-52: The Stage guide. (Other years published separately).
Trelawny of The "Wells"
Author: Arthur Wing Pinero
Publisher: R. H. Russell
ISBN:
Category :
Languages : en
Pages : 190
Book Description
Example in this ebook THE FIRST ACT. The scene represents a sitting room on the first floor of a respectable lodging house. On the right are two sash-windows, having Venetian blinds and giving a view of houses on the other side of the street. The grate of the fireplace is hidden by an ornament composed of shavings and paper roses. Over the fireplace is a mirror: on each side there is a sideboard cupboard. On the left is a door, and a landing is seen outside. Between the windows stand a cottage piano and a piano stool. Above the sofa, on the left, stands a large black trunk, the lid bulging with its contents and displaying some soiled theatrical finery. On the front of the trunk, in faded lettering, appear the words "Miss Violet Sylvester, Theatre Royal, Drury Lane." Under the sofa there are two or three pairs of ladies' satin shoes, much the worse for wear, and on the sofa a white-satin bodice, yellow with age, a heap of dog-eared playbooks, and some other litter of a like character. On the top of the piano there is a wig-block, with a man's wig upon it, and in the corners of the room there stand some walking sticks and a few theatrical swords. In the center of the stage is a large circular table. There is a clean cover upon it, and on the top of the sideboard cupboards are knives and forks, plate, glass, cruet-stands, and some gaudy flowers in vases—all suggesting preparations for festivity. The woodwork of the room is grained, the ceiling plainly whitewashed, and the wall paper is of a neutral tint and much faded. The pictures are engravings in maple frames, and a portrait or two, in oil, framed in gilt. The furniture, curtains, and carpet are worn, but everything is clean and well-kept. The light is that of afternoon in early summer. Mrs. Mossop—a portly, middle-aged Jewish lady, elaborately attired—is laying the tablecloth. Ablett enters hastily, divesting himself of his coat as he does so. He is dressed in rusty black for "waiting." To be continue in this ebook
Publisher: R. H. Russell
ISBN:
Category :
Languages : en
Pages : 190
Book Description
Example in this ebook THE FIRST ACT. The scene represents a sitting room on the first floor of a respectable lodging house. On the right are two sash-windows, having Venetian blinds and giving a view of houses on the other side of the street. The grate of the fireplace is hidden by an ornament composed of shavings and paper roses. Over the fireplace is a mirror: on each side there is a sideboard cupboard. On the left is a door, and a landing is seen outside. Between the windows stand a cottage piano and a piano stool. Above the sofa, on the left, stands a large black trunk, the lid bulging with its contents and displaying some soiled theatrical finery. On the front of the trunk, in faded lettering, appear the words "Miss Violet Sylvester, Theatre Royal, Drury Lane." Under the sofa there are two or three pairs of ladies' satin shoes, much the worse for wear, and on the sofa a white-satin bodice, yellow with age, a heap of dog-eared playbooks, and some other litter of a like character. On the top of the piano there is a wig-block, with a man's wig upon it, and in the corners of the room there stand some walking sticks and a few theatrical swords. In the center of the stage is a large circular table. There is a clean cover upon it, and on the top of the sideboard cupboards are knives and forks, plate, glass, cruet-stands, and some gaudy flowers in vases—all suggesting preparations for festivity. The woodwork of the room is grained, the ceiling plainly whitewashed, and the wall paper is of a neutral tint and much faded. The pictures are engravings in maple frames, and a portrait or two, in oil, framed in gilt. The furniture, curtains, and carpet are worn, but everything is clean and well-kept. The light is that of afternoon in early summer. Mrs. Mossop—a portly, middle-aged Jewish lady, elaborately attired—is laying the tablecloth. Ablett enters hastily, divesting himself of his coat as he does so. He is dressed in rusty black for "waiting." To be continue in this ebook