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Author: Orson Lee Treloar
Publisher:
ISBN:
Category :
Languages : en
Pages : 364
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Book Description
Robert Treloar and Alice John were married in 1574 at Wendron, Cornwall, England. They had eleven children, 1573-1588/9, all born at Wendron. Their descendant, Bennet Treloar, was born in 1781 at Wendron, the son of James Treloar (1744-1824). He married Ann Tremaine (1789-1872) in 1810 at Wendron. They had thirteen children, 1811-1834. Bennet and Ann Treloar and some of their children immigrated to the United States in 1853. He died at Linden, Wisconsin, in 1853. She died at the home of her daughter at Ogden, Iowa. Descendants listed lived in Wisconsin, Iowa, Minnesota, Cornwall, England, and elsewhere. Record chiefly follows line of descent to the author, Dr. Orson Lee Treloar. He was born in 1901 at Ogden, Iowa. He married twice and was the father of five children. Descendants listed lived in Iowa, Colorado, Utah, Ohio, and elsewhere. He was living at Afton, Wyoming, when the book was published.
Author: Orson Lee Treloar
Publisher:
ISBN:
Category :
Languages : en
Pages : 364
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Book Description
Robert Treloar and Alice John were married in 1574 at Wendron, Cornwall, England. They had eleven children, 1573-1588/9, all born at Wendron. Their descendant, Bennet Treloar, was born in 1781 at Wendron, the son of James Treloar (1744-1824). He married Ann Tremaine (1789-1872) in 1810 at Wendron. They had thirteen children, 1811-1834. Bennet and Ann Treloar and some of their children immigrated to the United States in 1853. He died at Linden, Wisconsin, in 1853. She died at the home of her daughter at Ogden, Iowa. Descendants listed lived in Wisconsin, Iowa, Minnesota, Cornwall, England, and elsewhere. Record chiefly follows line of descent to the author, Dr. Orson Lee Treloar. He was born in 1901 at Ogden, Iowa. He married twice and was the father of five children. Descendants listed lived in Iowa, Colorado, Utah, Ohio, and elsewhere. He was living at Afton, Wyoming, when the book was published.
Author: Edwin Arnold Brenholtz
Publisher:
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Category : American poetry
Languages : en
Pages : 120
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Author: John Charles Cox
Publisher:
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Category : Church records and registers
Languages : en
Pages : 404
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Category : Securities
Languages : en
Pages : 446
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Author: Henry E. Noyes
Publisher: Wentworth Press
ISBN: 9781010140665
Category : History
Languages : en
Pages : 440
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Frederick W. Thornsby
Publisher:
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Category : Organ (Musical instrument)
Languages : en
Pages : 492
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Author: Mary Mullen
Publisher:
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Category : Aesthetics
Languages : en
Pages : 94
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ISBN:
Category :
Languages : en
Pages : 706
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Category : Gentry
Languages : en
Pages : 1704
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Author: Albert C. Barnes
Publisher: Forgotten Books
ISBN: 9781397177063
Category :
Languages : en
Pages : 480
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Book Description
Excerpt from The Art of Cezanne The problem of the observer is to recognize this individuality and to share the values communicated in and through it. He must be able to identify plastic form when he encounters it in a picture, that is, to distinguish between an organic union of insights won by personal experience, and plastic clichés assembled according to a stereotyped formula. He must, in brief, learn to see, and the process is long and arduous, involving as it does constant practice in the sharpening of perceptions of color, of the play of light and shadow, of the sequence and rhythm of line and mass, of the inter relationships between these factors that endow each of them with meaning. It requires a knowledge of the traditions of painting and of the technical means by which the artist works. Competently applied, the process yields results inaccessible to casual or un trained observation, and when guided by scientific method it de velops an objective criterion or standard of judgment of the same order of certitude as the findings of pure science. Our efforts to apply the scientific method to a study of Cé zaune's work has required a detailed examination of his technique and form, as they emerged throughout the course of his develop ment. The investigation began twenty-five years ago, and by 1925 had reached a stage that seemed to warrant publication of a sec tion, entitled The Development of Cézanne's Technique, in the first edition of our book The Art in Painting. 1 This chapter was omitted from subsequent editions because continued study of a steadily increasing number of Cézanne's pictures showed the data upon which it was based to have been inadequate. Our study, as presented herewith, amplifies the earlier investigation by including the significant findings of detailed analyses of practically all of Cézanne's important paintings, from the beginning to the end of his career. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
