AUTOBIOGRAPHY OF VITTORIO ALFIERI, THE TRAGIC POET PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download AUTOBIOGRAPHY OF VITTORIO ALFIERI, THE TRAGIC POET PDF full book. Access full book title AUTOBIOGRAPHY OF VITTORIO ALFIERI, THE TRAGIC POET by VITTORIO. ALFIERI. Download full books in PDF and EPUB format.
Author: VITTORIO. ALFIERI
Publisher:
ISBN: 9781033179314
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: VITTORIO. ALFIERI
Publisher:
ISBN: 9781033179314
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Vittorio Alfieri
Publisher:
ISBN:
Category : Poets, Italian
Languages : en
Pages : 298
Get Book Here
Book Description
Author: Vittorio Alfieri
Publisher:
ISBN:
Category : Poets, Italian
Languages : en
Pages : 284
Get Book Here
Book Description
Author: Vittorio 1749-1803 Alfieri
Publisher: Wentworth Press
ISBN: 9781360482293
Category : History
Languages : en
Pages : 284
Get Book Here
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: C. Lester
Publisher: BoD – Books on Demand
ISBN: 3368871986
Category : Fiction
Languages : en
Pages : 278
Get Book Here
Book Description
Reprint of the original, first published in 1845.
Author: Charles Edwards Lester
Publisher: Palala Press
ISBN: 9781358377082
Category :
Languages : en
Pages :
Get Book Here
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Vittorio Alfieri
Publisher:
ISBN: 9781331004875
Category : Law
Languages : en
Pages : 274
Get Book Here
Book Description
Excerpt from The Autobiography of Vittorio Alfieri, the Tragic Poet: Born at Asti, 1749 Died at Florence, 1803 Thought has always been free, even under despotisms. More burning is the shame, that we, who boast of our political independence, still drag the chain of British criticism. Who will deny it, when our writers dread the British Journalists more than our own, and the vulgarity of a Trollope, and the puerile carping of a Dickens, cut us to the quick? Our Statesmen of the Revolution broke away from the political systems of the Old World, and established one of their own: they made good their Declaration by a system of warfare Alexander and Caesar would have laughed at. Our Artists have abandoned the schools, and the precedents of ages, and are leading the way to brighter and higher fields of Art. Our Authors, too, are beginning to turn aside from stereotyped formulas, and leap the deep channels where thought has been forced for ages to flow; and a single generation will not pass before they will have severed the last link in the foul chain that has bound us. This is the spirit that has already given us a National Literature, and when an American Congress can be got together, who consider Bancroft's History, and Prescott's Ferdinand and Isabella, worth as much as the filthy dreams of Eugene Sue and Paul de Kock, then it will become an object for Americans to write such books. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Author: Vittorio ALFIERI (Count.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 282
Get Book Here
Book Description
Author: Blair Hoxby
Publisher: Oxford University Press
ISBN: 0191065994
Category : Literary Criticism
Languages : en
Pages : 377
Get Book Here
Book Description
Twentieth century critics have definite ideas about tragedy. They maintain that in a true tragedy, fate must feel the resistance of the tragic hero's moral freedom before finally crushing him, thus generating our ambivalent sense of terrible waste coupled with spiritual consolation. Yet far from being a timeless truth, this account of tragedy only emerged in the wake of the French Revolution. What Was Tragedy? demonstrates that this account of the tragic, which has been hegemonic from the early nineteenth century to the present despite all the twists and turns of critical fashion in the twentieth century, obscured an earlier poetics of tragedy that evolved from 1515 to 1795. By reconstructing that poetics, Blair Hoxby makes sense of plays that are "merely pathetic, not truly tragic," of operas with happy endings, of Christian tragedies, and of other plays that advertised themselves as tragedies to early modern audiences and yet have subsequently been denied the palm of tragedy by critics. In doing so, Hoxby not only illuminates masterpieces by Shakespeare, Calderón, Corneille, Racine, Milton, and Mozart, he also revivifies a vast repertoire of tragic drama and opera that has been relegated to obscurity by critical developments since 1800. He suggests how many of these plays might be reclaimed as living works of theater. And by reconstructing a lost conception of tragedy both ancient and modern, he illuminates the hidden assumptions and peculiar blind-spots of the idealist critical tradition that runs from Schelling, Schlegel, and Hegel, through Wagner, Nietzsche, and Freud, up to modern post-structuralism.
Author: Herman Melville
Publisher: Northwestern University Press
ISBN: 0810111128
Category : Literary Criticism
Languages : en
Pages : 961
Get Book Here
Book Description
Although he surprised the world in 1866 with his first published book of poetry, Battle-Pieces and Aspects of the War, Herman Melville had long been steeped in poetry. This new offering in the authoritative Northwestern-Newberry series, The Writings of Herman Melville, with a historical note by Hershel Parker, is testament to Melville the poet. Penultimate in the publication of the series, Published Poems follows the release of Melville’s verse epic, Clarel (1876), and with it, contains the entirety of the poems published during Melville’s lifetime: Battle-Pieces, as well as John Marr and Other Sailors, with Some Sea-Pieces (1888), and Timoleon Etc. (1891). Battle-Pieces and Aspects of the War has long been recognized as a great contribution to the poetry of the Civil War, comparable only to Whitman’s Drum-Taps. Its idiosyncrasies, many of them grounded in British poetry, kept it from immediate popularity, but it was not the production of a novice. Melville had made himself over into a poet in the late 1850s and had tried to publish a previous collection of poetry—now lost—in 1860. John Marr and Other Sailors is a retrospective nautical book. Its portraits of sailors were influenced by Melville’s own experience of aging as well as by his long acquaintance with wasted mariners at the Sailors’ Snug Harbor on Staten Island, where his brother was governor. The book modulates into "Sea-Pieces," including the grisly "Maldive Shark" and "To Ned," a powerful reflection on how Melville’s personal adventures with the Typee islanders in 1842 had accrued rich historical significance over the decades. Thematically less unified, Timoleon Etc. contains poems with many European and exotic settings from ancient to modern times. The most famous are "After the Pleasure Party" and "The Age of the Antonines." Published in the last year of Melville’s life, some of the poems were first written many years earlier; for example, Melville copied "The Age of the Antonines" out for his brother-in-law in 1877, describing it as something found in a bundle of old papers. One whole section seems to have been almost entirely salvaged from the unpublished 1860 volume of poetry. As with the other volumes in the Northwestern-Newberry series, the aim of this edition of Published Poems is to present a text as close to the author’s intention as surviving evidence permits. To that end, the editorial appendix includes a historical note by Hershel Parker, the dean of Melville scholars, which gives a compelling, in-depth account of how one of America’s greatest writers grew into the vocation of a poet; an essay by G. Thomas Tanselle on the printing and publishing history of the works in Published Poems; a textual record that identifies the copy-texts for the present edition and explains the editorial policy; and substantial scholarly notes on individual poems.
